SKU: M7.AV-1389
ISBN 9790203903154.
SKU: TM.06804SET
P/C in set.
SKU: HL.50591031
SKU: HL.49015026
ISBN 9790001040235. 9.0x12.0x0.165 inches.
SKU: HL.50591815
SKU: M7.AV-1665
ISBN 9790203904069.
SKU: HL.49009017
UPC: 073999199345. 9.0x12.0x0.009 inches.
SKU: HL.50593929
SKU: NR.84857
SKU: HL.50593928
SKU: GI.G-10546
UPC: 785147054610.
This edition of A Real Slow Drag for Concert Band by Scott Joplin is an exciting step forward in music education! BaobaoTree LLC, under the leadership of its founder, Dr. Georgiary Bledsoe, created the Africentric Music Education Framework. The Framework is a systematic way of teaching and learning about African American contributions to American music through perspectives grounded in Black music culture. This arrangement, as with all BaobaoTree teaching tools, was designed to reflect core principles of the Africentric Music Education Framework. Additional resources and pedagogical activities are available for free through BaobaoTree, including a companion guide to A Real Slow Drag for Concert Band. To learn more about BaobaoTree and the Africentric Music Education Framework, visit www.baobaotreelearning.co m. Words of Praise for BaobaoTree Teaching Tools.
SKU: BR.EOS-20897-16
Breitkopf is currently preparing the release of new and complete performance material in the framework of its cooperation with Eulenburg.
ISBN 9790004780077. 10 x 12.5 inches.
In 1884 the Norwegian city of Bergen celebrated the 200th birthday of Ludvig Holberg, one of its most famous sons and a symbolic figure of the late Baroque era. For this occasion Grieg wrote the piano suite Aus Holbergs Zeit , which he orchestrated for string orchestra. To this day, the Suite - particularly in this arrangement - ranks among Grieg's most popular works. By using the romantic string sound, Grieg brings the late Baroque orchestral suite and its various dance forms to life again. Along with the string serenades of Dvorak and Tchaikovsky, Aus Holbergs Zeit is regarded as the third great late-romantic work for string orchestra. Breitkopf is currently preparing the release of new and complete performance material in the framework of its cooperation with Eulenburg.Breitko pf is currently preparing the release of new and complete performance material in the framework of its cooperation with Eulenburg.
SKU: BR.EOS-20897-19
ISBN 9790004780084. 10 x 12.5 inches.
SKU: GI.G-10760
ISBN 9781622776979.
Ques tions abound about diversity in music education. How can we engage with diverse populations, repertoire, and identities while upholding integrity and achieving equity? What are cultural appropriation, othering, tokenizing, and essentializing? How can we avoid bias in our teaching and repertoire selection? How do we create a more socially just music education? These are critical questions with accessible answers. But if we are to become better music educators, we must reflect on these questions, our own identities, and our relationships with the music and people of the world. Realizing Diversity by Karen Howard is a groundbreaking and practical resource for crafting diverse and anti-bias music education in classrooms, ensembles, and studios at all levels—from preschool to university and community settings. At the book’s core is an Anti-Bias Framework intended to help music educators gain confidence and comfort in designing music curricula that are just, equitable, and make participants feel safe and welcome. Structured around the four social justice domains of identity, diversity, justice, and action, this framework explores topics of anti-racism, gender and sexual identity, power and privilege, disabilities, economic realities, empathy, and critical consciousness. Dr. Howard also includes discussion of educational movements in United States history, the challenging “world music†label and related authenticity, the hyper-prevalence of Western Eurocentric music, inclusive repertoire selection, as well as appendices with critical practices for educators and a sample curriculum. An indispensable book for pre-service, beginning, and veteran music teachers of toddlers through adults, Realizing Diversity considers the many separate but deeply interrelated questions related to creating a more socially just music education. Karen Howard is a frequent presenter working with teachers and presenting research related to creating a more socially just world of music education. She is Associate Professor of Music at the University of St. Thomas in St. Paul, Minnesota. She teaches undergraduate and graduate courses related to children’s music, sociology of education, research methods, ethnomusicology, and matters of diversity.
