Heinrich Schütz: Rejoice With The Wife Of Thy Youth: SATB: Vocal Score

SATB Voices, (Tr) Ctto, 3 Trb, Basso Continuo

SKU: CA.2045311

Composed by Heinrich Schutz. Edited by Uwe Wolf. Sacred vocal music. Stuttgart Urtext Edition: Schutz. Basso continuo. Sacred vocal music. Single Part, basso continuo. SWV 453. Duration 4 minutes. Carus Verlag #CV 20.453/11. Published by Carus Verlag (CA.2045311).

ISBN 9790007249298. Language: German.

This composition survives in the sources as a wedding song, even though the occasion it was written for is not known. It is stylistically close to the Symphoniae sacrae I, sharing its exquisite scoring with the last composition in the set (Bucinate in neomenia tuba/Jubilate Deo) with concertante instrumental parts for cornett and trumpet (or two cornetts). The text, taken from Proverbs, has an opening verse in triple meter which recurs in the middle (shortened) and at the end of the composition in the style of a ritornello, then commonly found in Italy. This verse ends with a characteristically dissonant transition for the upper instrumental parts to the final chord - as the key message of the composition. Score and part available separately - see item CA.2045300.

SATB Voices, (Tr) Ctto, 3 Trb, Basso Continuo

SKU: CA.2045305

Composed by Heinrich Schutz. Edited by Uwe Wolf. Sacred vocal music. Stuttgart Urtext Edition: Schutz. Sacred vocal music. Choral Score. SWV 453. Duration 4 minutes. Carus Verlag #CV 20.453/05. Published by Carus Verlag (CA.2045305).

ISBN 9790007239770. Language: German.

This composition survives in the sources as a wedding song, even though the occasion it was written for is not known. It is stylistically close to the Symphoniae sacrae I, sharing its exquisite scoring with the last composition in the set (Bucinate in neomenia tuba/Jubilate Deo) with concertante instrumental parts for cornett and trumpet (or two cornetts). The text, taken from Proverbs, has an opening verse in triple meter which recurs in the middle (shortened) and at the end of the composition in the style of a ritornello, then commonly found in Italy. This verse ends with a characteristically dissonant transition for the upper instrumental parts to the final chord - as the key message of the composition. Score available separately - see item CA.2045300.