Voir toutes les partitions de Charles Wuorinen
SKU: HL.48020791
ISBN 9781423491194. UPC: 884088475352. 9x12 inches.
(2004)< br>Tell My Fortune is a concerto for orchestra that visits the dark world of gypsies and their methods of fortune telling. In Palm, the composer reads the lines, marks and patterns of a hand as though it were a musical staff. Peering into a crystal ball, Crystal features flute and alto flute in a haunting duet, with strings playing a rhythmic counterpoint and a percussion accompaniment of tuned crystal glasses and wind chimes. Card unfolds like a deck of tarot cards, shuffled and spread across a table. Duration - ca. 28:00.
SKU: HL.48020954
UPC: 884088532215. 6.75x10.5 inches.
Based on an ancient Taoist fable about a small village farmer whose fortune continually changes through a chain of interconnected events. Singers are divided into two character groups – the narrator and the villagers – and a soloist sings the role of the farmer. The moral of the story: You never know, keep on going. All is not as it first appears. Duration: ca. 8:00.
SKU: HL.49002638
ISBN 9790220107610. UPC: 073999688931. 9.0x12.0x0.05 inches.
High Voice and Guitar.
SKU: PR.114424240
ISBN 9781491137581. UPC: 680160691036.
THE BONES OF MR. FORTUNE (FREE AT LAST!) is an 11-minute concerto-like work for solo flute accompanied by symphonic winds and percussion – perfect to play with band or with orchestra, as well as with the composer’s own piano reduction. The work features lengthy cadenzas, and exhilarating dance-like sections with the ensemble. Hailstork describes the historical inspiration: Abused in life and death, an enslaved man (Mr. Fortune) was owned by a surgeon who preserved his skeleton to study anatomy. The bones remained with the doctor’s family for generations, and were given a proper burial making national news in 2013, 215 years after Mr. Fortune’s death.Abused in life and death, an enslaved man known as Mr. Fortune was honored with an elaborate funeral more than 200 years after he died in Connecticut.Mr. Fortune was owned by Dr. Preserved Porter on a farm in Waterbury, Connecticut. When Fortune died in 1798, Porter, a bone surgeon, preserved his skeleton by having the bones boiled to study anatomy at a time when cadavers for medical study were disproportionately taken from slaves, servants and prisoners.One of Porter’s descendants gave the skeleton in 1933 to Mattatuck Museum in Waterbury, where it was displayed from the 1940s until 1970. The descendant referred to the slave as “Larry†and his name was forgotten at the time.A study by forensic anthropologists at the Quinnipiac University School of Medicine concluded that Fortune was about 5 feet 5 inches tall and died at around 55 years old. He suffered a number of painful ailments, including a fracture in his left hand, a severe ankle sprain and lower back pain. “He was an individual who was in considerable distress,†a forensic professor, Richard Gonzalez said.I was taken by the bizarre story of Mr. Fortune and decided to use it as the stimulus for this work.
SKU: HL.48188367
Gero Duos Trios Renaissance Pj390 Mort Et Fortune Vrai Dieu 2 Part.
SKU: HL.48182183
Henri Tomasi: 12 Noels de Saboly No.7: Ah! la bonne Fortune (Choral-Mixed a cappella).
SKU: HL.48016347
UPC: 073999163476. 9.0x12.0x0.049 inches.
Contents: Orlando Sleepeth * Mrs. Winter's Jump * A Coy Toy * A Piece without Title * Mr. Dowland's Midnight * Round Battle Galliard * Fortune * Lady Laiton's Almain * Tarleton's Riserrectione * The Shoemaker's Wife * Preludium * Can She Excuse.
SKU: XC.HCB2010FS
UPC: 812598033298. 9 x 12 inches.
Take an uplifting journey with Fortune Favors the Bold! Students will find success with it’s wonderfully scored melodic material and unique harmonic sound. A Charming new work for developing ensembles.
SKU: XC.HCB2010
UPC: 812598033434. 9 x 12 inches.
SKU: AP.51025S
ISBN 9781470668990. UPC: 038081587813. English.
Fortune and Glory is an evocative, exciting piece that will transport your audience into a swashbuckling action movie. Jack Wilds fills the piece with twists, turns, and jump cuts, making the music feel like a soundtrack that will ignite your students' imaginations. Positively energetic and highly approachable! (2:00).
SKU: HL.48182388
UPC: 888680830175. 9.5x12.25x0.026 inches.
William Byrd: Fortune (coll. Guitare No.10) (Guitar solo).
SKU: HL.14003424
ISBN 9780711922914. UPC: 884088434496. 9.0x12.0x0.072 inches.
