How Great Is Our God - Bass Edition: Bass Guitar Solo: Instrumental Album

Yorke Edition-Born in Oxford in 1917 Francis Baines was a well-known and much respected professional double bass player. He studied at the Royal College of Music in London with Claude Hobday where he later taught. Something of an eccentric he immersed himself in early music at a time when few people were taking it seriously. He owned a beautiful Amati bass that he had restored as a violone which it probably was originally and he was a regular fixture as a principal player in a number of orchestras and ensembles that dedicated themselves to period performing including those directed by Denys Darlow with whom he broadcast and recorded frequently.Besides playing the doublebass Francis Baines was an exponent of the treble viol and led the Jaye Consort of Viols which he founded. He also played several kinds of bagpipe and the hurdy-gurdy. As a composer he dabbled in many styles one of his greatest claims to fame being that of writing for the popular Hoffnung concerts in the 1960s. He was the author of a number of papers about the history of the double bass sometimes arriving at scholarly conclusions that were colourful if not always entirely accurate. He discovered the Giovannino del Violone sonatas subsequently published by Yorke Edition although today it is thought that they were probably not written for a 16' pitch instrument at all. His edition of the Capuzzi double bass concerto published by Boosey & Hawkes was for many years one of the few solo works available for the instrument. This however he largely re-composed because he thought it could be improved: towards the end of his life he confessed that with hindsight he probably should have treated it differently.Grounds was written in 1969 as a sort of party piece and was given to Yorke Edition in support of a drive to enlarge the repertoire for the instrument in a wide variety of styles. It was set on the syllabus of the Associated Board of the Royal Schools of Music for many years.Francis Baines died

Worship Band Playalong Volume 3-The Worship Band Play-Along series is a flexible tool for worship leaders and bands. Each volume offers five separate correlated book/CD packs: Guitar Keyboard Bass Drumset and Vocal.Bands can use the printed music and chord charts to play live together and members can rehearse at home with the CD tracks. Worship Leaders without a band can play/sing along with the CD for a fuller sound. The eight songs in each volume follow a similar theme for easy set selection and the straightforward arrangements are perfect for bands of any level.

Omnibus Edition revised-This Omnibus Edition contains the complete Absolute Beginners Bass course in one complete and convenient package! The Absolute Beginners method has been designed to tellyou everything you need to know from the very first time you pick up your Bass Guitar. This edition also features a unique download card with professional demonstration and accompaniment tracks allowing you to start playing musicright away.In one great book you'll get:A look-and-learn course that uses clear pictures instead of long explanationsPractical advice and tips covering everything you need to know about setting up playing and maintenanceAudio tracks on the accompanying download card show you how things should soundFull-length accompaniment tracks to play along with!This complete OmnibusEdition of Absolute Beginners Bass Guitar contains possibly all the information and practical guidance you'll need to learn the very basics of the Bass right up to playing your first tunes. Writtenby established bassist and teacher Phil Mulford you will be introduced to the parts of the Bass Guitar tuning and how to hold it before rapidly learning your first notes grooves bass lines and by the end of book 2 riffs slapping funk and a full song!If you are looking for an 'owner's manual' approach to learning to play the Bass Guitar that makes it easier than ever before look no further than this collated edition of AbsoluteBeginners now featuring a practical download card.

Bass Clef Edition-Bass Clef Edition. The Real Books are the best-selling jazz books of all time. Since the 1970s musicians have trusted these volumes to get them through every gig night after night. The problem is that the books were illegally produced and distributed without any regard to copyright law or royalties paid to the composers who created these musical masterpieces. Hal Leonard is very proud to present the first legitimate and legal editions of these books ever produced. You won't even notice the difference other than all the notorious errors being fixed: the covers and typeface look the same the song list is nearly identical and the price for our editionis even cheaper than the original! Every conscientious musician will appreciate that these books are now produced accurately and ethically benefitting the songwriters that we owe for some of the greatest tunes of all time! This edition includes 400 songs: All Blues Au Privave Autumn Leaves Black Orpheus Bluesette Body and Soul Bright Size Life Con Alma Dolphin Dance Don't Get Around Much Anymore Easy Living Epistrophy Falling in Love with Love Footprints Four on Six Giant Steps Have You Met Miss Jones? How High the Moon I'll Remember April Impressions Lullaby of Birdland Misty My Funny Valentine Oleo Red Clay Satin Doll Sidewinder Stella by Starlight Take Five There Is No Greater Love Wave and hundreds more!

The Hal Leonard Bass Method is designed for anyone just learning to play electric bass. It is based on years of teaching bass students of all ages and it also reflects some of the best bass teaching ideas from around the world. Book 3 includes: More great songs riffs and examples; sixteenth notes; playing on and off chords; slap and pop; hammer-ons and pull-offs; playing different styles and grooves. Includes 76 full-band tracks available online for demonstration or play along.

Par TAYLOR SUE. Blow the Oboe and Blow the Bassoon are comprehensive tutors, each published in two volumes, with separate piano accompaniment books for the teacher. They combine to give students the greatest possible pleasure from the development of their musical potential. Starting off with the very basics, Sue Taylor gradually introduces more difficult material. Each volume includes studies, playing pieces, scales, arpeggios and much more. These tutor books are set as prescribed teaching material on the current AMEB (Australian Music Examination Board) manual of syllabuses for both Oboe and Bassoon. / Date parution : 2023-10-31/ Méthode / Basson

Par TAYLOR SUE. Blow the Oboe and Blow the Bassoon are comprehensive tutors, each published in two volumes, with separate piano accompaniment books for the teacher. They combine to give students the greatest possible pleasure from the development of their musical potential. Starting off with the very basics, Sue Taylor gradually introduces more difficult material. Each volume includes studies, playing pieces, scales, arpeggios and much more. These tutor books are set as prescribed teaching material on the current AMEB (Australian Music Examination Board) manual of syllabuses for both Oboe and Bassoon. / Date parution : 2023-10-31/ Méthode / Basson

Percussion optional. / Niveau : Assez Facile / Répertoire / 2 Trombones Basse et Piano

Miniature was composed in 1985 and is a rhapsodic work of great character and ingenuity. A supportive and effective piano accompaniment contrasts a lyrical and cantabile solo double bass albeit in a mildly modern idiom and there are opportunities to demonstrate both musical and technical skills within a short timespan. This should appeal to anyone who enjoys the music of Teppo Hauta-aho and his personal soundworld and effective techniques. It utilses a wide range of the double bass offering a range of musical and technical challenges for the adventurous and enquiring bassist. The edition includes piano accompaniments for both solo and orchestraltunings.

This new publication replaces the old Latham edition (now out of print) - popular title on both ABRSM and TG double bass syllabuses (grade 7).Dennis Leogrande writes:I began writing the melody first although every piece begins differently. I wanted to begin with a sound that for me is very characteristic of the bass that being the ½ step slide from G# to A. Looking throughout the piece you will notice other slides ie. bars 1 3 5 7 12 14 16 18 38 58 114 116 18 120 123 125 and 127. Please don't forget to notice the grace note slide in measure 100. These are the melodic motifs that give the piece its character and act as hooks(memorable ideas) for the listener to latch on to. Once I began writing the melody it just grew organically from the original idea. I hope you feel the same organic growth. The shifting harmonic tonalities (between D major and D minor) seem to ask the question 'May I?' and keep the listener involved in trying to answer the question. The jazz style keeps the 'question' light hearted a little 'tongue in cheek.' However playing this piece requires attention to these details and a great deal of musicianship. It's the fine musician who understands both the music and the instrument who can make a difficult and complicated piece sound easy light and fun. Oh and yes please enjoy!