SKU: BR.EOS-20897-23
ISBN 9790004780091. 10 x 12.5 inches.
SKU: BR.EOS-20897-27
ISBN 9790004780107. 10 x 12.5 inches.
SKU: BR.EOS-20897-15
ISBN 9790004780060. 10 x 12.5 inches.
SKU: HL.44001783
UPC: 073999293210.
Wer kennt ihn nicht, den klassischen Frauenheld Casanova, der im Venedig des 18. Jahrhunderts mit Leichtigkeit alle Frauenherzen eroberte und dadurch den Unmut der venezianischen Manner auf sich zog? Der Komponist Otto M. Schwarz stellt in seinem Werk die Geschichte Casanovas musikalisch dar. Einschmeichelnde Aufwartungen der Damen werden der Flucht Casanovas vor seinen Gegnern gegenubergestellt. Ein reizvolles Thema, verpackt in ein gelungenes Werk, das fur gute Unterhaltung sorgen wird!Qui n'a pas entendu parler des exploits et conquetes du celebre seducteur Giacomo Casanova, qui a gagne le cœur de toutes les femmes de Venise... et s'est attire les foudres de toute la gent masculine ? Otto M. Schwarz a realise une fresque musicale de ce personnage haut en couleur dont l'autobiographie comporte douze volumes ! Entrez dans la Venise du XVIIIe siecle.
SKU: BR.EOS-20897
ISBN 9790004780053. 10 x 12.5 inches.
SKU: CA.3108063
ISBN 9790007206819. Key: D major. Language: German/English. Text: Luther, Martin / Franck, Salomo.
The Reformation cantata Ein feste Burg ist unser Gott BWV 80b, published by Carus-Verlag for the first time in a practical performing edition, remained unknown to Bach scholars until well into the 20th century. The evidence of its existence is three fragments of the first folio of Bach's score, which can be dated to the years 1728-1731. By contrast, the long-familiar expanded new version of the cantata with its powerful opening chorus (BWV 80) dates from the 1730s or 1740s. It only survives in a copy of Bach's score, but this allows conclusions to be drawn about the history of the versions; thus, by using the fragments mentioned above, it has been possible to reconstruct the first version. This result is a Bach cantata which is less extensive and in a more concise normal format, with reduced wind instruments. A relaxed, contrapuntal four-part chorale movement with the first and last verses of the Lutheran hymn forms the framework, and the other movements are the same as in the later new version. This simpler cantata is also entirely suitable for celebrating Reformation Day, as Bach did around 1730. Score and part available separately - see item CA.3108000.
SKU: LO.10-2964L
UPC: 000308067170.
This stately pulsating quarter notes in the accompaniment establish a solemn framework for this well crafted and memorable setting from John 1:Here is the Lamb, the Lamb of God who takes away the sins of the world. A consideration for Lent, it is also highly appropriate in celebrating the Baptism of our Lord, Pentecost, or any number of general service themes. A good balance of unison, 2-part and SATB writing will enhance the viability of this anthem for choirs large and small.
SKU: BR.OB-5704-15
ISBN 9790004348147. 10 x 12.5 inches.
The famous Valse triste grew out of the incidental music to Arvid Jarnefelts drama Kuolema (Death). After the first staged performances in December 1903 at the Finnish National Theater in Helsinki, Sibelius expanded the original string scoring by adding winds and timpani. It is in this form that the work was first heard at the University of Helsinki's festival hall on 25 April 1904 under the direction of the composer before it set out to conquer the musical world.The Valse triste is part of the incidental music in several movements which Sibelius composed in 1903. Freed from its functional framework, the concert version of the Valse triste, written shortly thereafter, set out to conquer the musical world.