Fourteen very easy piano solos, perfect for performance in beginner recitals and music festivals and great fun to play. Contents: Bill's Bagpipes * Chatterpie * Dozy Do-Do * Fortune Cookies * Frogmarch * Hang-Gliding * In A Tizzy * Jumping Jack * Merry-Go-Round * Mini Rag * On The Go * Over and Above * Patterns * Spellbound.
SKU: PR.490011780
ISBN 9781491121672. UPC: 680160641130.
A set of three short fortune cookies, written for the excellent pianist Mary Kathleen Ernst. Great storm came, Mighty bird flying, and Sun breaks through offer a diverse program of descriptive short pieces for pianists of intermediate to advanced skills.
SKU: AP.49065S
ISBN 9781470645878. UPC: 038081565170. English.
The setting of this exciting and beautifully arranged medley of classic fiddle tunes, Fiddler's Fortune arranged by Bob Phillips and Renata Bratt, provides a cool, super-fun groove that pulls the player into the action. Included are Red-Haired Boy, St. Anne's Reel, and Blackberry Blossom, and every section gets to play the well-known melodies. Lead sheets of each tune and for each instrument will be available as free downloads so the melodies can be played in unison for another class activity. This arrangement is scheduled to be premiered by the Wintergrass 2021 Virtual Youth Orchestra. (3:45) This title available in MakeMusic Cloud.
SKU: HL.48011149
UPC: 073999370522. 8.5x11.0x0.06 inches.
Contents: Wheel of Fortune * Secrets * Long Ago * Sweet Dreams * Memories * This Time * Easy Street * Go For It.
SKU: XC.ISO2004
UPC: 812598034394. 9 x 12 inches.
SKU: AP.49065
ISBN 9781470645861. UPC: 038081565163. English.
The setting of this exciting and beautifully arranged medley of classic fiddle tunes, Fiddler's Fortune arranged by Bob Phillips and Renata Bratt, provides a cool, super-fun groove that pulls the player into the action. Included are Red-Haired Boy, St. Anne's Reel, and Blackberry Blossom, and every section gets to play the well-known melodies. Lead sheets of each tune and for each instrument will be available as free downloads so the melodies can be played in unison for another class activity. This arrangement is scheduled to be premiered by the Wintergrass 2021 Virtual Youth Orchestra.To access the video, audio, and PDF resources click here. . (3:45) This title is available in MakeMusic Cloud.
SKU: AP.81-CB224480
ISBN 9781778930478. UPC: 685462030484. English.
Fortune Favors the Bold by David Marlatt is a dynamic and exciting piece that captures the trials, tribulations, and victories in the life of an ancient gladiator. Triumphant fanfares herald him into the great Colosseum as he clashes with many foes. Bravery and skill are what keep him alive. Between battles he is reflective and contemplative. Could this be his final fight? With conviction and courage he rises to meet his next opponent, fighting with all his strength and daring. More fanfares announce his victory, but will this success be the one to grant him his freedom? There are solo opportunities for flute, alto sax, baritone, and bass clarinet. (4:50).
SKU: XC.ISO2004FS
UPC: 812598034400. 9 x 12 inches.
SKU: CF.CAS7
ISBN 9780825847578. UPC: 798408047573. 8.5 X 11 inches. Key: D major.
