Groove Machine - Score

SKU: KJ.JZB359F

Find the pocket, get funky, and get the Groove Machine working! This tune is designed to evoke the classic funky rock sound of artists like James Brown, Wilson Pickett, Booker T. and the M.G.s, and others from the late 1960s. This chart is just as fun to play as it is to listen to, and is sure to be a favorite with your band. Highest trumpet note: G.

SKU: KJ.JZB359

UPC: 8402701646.

Find the pocket, get funky, and get the Groove Machine working! This tune is designed to evoke the classic funky rock sound of artists like James Brown, Wilson Pickett, Booker T. and the M.G.s, and others from the late 1960s. This chart is just as fun to play as it is to listen to, and is sure to be a favorite with your band. Highest trumpet note: G.

SKU: RF.0003-WTCD

SKU: AP.44996S

UPC: 038081517964. English.

The skill and thrill of auto racing is captured musically in this piece via its infectious groove and exciting syncopations. Written in one continuous movement, its sections will help you imagine sitting behind the wheel of a powerful and agile racing machine over the course of a breathtaking speed contest. Students performing this piece will enjoy discovering that the palindromic nature of the piece, including the title, Race Car (which reads the same forwards and backwards), a pervasive syncopated ostinato rhythm, A-B-A form, and a fugato section at the center of the work (Pit Stop), in which virtually each instrumental part is a palindrome! (3:25).

SKU: AP.44996

UPC: 038081517957. English.

The skill and thrill of auto racing is captured musically in this piece via its infectious groove and exciting syncopations. Written in one continuous movement, its sections will help you imagine sitting behind the wheel of a powerful and agile racing machine over the course of a breathtaking speed contest. Students performing this piece will enjoy discovering that the palindromic nature of the piece, including the title, Race Car (which reads the same forwards and backwards), a pervasive syncopated ostinato rhythm, A-B-A form, and a fugato section at the center of the work (Pit Stop), in which virtually each instrumental part is a palindrome! (3:25).