SKU: CF.CY413F
ISBN 9780825876509. UPC: 798408076504.
Published for baritone voice and piano (O4608 - $28.00), the manuscript orchestral score is now available. Hanson covers God is Our Refuge and Strength (Psalm 46), O Lord, Rebuke Me Not in Thine Anger (Psalm 6), O Clap Your Hands (Psalm 47), and O Lord, Our Lord, How Excellent Thy Name (Psalm 8). For advanced performers.
SKU: HP.1222
UPC: 763628112226.
An original composition Interpretations of Psalms 86, 89, 40 and 66, these four short selections, in differing styles, are for the 2-octave choir. Useful when a few quiet moments need to be filled.
SKU: CF.CY413P
ISBN 9780825876516. UPC: 798408076511.
SKU: CF.CY413
ISBN 9780825876493. UPC: 798408076498.
Publi shed for baritone voice and piano (O4608 - $28.00), the manuscript orchestral score is now available. Hanson covers God is Our Refuge and Strength (Psalm 46), O Lord, Rebuke Me Not in Thine Anger (Psalm 6), O Clap Your Hands (Psalm 47), and O Lord, Our Lord, How Excellent Thy Name (Psalm 8). For advanced performers.
SKU: CA.2091500
ISBN 9790007037338.
This cycle contains Aller Augen warten auf dich, Herre SWV 429, one of the composer's most popular vocal works. The twelve four-part motet-style settings published in 1657 demonstrate all the attributes of his mature style, using simple homophonic settings as effectively as demanding polyphony. They represent something of a counterpart to the 1648 Geistliche Chormusik, but here, Schutz paid greater attention to practical use in church services and to the training of the Dresden choirboys.
SKU: CA.2091900
ISBN 9790007171711.
Volu me 19 of the Schutz Complete Edition brings together 21 very different compositions from various phases of Schutz's compositional output. The spectrum ranges from a short, two-part sacred concerto to a six-part cyclical psalm setting and large-scale polychoral concerto, from well-known works such as the Osterdialog to a completely unknown madrigalian composition, full of emotion, to a simple chorale setting. A particular challenge was posed by the ten works or versions of works which survive incomplete. Two of these, the Christmas concerto Ach Herr, du Schopfer aller Ding SWV 450a and Ein Kind ist uns geboren SWV 497, appear here for the first time in print. With both of these it turned out that it was possible to reconstruct the missing parts fully from available material. For the Ultima Verba Psalmi 23, Gutes und Barmherzigkeit SWV 95 and the two Nunc dimittis: Herr, nun lassest du deinen Diener SWV 432 and 433, the editor's reconstructions are presented, and likewise with the chorale movement In dich hab ich gehoffet, Herr SWV 446. The impressive Easter dialog Weib, was weinest du SWV 443 is one of the works which survives incomplete. In order to give an impression of how the whole work might actually have sounded in the complete form as planned by Schutz, the Appendix to the volume contains a reconstruction of the four-part vocal setting of the missing final chorus, based on the surviving figured bass. The magnificent Gesang der drei Manner im feurigen Ofen (Song of the three men in the burning fiery furnace) SWV 448 from the book of the prophet Daniel, the original source of which is lost, is critically discussed and published with various possibilities for scoring.
SKU: CA.210300
ISBN 9790007244668.