When you have the good fortune to visit Red Rock country in the southwestern United States, you will all at once feel that majesty and beauty in the towering red landscape. You can trek, bike, paddle, ride horseback or drive through the canyons, past the strangely shaped rocks and over the enormous boulders. Each time you turn a corner you will be dazzled by yet another magnificent vista. The Red Rock areas in Utah, Nevada, Arizona and New Mexico formed millions of years ago when that part of North America was primarily under water. The water left behind the shells and skeletons of sea creatures that gradually turned into limestone and similar rocks. Beginning 225 million years ago, the earth's crust began to move and the seabed slowly rose. Streams entering the shallow water deposited mud and sand that turned into shale and marine sandstone. As the land continued to rise and dry out, some of the rocks oxidized (combined with oxygen) and turned red in color. Subsequently the area was covered with sands that eventually compressed into what is called Aztec sandstone. Sometimes, when iron was concentrated in the rock, the sandstone turned a bright red color. Following the introduction, the music in Red Rock Rag takes on a typical ragtime melody and rhythm. It then transitions by changing key, time signature and the structure into a swing waltz. At m. 60, it moves into a combined time signature of one measure of 3/4 time and two measures of 2/4 time with an occasional lick in the bass line. Finally, it moves back into the swing-waltz style and finishes with the original ragtime melody. Red Rock Rag is challenging stylistically and rhythmically. It would be appropriate to study both the ragtime and swing styles while working on it.When you have the good fortune to visit Red Rock country in the southwestern United States, you will all at once feel that majesty and beauty in the towering red landscape. You can trek, bike, paddle, ride horseback or drive through the canyons, past the strangely shaped rocks and over the enormous boulders. Each time you turn a corner you will be dazzled by yet another magnificent vista. The Red Rock areas in Utah, Nevada, Arizona and New Mexico formed millions of years ago when that part of North America was primarily under water. The water left behind the shells and skeletons of sea creatures that gradually turned into limestone and similar rocks. Beginning 225 million years ago, the earth's crust began to move and the seabed slowly rose. Streams entering the shallow water deposited mud and sand that turned into shale and marine sandstone. As the land continued to rise and dry out, some of the rocks oxidized (combined with oxygen) and turned red in color. Subsequently the area was covered with sands that eventually compressed into what is called Aztec sandstone. Sometimes, when iron was concentrated in the rock, the sandstone turned a bright red color. Following the introduction, the music in Red Rock Rag takes on a typical ragtime melody and rhythm. It then transitions by changing key, time signature and the structure into a swing waltz. At m. 60, it moves into a combined time signature of one measure of 3/4 time and two measures of 2/4 time with an occasional lick in the bass line. Finally, it moves back into the swing-waltz style and finishes with the original ragtime melody.A Red Rock RagA is challenging stylistically and rhythmically. It would be appropriate to study both the ragtime and swing styles while working on it.When you have the good fortune to visit Red Rock country in the southwestern United States, you will all at once feel that majesty and beauty in the towering red landscape. You can trek, bike, paddle, ride horseback or drive through the canyons, past the strangely shaped rocks and over the enormous boulders. Each time you turn a corner you will be dazzled by yet another magnificent vista. The Red Rock areas in Utah, Nevada, Arizona and New Mexico formed millions of years ago when that part of North America was primarily under water. The water left behind the shells and skeletons of sea creatures that gradually turned into limestone and similar rocks. Beginning 225 million years ago, the earth's crust began to move and the seabed slowly rose. Streams entering the shallow water deposited mud and sand that turned into shale and marine sandstone. As the land continued to rise and dry out, some of the rocks oxidized (combined with oxygen) and turned red in color. Subsequently the area was covered with sands that eventually compressed into what is called Aztec sandstone. Sometimes, when iron was concentrated in the rock, the sandstone turned a bright red color. Following the introduction, the music in Red Rock Rag takes on a typical ragtime melody and rhythm. It then transitions by changing key, time signature and the structure into a swing waltz. At m. 60, it moves into a combined time signature of one measure of 3/4 time and two measures of 2/4 time with an occasional lick in the bass line. Finally, it moves back into the swing-waltz style and finishes with the original ragtime melody.A Red Rock RagA is challenging stylistically and rhythmically. It would be appropriate to study both the ragtime and swing styles while working on it.When you have the good fortune to visit Red Rock country in the southwestern United States, you will all at once feel that majesty and beauty in the towering red landscape. You can trek, bike, paddle, ride horseback or drive through the canyons, past the strangely shaped rocks and over the enormous boulders. Each time you turn a corner you will be dazzled by yet another magnificent vista. The Red Rock areas in Utah, Nevada, Arizona and New Mexico formed millions of years ago when that part of North America was primarily under water. The water left behind the shells and skeletons of sea creatures that gradually turned into limestone and similar rocks. Beginning 225 million years ago, the earth's crust began to move and the seabed slowly rose. Streams entering the shallow water deposited mud and sand that turned into shale and marine sandstone. As the land continued to rise and dry out, some of the rocks oxidized (combined with oxygen) and turned red in color. Subsequently the area was covered with