Give Me Music!

2ème Cycle - 2ème année (élémentaire). Par CALLIER YVES. 52 Rhythmic Reading - Level 2, Year 2 is a theory book to learn reading rhythm for intermediate musician, 2nd year by Yves Callier. Really complete, this reading book covers numerous complex rhythms and contains also 52 applications which will enable the young musician to learn and remember them quickly. This volume includes binary and ternary rhythms and features some contest pieces. It will give musicians the ability to practise sight reading. Yves Callier also wrote the theory method Musical Game Rules for beginners./ Solfège/Formation Musicale / Pédagogie Musicale

Age 7 -This pack combines active listening with practical music making. It gives busy teachers a fingertip resource of recordings of music and related classroom activities which will help children understand their own and other people's music. The approach is involving practical and accessible requiring no music-reading ability. There are twelve complete recordings of music from different times and places chosen to demonstrate the elements: duration dynamics tempo timbre texture pitch and structure. Photocopiable material is included along with supplementary recordings supporting the activities.

CY014 - suivies de 22 applications. Par CALLIER YVES. Regles Du Jeu Musical - Level 1 Year 2 is a theory method for second year beginners by Yves Callier. Really complete, this theory method covers all the necessary basics and also contains 22 applications which will enable the young musician to learn and remember the basics quickly. This second volume follows the lessons of the first one and features the different keys, notes, tempo, scales, intervals and alterations, among other basics. Comments and explanations are given throughout the book and at the bottom of each application to remind what the music rules are./ Solfège/Formation Musicale / Pédagogie Musicale

Learn theory as if by magic!Abracadabra Beginning Theory is the ideal workbook to use alongside the best-selling instrumental series. Split into small chunks which can easily be tackled weekly Abracadabra Theory will take young players from the very basics and give them solidfoundations in their musical understanding.The theory of music is a necessary evil for many young instrumental players. It is often an area which is hurried in preparation for exams and neglected or feared before that point. It is a key part of a young musicians learning to help themunderstand all of the technical terms they encounter in their practical playing.Following the highly popular Abracadabra instrumental format Abracadabra Beginning Theory takes the pain away from the process and splits items into small chunks which can easily be tackled along with weekly practice giving fun and variety inbetween lessons.Abracadabra Beginning Theory explains the practical concepts covered in the instrumental books carefully and provides plenty of exercises and activities to consolidate these and build confidence in young musicians. The theoretical understandingwhich supports aural skills sight reading solo performances and technical exercises such as scales is a brilliant addition to any musicians arsenal. Making theory approachable Abracadabra Beginning Theory is an ideal companion to any of theinstrumental repertoire books.

Brown Tim (Editor). Par BROWN TIM. Musicke's Praier draws together ten classic English prayer settings from the 16th and 17th centuries which was a Golden Age in the history of English church music. From Tallis to Tomkins and Ford to Farrant, this collection will serve as a wonderful introduction to a rich and varied repertoire. An invaluable resource of introits and easy anthems for both concert and liturgical use. / Date parution : 1999-06-17/ Feuillet / SATB

Inside Improvisation : vol. 6
Learning a language requires listening on many levels to the meanings, the sounds, the intentions, and the inflections or nuances of the language. The first chapters of this volume on learning the language of jazz focus on the prerequisites of chord scales, approach notes to chord tones and target notes, scale motives and sequences, and lines.
Part two qualifies improvisational techniques into three areas. melodic, harmonic and sonic (rhythmic devices are the focus of Vol. IV, Melodic Rhythms) and it is designed as a menu of soloing devices from which you can select your personal course of study. Over 100 specific devices are discussed and conceptualized so as to give the improviser more depth of expression and a greater well from which to draw ideas. Among the numerous topics presented are: guide tones, voice leading, chord substitutions, three tonic system for composition, tritonics, hexatonics, tonal expansions, whole tone playing, augmented symmetric scales, double diminished scales, limited range and large range playing, shapes, blues melodies, accents, comping as a soloing device, common tones, articulations, laying back on the...
The CD contains twelve standard chord progressions, each played in two different tempos.

Renato Chicco - piano
Dave Santoro - bass
Adam Nussbaum - drums

Theory-Looking for a way to develop your musical ear' By following the instructions given in this coursebook you will soon be able to effortlessly recognise and reproduce the first lick note chord rhythm or solo that comes your way! You wonder how you are going to accomplish this' By studying intervals (from thirds downwards to diminished thirteenths) by identifying chords (from major chords to M7(11#) chords) by recognising chords and melody played simultaneously by differentiating between various rhythmic values (between whole notes and eighth-note triplets for instance) or by melody dictations which are a synthesis of the elements previously studied. Whereas the two CDssupply you with exercises the coursebook offers you the possibility to write down and check your answers. Looking for a way to develop your musical ear' By following the instructions given in this coursebook you will soon be able to effortlessly recognise and reproduce the first lick note chord rhythm or solo that comes your way!You wonder how you are going to accomplish this' By studying intervals (from thirds downwards to diminished thirteenths) by identifying chords (from major chords to M7(11#) chords) by recognising chords and melody played simultaneously by differentiating between various rhythmic values (between whole notes and eighth-note triplets for instance) or by melody dictations which are a synthesis of the elements previously studied.Whereasthe two CDs supply you with exercises the coursebook offers you the possibility to write down and check your answers.

An easy introduction to musical terms and music theory. Packed with musical definitions and terms from A capella to Zither it gives clear explanations of major and minor keys rhythm intervals modes chords and much more!

The OCR GCSE Music Study Guide is a definitive study guide for the 'reformed' GCSE (9-1) specification. Written by experts this comprehensive guide: Covers all components of the GCSE: performing composing and appraising. Gives support and practice in dealing with 'unfamiliar' repertoire. Offers comprehensive support for the composing briefs. Provides tests and activities to help monitor progress. supplies practice questions and advice on essay writing. Introduces the terminology and techniques that the specification requires students to know. An OCR endorsed textbook.  

Workbook With More Exercises on Theory of Music Grade 3 gives pupils additional exercises and support in preparation for their theory examinations. The exercises are designed to help meet the new syllabus requirements of the ABRSM. Written by Guy C. Cremnitz, an ABRSM examiner since the 1980?s. / Exams, Methods and Tutors / Théorie / Tout Instrument

100 Years Of Popular Music chronicles the greatest music of the last century. This songbook contains more than 70 songs from the 1930s arranged for piano, voice and guitar, providing a fascinating insight into the music of the era. A listing of new inventions first seen during the 1930s is also included. / Pop, Popular / Recueil / Piano, Chant et Guitare