The Choral Collection Psalms contains over 50 settings for mixed unaccompanied choir from six centuries. It is a true treasure-trove of compositions in various styles and levels of difficulty: with some unknown new discoveries and some classics of the choral literature, the selection will enrich both worship and concerts. The 150 psalms of the Old Testament express rejoicing, joy, confidence, but also lament, grief, anger, and even doubt. The psalms are present throughout Christianity and Judaism to this day, and are sung worldwide in countless settings. The Choral Collection Psalms displays the whole stylistic and linguistic variety ranging from contemplative, simple Anglican chant through Russian Orthodox homophony to virtuoso motets with jazzy echoes. The linguistic spectrum is equally broad: English, French, German (some with added singable English translation), Estonian, Icelandic and, of course, Latin psalm settings are represented, as well as works in Church Slavonic and Hebrew (both accompanied by transliterations and a singable German text). The foreword (German / English) offers many hints regarding the performance of the psalm settings, and a detailed index will help with choosing appropriate pieces for the liturgical occasion according to the Anglican, Protestant, or Catholic calendar. Over the last ten years editor Stefan Schuck has performed two psalm compositions every week in his NoonSong series in Berlin. From the resulting 800 works, he has selected the most interesting compositions arranged according to level of difficulty. The choral director's volume includes a CD with recordings of selected works, sung by sirventes and conducted by the editor, which will help with learning and rehearsing the repertoire. over 50 psalm settings from six centuries for worship and concert use stylistic variety and mixed levels of difficulty: from Anglican Chant to virtuoso motets for four-part mixed choir, some with organ/piano accompaniment transliterations and German singing texts help with practising cross-cultural repertoire liturgical classification of all settings for Catholic, Protestant, and Anglican lectionary includes many unknown jewels such as Boze, Boze moj (Cesar Cui), Jauschew be seser eljaun (David Rubin), and Schubert's setting of Psalm 23 in the first Hebrew version CD recording (sirventes berlin, cond. Stefan Schuck) with a selection of settings helps with getting to know the pieces economical choral edition (editionchor) available.
SKU: ST.EM35B
ISBN 9790220211652.
Orga nist of St George's, Windsor, and successor to the famous Marbecke, Mundy was amongst the earliest of the English madrigalists. There are 12 madrigals in this collection, ranging from Of all the birds, a tribute to William Byrd, to In deep distress and the tragic setting of words written by Chideock Tichborne on the eve of his execution in the Tower of London, My prime of youth. The volume also contains 25 psalms in three, four, and five parts. CONTENTS As I went walking (SAT) Blessed art thou (SAT) Have mercy on me, O Lord (SSATB) Hear my prayer, O Lord (STB) Heigh Ho! 'chill go to plough (SSAB) I lift my heart to thee (SSAT) In deep distress (SATB) In midst of woods (SSATB) Lightly she whipped o'er the dales (SSATB) Lord arise and help thy servant (SSATB) Lord to thee I make my moan (SATB) My prime of youth (SATB) O all ye nations (S (or A) AT) O come let us lift up our voice (SAT) O Lord of whom I do depend (SSAT) O Lord turn not away thy face (SAT) Of all the birds (SAT) Penelope that longed (SSATB) Praise the Lord, O my soul (SAT) Save me, O God (SAT) Sing ye unto the Lord (SSAT) The black-bird made (SSATB) The longer that I live (SSAT) The Shepherd Stephon (S solo, A. viol, T. viol, B. viol) Thus art thou bless'd (SAT) Turn about and see me (SA (or T) T) Unto thee lift I up mine eyes (SSATB) Were I a king (SATBB) Who loves a life (SSATB) Witness ye heav'ns (S solo, A. viol, T. viol, B. viol) Ye people all in one accord (SAB).
SKU: BR.CHB-5210-02
The new edition, based on autographic and printed sources, meets all the requirements of an authoritative performance material.
ISBN 9790004411322. 7.5 x 10.5 inches.
Originally, the present work - with a Latin text and the title Non nobis, Domine - was a gift written by Felix Mendelssohn Bartholdy in November 1830 for the 25th birthday of his sister Fanny. Five years later he decided to have it printed, and his publisher Simrock urged him to produce a German translation as well. It is in this form that the setting of Psalm 115 has become known alongside four other Psalms of Mendelssohn's in a compositional scope ranging from church to concert hall.The Urtext edition is based on the main sources, the autograph and the first edition.
SKU: BR.OB-5189-26
ISBN 9790004330319. 9 x 12 inches.
