Camille Saint-Saens

Arrangeur: John Glenesk Mortimer. Par SAINT-SAENS CAMILLE. / Niveau : Intermédiaire / Répertoire / Violoncelle et Cordes

Par SAINT-SAENS CAMILLE. / Niveau : Avancé / Répertoire / 2 Trompettes et Piano

Sit down at the Piano and chill out with some of the world's most soothing melodies. This new collection of cool classical pieces lets you play the cream of the clasical repertoire. Includes Barcarolle which featured inthe film Lorenzo's Oil and is from The Tales Of Hoffmann and also The Ashokan Farewell which featured in the TV series The Civil War.

Les compositions les plus populaires de l?époque romantique enfin pour le piano ! Préservant le caractère original des morceaux tout en restant faciles à jouer pour les amateurs d?un niveau avancé, tant sur le plan de la technique que sur celui de la sonorité, les PIANO Moments proposent un large choix parmi les opéras, les symphonies et les pièces de musique de chambre classiques. Une collection dont on ne se lassera pas de sitôt. Des ?uvres telles que la Moldau de Smetana, la Marche nuptiale de Mendelssohn ou Au matin de Grieg se doivent bien sûr d?y figurer.

Saint-Saëns's Christmas Oratorio (or Oratorio de Noël) was written in 1858 when he was just 23. This piece was originally scored for five Vocal Soloists Chorus Harp String Quartet and Organ; this the vocal score contains a piano reduction.The Christmas Oratorio opens with a Prelude subtitled 'In the style of Sebastian Bach' harkening back to Bach's Christmas Oratorio. This opening prelude sets the scene for the Christmas story: its lilting pastoral quality creates images of the shepherds tending their flocks in the fields. In the remaining movements the vocal soloists take turns representing different characters such as the narrator ofthe story or as the angel who announces the birth of the baby Jesus while the chorus represents a multitude of angels singing to the glory of the Lord. The final movement of the piece which follows the model of old French Christmas songs is a virtual hymn of praise of all creation in the presence of God.The English version of the text is by N.H. Dole.

Studyscore - BATP779-Ludwig van Beethoven?s overpowering legacy caused many subsequent composers to avoid writing string quartets at all. saint-Saëns was no exception in this respect and waited until 1899 and 1918 to produce his two contributions to the genre. Couched in classicism they relate in form and style to early 19th-century French quartets and to a titan of the genre: Joseph Haydn.Saint-Saëns? string quartets appear here for the first time in a scholarly-critical edition. It is also the first edition To contain the original version of the Finale to String Quartet No.2 in score and parts. An informative Introduction is Included in the study score to complete this volumeof important French chamber music based on the Urtext from ?Camille saint-Saëns Complete Edition of the Instrumental Works?.First scholarly-critical edition of these French masterpiecesIncludes the original version of the Finale to String Quartet No.2Based on the Urtext from ?Camille Saint-Saëns Complete Edition of the Instrumental Works

Klavierauszug-The A-Minor Concerto is a true gem in the repertoire of great Cello music. David Geringas provided the fingerings for this Urtext edition for which editor Peter Jost supplied a detailed preface. JohannesUmbreit has revised the composer's highly playable Piano reduction to suit the needs of today's performers.

Cavatine for Trombone and Piano op. 144-Camille Saint-Saëns was always trying to expand the rather sparse repertoire for chamber music for wind instruments something that is not least also shown by his three late wind sonatas for oboe clarinet andbassoon respectively (HN 964 965 966). The Trombone also came into its own as a solo instrument with the Cavatine composed in 1915. It displays here its lyrical romantic side. To date the Cavatine aneffective recital piece is a milestone in the solo literature for advanced Trombone players. This Henle Urtext edition is the first to take into account also the autograph in Paris.

This superb 2CD collection of 42 all-time favorite classical pieces features performances by the world's leading soloists and orchestras, including the Royal Philharmonic Orchestra and the National Philharmonic Orchestra. The audio CDs are accompanied by a specially produced book containing the same pieces for intermediate solo piano. / Piano

Ce travail virtuose, basée sur le rythme habanera cubaine, a été composé en 1887 et est une partie du répertoire de concert standard. Après Christine Baur très réussie édition Bärenreiter Urtext de 'Allegro appassionato' Saint Saëns (BA 9047), l'éditeur présente aujourd'hui le 'Havanaise' dans la version pour violon et piano.Cette première édition critique de-jamais 'Havanaise' attire à la fois sur la version du compositeur autographe pour violon et piano ainsi que la version orchestrée plus tard. Lorsque la partie solo de la version orchestrale diffère de la version pour violon et piano, les variantes sont indiquées dans la partie de violon que Ossias.L'éditeur propose une introduction concise et informative (Eng / Ger / Fr) sur l'histoire et le processus de composition de la 'Havanaise'- un commentaire critique détaillée (Eng) conclut cette édition Urtext.- D'abord critique savante édition de cet ouvrage- Variantes de la version orchestrale montré dans la partie de violon- D'abord critique savante édition de cet ouvrage- Variantes de la version orchestrale montré dans la partie de violon / Piano Et Violon / Partition