Havanaise, op. 83

SKU: BR.OB-15136-23

In Cooperation with G. Henle Verlag

ISBN 9790004341322. 10 x 12.5 inches.

The Havanaise possibly has its roots in the friendship of the composer with the Cuban-born violinist Rafael Diaz Albertini. It is thus perfectly plausible that Saint-Saens borrowed the Cuban syncopated slow dance Habanera out of kindness towards his performance partner when he was getting ready to write a work for Diaz Albertini in 1887. Saint-Saens originally wrote a version for violin and piano, which was later followed by the orchestral version that the publisher Durand had urged him to write. Diaz Albertini, to whom the work was dedicated, gave its world premiere before other virtuosos adopted it for themselves and spread its fame throughout the world. The basis of this first Urtext edition of the piece is the first edition, which was presumably personally overseen by Saint-Saens.

SKU: BR.OB-15136-16

In Cooperation with G. Henle Verlag

ISBN 9790004341308. 10 x 12.5 inches.

The Havanaise possibly has its roots in the friendship of the composer with the Cuban-born violinist Rafael Diaz Albertini. It is thus perfectly plausible that Saint-Saens borrowed the Cuban syncopated slow dance Habanera out of kindness towards his performance partner when he was getting ready to write a work for Diaz Albertini in 1887. Saint-Saens originally wrote a version for violin and piano, which was later followed by the orchestral version that the publisher Durand had urged him to write. Diaz Albertini, to whom the work was dedicated, gave its world premiere before other virtuosos adopted it for themselves and spread its fame throughout the world. The basis of this first Urtext edition of the piece is the first edition, which was presumably personally overseen by Saint-Saens.

SKU: BR.OB-15136-27

In Cooperation with G. Henle Verlag

ISBN 9790004341339. 10 x 12.5 inches.

The Havanaise possibly has its roots in the friendship of the composer with the Cuban-born violinist Rafael Diaz Albertini. It is thus perfectly plausible that Saint-Saens borrowed the Cuban syncopated slow dance Habanera out of kindness towards his performance partner when he was getting ready to write a work for Diaz Albertini in 1887. Saint-Saens originally wrote a version for violin and piano, which was later followed by the orchestral version that the publisher Durand had urged him to write. Diaz Albertini, to whom the work was dedicated, gave its world premiere before other virtuosos adopted it for themselves and spread its fame throughout the world. The basis of this first Urtext edition of the piece is the first edition, which was presumably personally overseen by Saint-Saens.

SKU: BR.PB-15137-07

ISBN 9790004214732. 6.5 x 9 inches.

The Havanaise possibly has its roots in the friendship of the composer with the Cuban-born violinist Rafael Diaz Albertini. It is thus perfectly plausible that Saint-Saens borrowed the Cuban syncopated slow dance Habanera out of kindness towards his performance partner when he was getting ready to write a work for Diaz Albertini in 1887. Saint-Saens originally wrote a version for violin and piano, which was later followed by the orchestral version that the publisher Durand had urged him to write. Diaz Albertini, to whom the work was dedicated, gave its world premiere before other virtuosos adopted it for themselves and spread its fame throughout the world. The basis of this first Urtext edition of the piece is the first edition, which was presumably personally overseen by Saint-Saens.

SKU: LM.27002

ISBN 9790230970020.

STRA VINSKY : Petrouchka - DAMASE : Berceuse de la lande - TCHAIKOVSKY : Valse de la Belle au bois dormant - SCHUBERT : Lied - MENDELSSOHN : Lied - DVORAK : Danse slave n. 7 Op.46 - DEBUSSY : Petite suite (menuet) - HAYDN : Sonate - SAINT-SAENS : La Havanaise - SCHUMANN : 4eme symphonie (2eme mouv.) - LABROUSSE : d'apres Clementi - TRADITIONNEL : Chanson d'Armorique - Berceuse slave - MOUSSORGSKY : Les Cloches de Novgorod - THUILLIER : Valse, jolie valse - SCHUBERT : Fischerweise - DES : Mon ami le poisson - LAPOINTE : Le Poisson Fa - TRADITIONNEL : Danse (Bulgare) - SCHUMANN : Soldatenlied - TRADITIONNEL : Mansikka (Finnois) - SALIERI : Le Jongleur - ROSA : En excursion - ROY : La petite Rose - TRADITIONNEL : Le grand frere et la petite soeur - Chanson catalane.

SKU: BR.OB-15136-15

In Cooperation with G. Henle Verlag

ISBN 9790004341292. 10 x 12.5 inches.

The Havanaise possibly has its roots in the friendship of the composer with the Cuban-born violinist Rafael Diaz Albertini. It is thus perfectly plausible that Saint-Saens borrowed the Cuban syncopated slow dance Habanera out of kindness towards his performance partner when he was getting ready to write a work for Diaz Albertini in 1887. Saint-Saens originally wrote a version for violin and piano, which was later followed by the orchestral version that the publisher Durand had urged him to write. Diaz Albertini, to whom the work was dedicated, gave its world premiere before other virtuosos adopted it for themselves and spread its fame throughout the world. The basis of this first Urtext edition of the piece is the first edition, which was presumably personally overseen by Saint-Saens.

SKU: BR.PB-15136

In Cooperation with G. Henle Verlag

ISBN 9790004214725. 10 x 12.5 inches.

The Havanaise possibly has its roots in the friendship of the composer with the Cuban-born violinist Rafael Diaz Albertini. It is thus perfectly plausible that Saint-Saens borrowed the Cuban syncopated slow dance Habanera out of kindness towards his performance partner when he was getting ready to write a work for Diaz Albertini in 1887. Saint-Saens originally wrote a version for violin and piano, which was later followed by the orchestral version that the publisher Durand had urged him to write. Diaz Albertini, to whom the work was dedicated, gave its world premiere before other virtuosos adopted it for themselves and spread its fame throughout the world. The basis of this first Urtext edition of the piece is the first edition, which was presumably personally overseen by Saint-Saens.

SKU: HL.48182243

UPC: 888680836948. 9.0x12.0x0.099 inches.

Suite is a piece for three Bb or C Trumpets composed by Henri Tomasi in 1964. This unusual suite lasts approximately 8?30 minutes. It is divided into three main parts: 1. Havanaise at a Tempo di Habanera, 2. Lento egeen and 3. Danse Bolivienne. The Havanaise is made of a danse part and a more melodious one. Its dialogue in between the Trumpets creates a counterpoint. In the second part, the three instruments alternate the theme with small variations and the last part, ?3. Danse Bolivienne?, is a toccata. This book features score and parts for Bb and C Trumpets. Henri Tomasi was a French composer, conductor and winner of the Grand Prix de Rome in 1927. He also composed a variety of concerti for Alto Saxophone and for Trombone, as well as some ballades..

SKU: HL.133959

Author: Viotti.

SKU: HL.50560830

UPC: 073999652154. 7.25x10.5x0.174 inches.

SKU: TM.00593SET

Transposed: Cl 1+2, Hn 1+2, Tpt 1+2. Solo/pf.

SKU: TM.00593SC

Transposed: Cl 1+2, Hn 1+2, Tpt 1+2. Solo/pf.

SKU: LM.C02343

ISBN 9790230323437.

Chan son de la petite Edwige (Norvege) - Valse de Vienne (Autriche) - L'Alouette au vent (Canada) - Havanaise (La Havanne) - Czardas (Hongrie) - L'appel du Muezzin (Algerie) - Complainte de l'homme de couleur (Louisiane) - Tam-Tam (Afrique noire) - Danse des sabotieres - Les Bateliers du Don (Russie).