Originally, the present work - with a Latin text and the title Non nobis, Domine - was a gift written by Felix Mendelssohn Bartholdy in November 1830 for the 25th birthday of his sister Fanny. Five years later he decided to have it printed, and his publisher Simrock urged him to produce a German translation as well. It is in this form that the setting of Psalm 115 has become known alongside four other Psalms of Mendelssohn's in a compositional scope ranging from church to concert hall.The Urtext edition is based on the main sources, the autograph and the first edition.The new edition, based on autographic and printed sources, meets all the requirements of an authoritative performance material.
SKU: BR.PB-5189
ISBN 9790004209295. 9 x 12 inches.
SKU: BR.OB-5189-16
ISBN 9790004330296. 9 x 12 inches.
SKU: BR.OB-5189-15
ISBN 9790004330289. 9 x 12 inches.
SKU: BR.OB-5189-19
ISBN 9790004330302. 9 x 12 inches.
SKU: BR.OB-5189-30
ISBN 9790004330326. 9 x 12 inches.
SKU: GI.G-006298
Father Chrysogonus has compsed music for the responsorial psalms of the Lenten season for all three years of the liturgical cycle. These highly useful, eloquent settings may be sung by cantor with keyboard accompaniment or as four-part choral settings, the verses are quite beautiful a cappella. You'll find these to be very practical and not at all difficult to learn and perform. If you are not familiar with the scope of Father Chrysogonus' work, you must listen to the World Library Publications recording of his compositions and arrangements for the Easter season on Christ is Risen, Truly Risen!.
SKU: BA.BA02528
ISBN 9790006422562.
Prin t on demand (POD).
SKU: GI.G-10000C
The choir edition contains choral parts for a majority of the titles in Gather IV. A number of songs, hymns, psalms, and service music options are melody only. The vocal harmonizations for each song depend on how the composer originally set the piece.  Gather, Fourth Edition has been intentionally designed to be GIA’s most representative and relevant Catholic hymnal to date.  The musical contents represent the contemporary Catholic church, featuring a culturally diverse roster of composers and a wider breadth of musical styles.  Gather, Fourth Edition is also designed to work seamlessly with various digital assets, making it accessible and relevant in our technology-based world. It is the first hardbound GIA hymnal to be fully coordinated for use with OneLicense, GIA’s Hymnals App, and the new GIA Choral Cloud Subscription.
SKU: GI.G-7900GS
This fourth edition will be everything users of any previous edition of Worship would expect from GIA’s premiere hymnal—and more! A comprehensive hymnal, somewhat in the style of GIA’s RitualSong: a substantial compilation of the finest organ-based hymnody (approximately 80%) with the best-loved piano/guitar-based music (20%) A wide-ranging selection of hymn texts by modern writers, mostly wedded to familiar hymn tunes A Hymn of the Day calendar to match one or two hymns to the gospel reading for each Sunday of the Lectionary cycle A significant selection of bilingual (English-Spanish) music and world music, additional language options for Taizé chants Lectionary psalms set to Gelineau and Guimont psalm tones, plus a sampling of additional psalm settings from a variety of composer G-7900GS is the spiral bound edition of the guitar accompaniment for Worship—Fourth Edition. Guitar accompaniments contain melody, some harmony, and text along with the guitar chords.
SKU: ST.EM8
ISBN 9790220206320.
Well -known in his day as one of the most important contributors to East's Whole Book of Psalms (1592), Farmer was in the service of the Earl of Oxford who, more than any other nobleman, established the professional Elizabethan theatre. In the year that Burbidge opened the Globe Theatre, these 18 madrigals (the most famous is probably Fair Phyllis) gave the composer an attractive place in the history of English music. CONTENTS A little pretty bonny lass (SATB) Cease now thy mourning (SAT(or A) B (or T)) Compare me to the child (SAT(or A) B) Fair nymphs, I heard one telling (SSAT(or A) TB) Fair Phyliss, I saw (SATB) I thought, my love (SATB) Now each creature joys the other (SATB) O stay sweet love (SATB) Soon as the hungry lion (SATB) Sweet friend, thy absence (SAT(or A) B) Sweet Lord, your flame still burning (SATB) Take time while time doth last (SATB) The flattering words (SATB) Who would have thought that face? (SAAT) You blessed bowers (SSATTTBB) You'll never leave still tossing (SATB) You pretty flowers that smile (SAT(or A) B.
