Gli Arpeggi Per Basso

SKU: CL.CTS-7960-17

Impromptu for Bassoon and Piano is an energetic, lyrical solo, written for Smith's daughter, Pam, and easily accessible for a high school or college bassoonist. Based on a lighthearted melody, the solo has some technical passages based on arpeggios, challenging rhythmic passages in Smith's signature 7/8 and 9/8 bars and a complementary piano accompaniment. Bassoonists will enjoy performing this work which explores the entire range of the instrument, challenging the bassoonist to portray both expressive and spirited styles.

SKU: BT.MUSMI0368

Italian.

Questop era ha lo scopo di farvi scoprire, studiare e soprattutto suonare gli arpeggi sul basso. Gli arpeggi costituiscono senza dubbio l’attrezzo principale del bassista.

SKU: BT.MI0405

Italian.

Come lo indica chiaramente il titolo, questo metodo, che si rivolge sia ai principianti che ai bassisti esperti, è interamente dedicato all’uso del plettro per suonare il basso. Questa tecnica, a lungo riservata ai chitarristi, ha visto la sua pratica svilupparsi notevolmente negli ultimi decenni presso bassisti di tutti i generi. A tal punto che oggi è considerata tanto importante quanto il colpo appoggiato. Molti bassisti utilizzano in effetti il plettro per via del suono specifico che genera. Inoltre permette una precisione maggiore, in particolare quando si suona ad alta velocit . Comincerete perciò con l’imparare a tenere il plettro nel miglior modo possibile, nonché aposizionare la mano al meglio sul basso. Potrete poi affrontare i vostri primi esercizi tecnici sulle corde a vuoto prima di groovare musicalmente sugli arpeggi e sulle scale. Studierete ovviamente le diverse tecniche relative alla mano destra (pennata alternata, divisione ritmica) prima di combinarle con quelle della mano sinistra (ghost notes, hammer-on, pull-off). Il tutto tramite numerose linee di basso e tanti grooves, a suddivisione sia binaria che ternaria, in diversi stili musicali. Un bel programma! Sul disco dati allegato al metodo, troverete più di 200 file audio e video. I video (mp4) presentano tramite l’immagine tutti gli esempi, esercizi e grooves per aiutarvi a superare le relative difficolt tecniche. Le registrazioni audio (mp3) invece propongono le basi musicali corrispondenti alle numerose linee di basso. Potrete in questo modo suonare in vere condizioni musicali e verificare il vostro timing.

SKU: BT.MI0395

Italian.

Avere un buon orecchio musicale fa di sicuro parte degli elementi richiesti per essere o diventare un buon bassista. In effetti, oltre a dover migliorare la manualit sullo strumento, bisogna anche educare ed allenare il proprio orecchio per sviluppare la cosiddetta musicalit . Il che significa fare esercizi specifici, come quelli che vi proponiamo in questo metodo. Iniziamo perciò lo studio con un primo lungo capitolo dedicato agli intervalli, poiché saperli riconoscere è proprio la base della formazione uditiva (ear training in inglese). In seguito affronteremo gli arpeggi (e gli accordi) di 3 e 4 suoni nonché le scale che sono altrettanti attrezzi indispensabili peridentificare ad orecchio i grooves e le linee di basso, così come le melodie e gli assoli suonati dal basso. Ogni tappa dell’apprendimento propone un quiz musicale per permettervi di valutare i progressi effettuati e quindi rendervi conto se siete capaci di andare avanti o meno. Troverete inoltre sul disco MP3 allegato al metodo tutte le registrazioni audio corrispondenti ai numerosi esercizi e quiz.

SKU: CU.EC5509

SKU: A3.9781848498983

ISBN 9781848498983. 9 x 12 inches.

This book contains all the scales and arpeggios required for ABRSM's Bassoon exams at Grades 1-5.

SKU: HL.14047676

ISBN 9788850730070. Italian.

This Bass method differs from others since it is entirely based on practice. You will not find riffs or licks of one or two lines, but rather full pieces in the style of some of the greatest bluesmen - Otis Rush, BB King, Eric Clapton, Freddie King,Buddy Guy, Albert King, Stevie Ray Vaughan, Magic Sam and more. Before addressing the 50 Bass lines in this method, a preliminary chapter will teach you how to build lines in the blues style. In doing so, you will be able to analyse what you areplaying later, before learning to create your own. You'll also be introduced to structure, rhythm, arpeggios, scales, chromatic approaches and more. The included DVD allows you to listen to all of the featured Bass lines played at normal speed, thenat a reduced speed, in order to learn the right gestures. The MP3 CD contains backing tracks for you to play along to, at two different speeds: the first being normal (the speed to be achieved), while the second is reduced to help with study. Intotal, over seven hours of music is included, giving you the opportunity to practice in the best possible conditions.