sands that eventually compressed into what is called Aztec sandstone. Sometimes, when iron was concentrated in the rock, the sandstone turned a bright red color. Following the introduction, the music in Red Rock Rag takes on a typical ragtime melody and rhythm. It then transitions by changing key, time signature and the structure into a swing waltz. At m. 60, it moves into a combined time signature of one measure of 3/4 time and two measures of 2/4 time with an occasional lick in the bass line. Finally, it moves back into the swing-waltz style and finishes with the original ragtime melody. Red Rock Rag is challenging stylistically and rhythmically. It would be appropriate to study both the ragtime and swing styles while working on it.When you have the good fortune to visit Red Rock country in the southwestern United States, you will all at once feel that majesty and beauty in the towering red landscape. You can trek, bike, paddle, ride horseback or drive through the canyons, past the strangely shaped rocks and over the enormous boulders. Each time you turn a corner you will be dazzled by yet another magnificent vista. The Red Rock areas in Utah, Nevada, Arizona and New Mexico formed millions of years ago when that part of North America was primarily under water. The water left behind the shells and skeletons of sea creatures that gradually turned into limestone and similar rocks. Beginning 225 million years ago, the earth's crust began to move and the seabed slowly rose. Streams entering the shallow water deposited mud and sand that turned into shale and marine sandstone. As the land continued to rise and dry out, some of the rocks oxidized (combined with oxygen) and turned red in color. Subsequently the area was covered with sands that eventually compressed into what is called Aztec sandstone. Sometimes, when iron was concentrated in the rock, the sandstone turned a bright red color. Following the introduction, the music in Red Rock Rag takes on a typical ragtime melody and rhythm. It then transitions by changing key, time signature and the structure into a swing waltz. At m. 60, it moves into a combined time signature of one measure of 3/4 time and two measures of 2/4 time with an occasional lick in the bass line. Finally, it moves back into the swing-waltz style and finishes with the original ragtime melody. Red Rock Rag is challenging stylistically and rhythmically. It would be appropriate to study both the ragtime and swing styles while working on it.When you have the good fortune to visit Red Rock country in the southwestern United States, you will all at once feel that majesty and beauty in the towering red landscape. You can trek, bike, paddle, ride horseback or drive through the canyons, past the strangely shaped rocks and over the enormous boulders. Each time you turn a corner you will be dazzled by yet another magnificent vista.The Red Rock areas in Utah, Nevada, Arizona and New Mexico formed millions of years ago when that part of North America was primarily under water. The water left behind the shells and skeletons of sea creatures that gradually turned into limestone and similar rocks. Beginning 225 million years ago, the earth's crust began to move and the seabed slowly rose. Streams entering the shallow water deposited mud and sand that turned into shale and marine sandstone. As the land continued to rise and dry out, some of the rocks oxidized (combined with oxygen) and turned red in color. Subsequently the area was covered with sands that eventually compressed into what is called Aztec sandstone. Sometimes, when iron was concentrated in the rock, the sandstone turned a bright red color.Following the introduction, the music in Red Rock Rag takes on a typical ragtime melody and rhythm. It then transitions by changing key, time signature and the structure into a swing waltz. At m. 60, it moves into a combined time signature of one measure of 3/4 time and two measures of 2/4 time with an occasional lick in the bass line. Finally, it moves back into the swing-waltz style and finishes with the original ragtime melody. Red Rock Rag is challenging stylistically and rhythmically. It would be appropriate to study both the ragtime and swing styles while working on it.
SKU: PR.115402330
ISBN 9781491129555. UPC: 680160667727. 9 x 12 inches.
Armed with a prodigious gift for forging musical identities, “Lord Carter Nicholas Pann†presents an offering inspired by the Elizabethan Era and an appreciation for the works of Percy Grainger. Pann’s suite tells a story of palace intrigue, outlined by the movement titles:1. Overture - Young Tom Abel, Heir to Cecil Abel’s Fortune2. Sarabande - Father Daniel Bennett from the Abbey at Lockwood Cross3. Pastorale - Joseph Dimplesweet, His Lordship’s Oldest Farmhand4. Gallop - Lord William H. Pettybone, Duke of Bremingham.At Her Ladyship’s Request (2016) was an idea born out of admiration for the wind works of Percy Grainger – most notably his Lincolnshire Posey.The names and places here are all fictitious. Four countrymen have come forward at Her Ladyship’s request as we commoners (and for as long as I can remember) have been led to believe Her Highness has grown complacent in her aged betrothal to His Lordship.I. It has long been established in this hill country that young, svelte Tom Abel has caught her fancy eye. He knocks about with the swagger of a visiting dignitary, confident and cocksure. And then there is his father’s fortune. Cecil Abel may be the richest man in the land save for His Lordship. Tom, his only son, will run his face straight into that pile the moment his old man kicks.II. It is rare to spy Father Daniel Bennett, High Priest from the Abbey at Lockwood Cross, loitering in our very own town square…but not as of late.III. Is Her Ladyship so desperate as to call upon Old Man Dimplesweet? Were you to confirm this, I would have straightened my back and spit the ground before you. Then I saw what could not possibly be misconstrued. And where is His Lordship anyway?IV. Pettybone! Conniving… insidious. I don’t believe there has been a greater rivalry among men for generations. The Duke’s ego alone could run our nation. The grudges he grows are notorious. His mount is legendary. The day has come to collect his toll.