SKU: CA.3910549
ISBN 9790007244279. Language: German/English.
The Advent cantata Machet die Tore weit has long been one of the most frequently performed of Telemann's sacred works. Among the copies of this cantata which have been handed down is a copy by J. S. Bach which bears testimony to the high respect he paid to his then more celebrated colleague from Hamburg: It is a copy of the score in the hand of the Thomaskantor which was made for a performance in Leipzig on Avent Sunday in 1734 (therefore during the same period as the first performance of Bach's Christmas Oratorio). Of the four solo singers the soprano and bass, each of whom has an aria, are indispensable. The brief alto solos in the opening chorus can be sung by a member of the choir, and the tenor recitative can be sung by the soprano soloist. This work is now available in carus music, the choir app! Score and part available separately - see item CA.3910500.
SKU: CF.CM9655
ISBN 9781491157275. UPC: 680160915835. 6.875 x 10.5 inches. Key: A minor. Latin, Latin. Psalm 111.
Confitebor Tibi (Psalm 111) is the second movement in a collection entitled 14 Psalmi breves (14 Short Psalms), by Johann Aiblinger. Written for SATB choir and piano, or optional strings, Banner's edition is highly accessible for the burgeoning mixed choir interested in exploring the classical style of singing. Highly recommend!.Johann Caspar Aiblinger was born in Wasserburg am Inn, Germany in 1779. His early musical training was received at the Benedictine Abbey in Tegernsee. He spent most of his adult life in Munich, holding a variety of posts, including Kapellmeister at the Italian Opera and the court church in that city, where he composed a large number of Masses and small scale church works. Aiblinger passed away in Munich in 1867. CONFITEBOR TIBI (Psalm 111) is the second movement in a collection entitled 14 Psalmi breves (14 Short Psalms), written for SATB choir and strings. This edition is based upon a hand copied score located in the Sachsische Landesbibliothek-Staats-u nd Universitatsbibliothek, Mus.4528-D-2,1. The score is laid out over four pages, two systems per page, eight staves per system. The present edition adheres closely to the above mentioned source, noting editorial markings in parentheses. Voice parts, where notated in moveable clefs, were rewritten in treble clef; phrase markings in the voice parts were added where two or more notes occurred for a single syllable of text; textual underlay, given generally only in the soprano and tenor parts, was added to the alto and bass parts. Martin Banner.Johann Caspar Aiblinger was born in Wasserburg am Inn, Germany in 1779. His early musical training was received at the Benedictine Abbey in Tegernsee. He spent most of his adult life in Munich, holding a variety of posts, including Kapellmeister at the Italian Opera and the court church in that city, where he composed a large number of Masses and small scale church works. Aiblinger passed away in Munich in 1867.CONFITEBOR TIBI (Psalm 111) is the second movement in a collection entitled “14 Psalmi breves†(14 Short Psalms), written for SATB choir and strings. This edition is based upon a hand copied score located in the Sächsische Landesbibliothek-Staats-u nd Universitätsbibliothek , Mus.4528-D-2,1. The score is laid out over four pages, two systems per page, eight staves per system.The present edition adheres closely to the above mentioned source, noting editorial markings in parentheses. Voice parts, where notated in moveable clefs, were rewritten in treble clef; phrase markings in the voice parts were added where two or more notes occurred for a single syllable of text; textual underlay, given generally only in the soprano and tenor parts, was added to the alto and bass parts.Martin Banner.