SKU: FJ.BB211BSN

ISBN 9781619281806. UPC: 241444376690. English.

This incredible resource is an ideal way to expand or vary the daily routine of your ensemble while developing essential fundamental concepts of sound and intonation. Daily routines cover breathing, long tones, pitch matching, intervals, scales, arpeggios, chords and chorales. All chorales are written in four-part harmony with all parts appearing in each instrument book for ultimate flexibility with instrumentation. Centered around 10 common major and minor keys, each includes a daily routine and three cycles that can be used to provide constant variety and freshness. Personal warm-ups and musical terms are also included along with vibrant and engaging percussion writing from longtime master educator and percussionist Kevin Lepper!

SKU: KJ.W64BN

ISBN 9780849771804.

Desi gned for musicians who have completed any second level method, this book features scales, thirds, and arpeggios; technique, articulation, and melodious etudes; plus excerpts from the classical repertoire and full-band chorales in 16 major and minor keys. With emphasis placed on specific musicianship skills, plus options for students at various levels of ability, this book goes above and beyond technique books of the past.

Whether used in private lessons or in a group, Tradition of Excellence: Technique & Musicianship is sure to improve technical ability and enhance artistic sensitivity for years to come.

SKU: TL.TCL015594

ISBN 9780857365149.

SKU: HL.132999

UPC: 884088978334.

SKU: MH.0-931329-35-3

ISBN 9780931329357.

Comp oser's Preface: Antithigram is coined from the words antithesis and program. The work is bi-thematic -- the first theme comprised of eleven notes, the second (beginning at measure 63) more like a chorale in structure. A four-note tone cluster (B flat, C, F sharp, B natural) appears in the first measure, and subsequently appears as an arpeggiated ostinato (B flat, C, and F sharp, in orchestra bells and vibraphone) that underpins and adheres subsequent sections. After the themes are treated in a number of traditional ways (two-voice counterpoint, canon, chorale, and diminution) they are joined at measure 110 in a polychordal statement. The work should be performed with energy, with special attention to a precise and lively style of articulation. Antithigram was composed in the Summer of 1977 and premiered by the East Carolina University Symphonic Band in April of 1978 with the composer conducting. Ensemble instrumentation: 1 Piccolo, 2 Oboe, 2 Bassoon, 1 Eb Clarinet, 4 Bb Clarinet 1, 4 Bb Clarinet 2, 4 Bb Clarinet 3, 2 Eb Alto Clarinet, 2 Bb Bass Clarinet, 1 Eb Contrabass Clarinet, 1 Bb Contrabass Clarinet, 4 Eb Alto Saxophone 1, 2, 2 Bb Tenor Saxophone, 1 Eb Baritone Saxophone, 3 Bb Cornet 1, 3 Bb Cornet 2, 3 Bb Cornet 3, 2 F Horns 1 & 2, 2 F Horns 3 & 4, 2 Trombone 1, 2 Trombone 2, 2 Trombone 3, 2 Baritone, Treble Clef, 2 Baritone, Bass Clef, 4 Tuba, 1 Timpani, 1 Percussion 1 (Xylophone, Vibraphone, Bongos), 1 Percussion 2 (Orchestra Bells, Tambourine), 1 Percussion 3 (Chimes), 1 Percussion 4 (Snare Drum, Tambourine, Triangle), 1 Percussion 5 (Bass Drum, Tam-tam, Cymbal-susp.).

SKU: HH.HH444-FSP

ISBN 9790708146490.

Sona ta 7 in D major opens with a sunny Andante that nevertheless has a poignant moment just before the end. The technically challenging Allegro moderato that follows bounces along airily, throwing out scales, arpeggios and wide leaps with equal abandon. The concluding Allegro is a feast of syncopation: an object lesson in how to compose a coherent movement based on a single idea that never comes close to sounding tedious. Sonata 8, in the same key, is the only work in the set to arrange its three movements in a Fast–Slow–F ast pattern. Its opening Allegro is especially well-developed formally, coming close to mature Classical sonata style. For the Adagio in B minor Balicourt takes a chromatic idea heard earlier in the first movement and develops it intensively and poignantly: this is the ‘jewel’ of the slow movements in the set. The Moderato finale is enlivened with some interesting modulations and harmonic twists as well as some attractive moments of animation in the bass.