Hope Publishing Co.: Just A Closer Walk With Thee: TTBB: Vocal Score

Opening with the ethereal sound of singing bells and suspended malleted bells this setting takes listeners and performers on a musical journey. The inspirational original 'B' section originates from the melody itself and leads to the return of the melody for a final stanza. This time accompanied by optional arpeggiated chimes. The composition concludes just as it started completing the musical journey with the heavenly sounds of the singing bell. Opening with the ethereal sound of singing bells and suspended malleted bells this setting takes listeners and performers on a musical journey. The inspirational original 'B' section originates from the melody itself and leads to the return of the melody for a final stanza. This time accompanied by optional arpeggiated chimes. The composition concludes just as it started completing the musical journey with the heavenly sounds of the singing bell.

This sensational David Haas hymn is now available for SATB choirs in this new choral setting by the talented arranger Mark Hayes. Abounding with energy this anthem centers on the words of Micah 6:8 'to act with justice to love tenderly and to serve one another. ' This central message of our faith makes this useful for themes of unity social concerns and commitment This sensational David Haas hymn is now available for SATB choirs in this new choral setting by the talented arranger Mark Hayes. Abounding with energy this anthem centers on the words of Micah 6:8 'to act with justice to love tenderly and to serve one another. ' This central message of our faith makes this useful for themes of unity social concerns and commitment

Bruce Springsteen's new album High Hopes debuted at #1 in the United States and in 9 other countries. It reached #1 in 30 countries on the iTunes album charts. This folio contains Piano/Vocal/Guitar arrangements and separate lyric pages for each of the 12 songs on the album. / Piano/Vocal/Guitare (PVG)

Solo Version (Printed Edition)-I have finally decided to re-create the already-daunting Rach 3 into an even more horrifying but also emotionally satisfying project which was to make such a large-scale arrangement for solo piano requesting the pianist to combine both the piano and the orchestral accompaniment of Rachmaninoff's original crowning achievement thus merging an 80-people orchestral sonority onto one person. The process of this project was one of the most artistically educational experiences for me as I couldn't just take the original score and copy and paste it onto the same instrument which would've been meaningless and would simply sound like a mess. One has to really work as a sensitivecomposer to know the differences between the timbres and colors of the piano and that of the orchestra which requires me to re-arrange registers minor shifts of structural obstacles avoidance of over-toned harmonies and attempt to make it sound like as if it was conceived originally as a grand solo piano sonata instead of just some crazy transcription for showing off. I hope this new version of the Rach 3 can achieve a different kind of in-depth virtuosity and emotional scope and that it may attract interest from my contemporary and future pianists or musicians.

Flute and Piano-A respected pianist violinist and composer the career of Sweden's Amanda Maier (1853-1894) was tragically cut short from tuberculosis. Her musical activities brought her into contact with the likes of Brahms Grieg and Reinecke and her own style exudes the Romantic spirit of her time. Her Sonata for Violin and Piano in b minor (1878) is a brilliant and substantial work which is finally gaining the recognition it deserves. This new edition makes the work available to flutists for the first time with very few alterations to the original violin part. We hope that this edition will make this unjustly neglected sonata accessible to students performers and music lovers.

Original Version - Edition for Cello and Piano. Par SCHUMANN ROBERT. Schumann’s Cello Concerto Rediscovered In her first Urtext edition for Edition Peters, internationally renowned cellist Josephine Knight reveals Robert Schumann’s original version of his Cello Concerto in A minor Op. 129 – a piece he actually called a ‘Concertstück’ – removing generations of inauthentic editorial interventions. This is the only available modern scholarly edition of the work as Schumann originally conceived it, and restores the text from October 1850, based on the composer’s manuscript held in the Biblioteka Jagiellonska in Kraków. This Full Score matches the separately available edition for Cello and Piano (EP 73488). Matching orchestral material is also available from the publisher. Only modern Urtext edition based on Schumann’s original 1850 manuscript Many new corrections and clarifications, especially to the cello part Scholarly preface detailing history of the work and this edition by editor Josephine Knight, Piatti Professor of Cello at the Royal Academy of Music London Cello Part contains Josephine Knight's fingering and bowing suggestions Critical Commentary Cello and piano edition available separately from Edition Peters: orchestral parts available for rental Recording of the Concertstück featuring Josephine Knight available from Dutton Robert Schumann’s tragic last years have mired many of his greatest works in unnecessary doubt. The story of the suppression of his Violin Concerto by well-meaning friends is relatively well-known. Few, however, know that the version of the Cello Concerto that is routinely heard today is so far from Schumann’s original conception of the work – not only in details of phrasing and articulation, but also featuring a different ending with a bold final flourish from the cello. Composed in a burst of inspiration in two weeks in October 1850 shortly after he and Clara had moved to Düsseldorf, Schumann (who in 1850 was still in good health) never heard the piece performed. In an effort to promote a performance of the work, he gave the score to the cellist Robert Emil Bockmühl. Bockmühl made revisions that Schumann resisted, and the hoped-for performance never happened. Schumann’s health failed and he died aged just 46 in 1856. The Concerto, in an already substantially revised form, was premiered in 1860 but it was not given significant recognition until it was championed by Pablo Casals in the 20th century by which time (and since) the text for the work had accreted additions and alterations from generations of soloists. Now Josephine Knight, Piatti Professor of Cello at the Royal Academy of Music, London has returned to the original 1850 manuscript of the work, which is in the Biblioteka Jagiellonska in Kraków, to reveal Schumann’s original thoughts for the first time in a modern Urtext edition. The edition reflects Schumann’s original conception of the work as a Concertstück and restores Schumann’s musical text, free of posthumous interventions. ‘My ultimate wish,’ says the editor, ‘is to give performers both access to, and confidence that they are playing from, an edition which is a true representation of the piece in its original form, no matter how much more difficult this might be. I found that incorporating the changes enabled the piece to take on a completely different character – one that is lighter and happier, even “cheerful”, as Schumann himself described the work.'/ Répertoire / Violoncelle et Piano

3rd Edition. Par PHILLIPS PAMELIA S.. Go from singing in the shower to taking your audience\'s breath away Whether you picture yourself as the next Ariana Grande or just feel like picking up a new hobby, Singing For Dummies walks you through the surprisingly straightforward steps you\'ll need to take to develop your voice. It\'s a practical guide to every important aspect of singing, from vocal techniques to performance tips. You\'ll learn exercises and practice songs that gradually improve your craft and receive instruction on the latest technology and recording devices to capture and play back your songs. Singing For Dummies also shows you how to: Understand and use important singing techniques, improve your tone, upgrade your posture, and maximise your breath Maintain your voice with preventative self-care that keeps your vocal cords in tiptop shape Sing with instrumental accompaniment or with a partner in a duet Perfect for men, women, boys, and girls, Singing For Dummies is the most intuitive and accessible resource on the market for anyone who hopes to find their voice. / Date parution : 2022-06-08/ Méthode / Chant