Inside Music 1. Structures (CARTER DAVID)

Par CARTER DAVID. Inside music presents a practical approach to developing the composing, performing and listening skills required for the GCSE examination. It is clearly laid out and easy to use. Each project lists the required resources, gives starting points for listening, performing and composing activities, and follow-up suggestions. A pupil self-assessment chart is included at the end. / Niveau : Assez Facile / Répertoire / Tout Instrument

Par NEILSEN KATIE. Inside Music is a music education programme pioneered and devised by Michael Stocks. A much respected name in the world of music education, he served as an advisor for the English Education sector for many years as well as being a founder member, along with Principal Suzi Digby, of the Voices Foundation. Inside Music has been built on Michael’s many years of teaching experience, classroom research, careful and widespread observation of school music lessons and innumerable discussions with practising teachers. From this work and leadership as well as the collective experience and advice of the Voices Foundation team of Advisory Teachers and Consultants, Inside Music provides a much-needed progression of learning over a wide age range 0-13, ensuring continuity in the classroom from year 1 to year 9 and setting appropriate levels of teacher expectation for each stage according to pupil age and experience. Inside Music - Early Years: Age 0-5 has been specially adapted and revised by Katie Neilsen, herself a practitioner, to meet the needs of the contemporary classroom whilst retaining the essential tenet of the Voices Foundation philosophy. Split into flexible units which can be mixed and matched according to focus and necessity, with additional advice on lesson planning, useful games, and structure, Early Years provides a firm foundation for the development of innate musical understanding through the voice. The additional MP3CD includes all the songs and the listening tracks       / Methods & Tutors / Etude / Voix d'Enfants

Par HAMBRIDGE TOM. Designed for anyone interested in learning the basics of songwriting, GRAMMY® Award-winning writer and producer Tom Hambridge guides you through the process, from inspiration and structure to lyrics and melody. Using a mix of well-known popular songs, traditional music, and his own creations, Tom gives many examples along the way. No music reading is required! Includes audio tracks for demonstration and a foreword by Jason Mraz. Topics include: inspiration, lyrics, structure, word play, metaphors, rhyming, titles, chord progressions, melody, rhythm, tempo, imagery, phrasing, telling a story, and more. Audio is accessed online using the unique code inside the book and can be streamed or downloaded. The audio files include PLAYBACK , a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right. / Date parution : 2023-02-28/ Théorie / Tout Instrument

Editor: Gerhart Darmstadt These duets for cello by Jacob Klein, now published complete for the first time, are among the most beautiful duets of their kind from the Baroque. Their melodic and harmonic richness coupled with a dazzling and idiomatic technique places the sonatas (or better suites) firmly in the company of such works as Bach's violoncello suites or Vivaldi's sonatas. Our edition is based on the first edition published around 1720 by Rodgers in Amsterdam and follows the notational and editorial practice of the original as this seems helpful for an understanding of the musical structure and the appropriate performance practice. The insider tip for cello players!

Par LEIVISKA HELVI. Finnish composer Helvi Leiviskä (1902-1982) created a broad-based output of orchestral works, solo songs and chamber music. Her style could be described as moderate modernism, deriving influences from multiple sources such as late Romanticism, Symbolism, Expressionism, Existentialism and Neo-Classicism. Leiviskä's output is characterised by philosophical and religious themes, images of nature and narrative structures. Many of her works focus on human existential angst and spiritual searching and growth. Helvi Leiviskä originally completed her Piano Quartet in A major op. 1 in 1926 but revised it a decade later, in 1935. Written for the traditional piano quartet lineup (violin, viola, cello and piano), the work is in three movements and has a duration of about 25 minutes. It features religious and ecstatic imagery such as may be found in French, German or Russian neo-Romantic styles. Leiviskä's Piano Quartet is considered one of the cornerstones of her chamber music output. Its early version was premiered in two parts at student recitals of the Helsinki Music Institute (the 1st movement in 1925 and the 2nd and 3rd movements in 1926). The revised version was performed in full by Timo Mikkilä (piano), Sulo Aro (violin), Ilmo Ranta (viola) and Pentti Rautawaara (cello) on Finnish radio in 1939. The work was also on the programme of Leiviskä's second composition concert in 1945, being performed on that occasion by Jussi Jalas (piano), Erik Cronvall (violin), Erik Karma (viola) and Yrjö Selin (cello). Two commercial recordings have been released (Finlandia Classics 2012 and Telos Music 2016). It is published for the first time 2022 with an extensive foreword by Susanna Välimäki. The product includes the full score (piano part) and a set of string parts. Duration: c. 25'. Have a look inside by clicking 'sample'. / Date parution : 2022-05-31/ Répertoire / Quatuor avec Piano