Flute Primer

SKU: HL.14046085

ISBN 9788438712146. Spanish.

SKU: BO.GME0022

SKU: PR.11441259S

UPC: 680160490523. 9.5 x 13 inches.

SKU: GI.G-1064

UPC: 785147006428.

From the music of the Buena Vista Social Club to Gloria Estefan, the lyrical melodies and infectious rhythms of Cuban music have become embedded in U.S. culture. With Caminemos con Jesús / Let Us Walk with Jesus, composer Tony Alonso presents a groundbreaking collection of liturgical music that calls on his own Cuban musical heritage to provide new ways of singing the liturgy in Spanish, English or bilingually. The first project of its kind, Caminemos con Jesús not only utilizes rich Cuban idioms but also explores what style and musical form can teach us about praying together across cultural and linguistic boundaries. The dynamic call-and-response form that is a hallmark of traditional Cuban music makes these songs especially compelling choices for bilingual worship, allowing assemblies to learn, internalize, and pray easily in both Spanish and English. “Qué Alegría Cuando Me Dijeron / I Rejoiced When I Heard Them Say” uses the words of the psalm as a rhythmic mantra, creating a fresh and engaging way to gather as the Body of Christ. “Letanía a la Madre de las Américas / Litany of Mary of The Americas,” invokes the Mary of many names and nations with a simple yet strong response that will enliven Marian feasts throughout the year. The gentle simplicity of “Tres Guajiros / Three Peasants” re-imagines the story of the Magi as humble peasants bringing gifts of the land to honor the newborn Jesus. Also, in this collection and for the first time in published form, is Gloria Estefan’s “Caridad,” a powerful and poetic prayer to Our Lady of Charity, the patroness of Cuba. All of the pieces of this collection focus on the importance of bringing the voices of the assembly to the forefront while the arrangements are skillfully crafted to be accessible to musicians of all abilities. In addition to the spiral-bound edition, individual octavos, and flute and brass parts, Caminemos con Jesús offers a special edition featuring parts for guitar, percussion and other instruments central to Cuban music. The studio recording is a stunning source of prayer and inspiration, produced in Miami by Grammy Award winner Juan Delgado and featuring some of the finest Cuban-American musicians today.  GIA Publications, Inc. is committed to responding to the rich diversity of the contemporary Church. With Caminemos con Jesús, we offer you our very best bilingual music for the liturgical year.  “The music of my father’s Cuban homeland has been the language of my heart for as long as I can remember. These songs infuse that rich tradition with the unique sabor of my own experience as a Cuban-American in a distinctly liturgical shape that I hope will inspire others in their daily camino con Jesús.” –Tony Alonso Featuring “Live Mercy, Be Holy / Vive la Misericordia, Vive la Santidad,” the 2020 Los Angeles Religious Education Congress theme song! Desde la música de Buena Vista Social Club hasta la de Gloria Estefan, las melodías líricas y ritmos contagiosos de la música cubana son incrustados en la cultura estadounidense. Con Caminemos con Jesús / Let Us Walk with Jesus, el compositor Tony Alonso presenta una colección innovadora de música litúrgica que incorpora su herencia musical cubana para producir una manera nueva de cantar la liturgia — en español, inglés o bilingüemente. El primer proyecto de este tipo, Caminemos con Jesús no sólo utiliza modismos ricos de Cuba sino también explora lo que el estilo y la forma musical nos pueden enseñar con respeto a rezar juntos a través de los límites culturales y lingüísticos.  La forma dinámica de llamada-y-respuesta que es un sello distintivo de la música cubana tradicional crea opciones cautivadoras para los rituales bilingües donde la asamblea puede aprender, interiorizar y rezar facilmente tanto en español como en inglés. “Qué Alegría Cuando Me Dijeron” incorpora la letra del salmo como una mantra rítmica, creando una manera original para congregar al Cuerpo de Cristo. La “Letanía a la Madre de las Américas,” la cual invoca a la María de muchos nombres y naciones utilizando una respuesta sencilla y fuerte, enriquecerá a las fiestas marianas de muchos pueblos durante todo el año. La sencillez suave de “Tres Guajiros” reimagina la historia de los Reyes Magos como guajiros humildes, trayendo regalos de la tierra para honrar al recién nacido Jesús. También se encuentra en esta colección, por la primera vez en forma publicada, el tema musical “Caridad” por Gloria Estefan, que es una oración poderosa y poética a Nuestra Madre de Caridad, la patrona de Cuba. Todas las piezas en esta colección se enfocan en la importancia de las voces de la asamblea mientras los arreglos son accesibles para los músicos de todas habilidades. Además de la edición con espiral, las partituras corales individuales, y las ediciones para flauta y instrumentos de metal, Caminemos con Jesús también ofrece una edición para guitarra con partituras adicionales para percusión y otros instrumentos centrales en la música cubana. La grabación del estudio es espectacular, una fuente de oración y inspiración. Producido en Miami por el ganador de Grammy Juan Delgado, el álbum destaca los talentos de unos de los mejores músicos cubano-americanos de hoy día.  GIA Publications, Inc. está comprometido a responder a la diversidad rica de la Iglesia actual. En Caminemos con Jesús, les ofrecemos nuestra mejor música bilingüe para todo el año litúrgico. “La música de la tierra cubana de mi padre ha sido el lenguaje de mi corazón desde que yo tengo memoria. Estas canciones infunden esa rica tradición del sabor único de mi propia experiencia como cubanoamericano con una forma claramente litúrgica. Es mi deseo que esta obra inspire a los demás en su propio camino diario con Jesús”. –Tony Alonso  Incluye el canto tema, “Vive la Misericordia, Vive la Santidad / Live Mercy, Be Holy,” compuesto para el Congreso de Educación Religiosa de Los Angeles del 2020. CONTENTS / CONTENIDO: Arriba los Corazones / We Lift Up Our Hearts • Caminemos con Jesús / Let Us Walk with Jesus • Cántico de Daniel / Canticle of Daniel • Caridad / Our Lady of Charity • Letanía del Santo Nombre de Jesús / Litany of the Holy Name of Jesus • Letanía a la Madre de las Américas / Litany to the Mother of the Americas • Qué Alegría Cuando Me Dijeron / I Rejoiced When I Heard them Say • Una Gran Nube de Testigos / A Wondrous Cloud of Witnesses • Tres Guajiros / Three Peasants • Vayan Por el Mundo Entero / Go Out to All the World • Vive la Misericordia, Vive la Santidad / Live Mercy, Be Holy.  .

SKU: JK.01918

Alma 13:28-29----------------- ------------------------- ------------------------- ----Arreglo para coro mixto (SSATBB), flauta y acompanamiento de piano o arpa. Grabado por el Coro del Tabernaculo de la Manzana del Templo , que aparece en su grabacion Love.

Arrangeme nt for mixed chorus (SSATBB), flute and piano or harp accompaniment. Recorded by the Mormon Tabernacle Choir, appearing on their recording Love Is Spoken Here. The first verse is the same as found in the Children's Songbook. The second verse is different. The flute part is included with the piano accompaniment... but is small and on several pages. You will want to purchase the official Flute part separately if you plan to use the flute in your performance.
Flute part available separately (#09123)
Composer: Joanne B. Doxey and Marjorie C. Kjar
Arranger: Sam Cardon
Lyricist: Joanne B. Doxey and Norma Smith
Difficulty: Easy / medium-easy acc.
Performance time: 4:30
Reference: Alma 13:28-29

--------------------- ------------------------- -------------------------
Arreglo para coro mixto (SSATBB), flauta y acompanamiento de piano o arpa. Grabado por el Coro del Tabernaculo de la Manzana del Templo , que aparece en su grabacion Love Is Spoken Here. El primer verso es el mismo que se encuentra en el Cancionero para ninos. El segundo verso es diferente. La parte de flauta se incluye con el acompanamiento de piano ... pero es pequena y en varias paginas. Querra comprar la parte oficial de la flauta por separado si planea usar la flauta en su interpretacion.
Pieza de flauta esta disponible separada (#09123)
Por favor, haga clic para reproducir una vista previa de audio.
Compositor: Joanne B. Doxey y Marjorie C. Kjar
Arreglista: Sam Cardon
Letrista: Joanne B. Doxey y Norma Smith
Dificultad: facil / media-facil acc.
Duracion de la cancion: 4:30
Referencia: Alma 13: 28-29.

SKU: CF.PPS52F

ISBN 9781491152645. UPC: 680160910144.

Balle t of the Dinosaur Hatchlings is an imaginative and fun selection for a beginning band with less than one year of instruction. Wind parts use only five pitches and only the percussion parts use eighth notes. Two sound effects are required in the piece. First, the hatching eggs are portrayed by a ratchet, and second, the snapping dinosaurs jaws are represented by  a slapstick. Ballet of the Dinosaur Hatchlings is an intriguing piece that beginning students are sure to love.
Ballet of the Dinosaur Hatchlings is a descriptive novelty selection for a beginning band with less than one year of instruction. Wind parts use only five pitches. Only percussion parts use eighth notes. Two sound effects are required. First, the hatching eggs are portrayed by the ratchet beginning at m. 2, and second, the snapping dinosaurs jaws, which are first heard at m. 14, are represented by an accented note augmented by a slapstick. Directors are encouraged to use more elaborate sound effects if they are inclined to do so. The story described by the music is as follows:• Dinosaur eggs begin to hatch (the ratchet, mm. 1-8).• The parent dinosaurs guard the nest (Low Brass and Woodwinds mm. 9-12).• The hatchlings begin walking (m. 13).• The hatchlings snap their jaws as they learn to eat (m. 14, Xylophone and Slapstick).• Thunder (Timpani, m. 29).• The parent dinosaurs seek shelter for all (m. 33, Low Brass and Woodwinds).• The hatchlings follow while they continue snapping their jaws (m. 41).• More thunder (mm. 53-54).• All the dinosaurs roar loudly at the clouds (m. 55) as the thunder becomes louder.

SKU: CF.PPS21

ISBN 9780825895401. UPC: 798408095406. 9 x 12 inches.

Named after the newly discovered comet ISON, this new piece from composer Kevin Mixon will have your very beginning students intrigued from the start. The piece is energetic and is exactly what students love to play! The most challenging rhythm is two repeated eighth notes and uses only the first six notes learned in most beginning band methods.

SKU: CF.PPS49F

ISBN 9781491152614. UPC: 680160910113.

Exemp lary is a mature musical� �piece for beginning bands. Even though only the first six notes of the Bb-major scale are used with simple rhythms, students and teachers will find many, fun musical challenges that provide opportunities for for growth. As the title suggests, performances of Exemplary should serve as a desirable model, be worthy of imitation, and should represent the absolute best in musicianship.
Exemplar y is a mature musical piece for beginning bands. Even though only the first six notes of the Bb-major scale are used, and simple rhythms are used to compose this piece, it has many musical challenges that will enhance students’ musical growth. There are some very musical ideas and sections in this piece that should be explored. Just as this title suggests, Exemplary should serve as a desirable model, be worthy of imitation, and should represent the best possible example of its kind. If you describe something as exemplary, it should be extremely good. With all of these challenges, the piece also has some nice melodies and is fun to play.  Notes to the ConductorThere are marcato and legato styles, many dynamic markings (sometimes different between woodwinds, brass, and percussion) major and minor third intervals, and challenging beginning percussion writing (that should not be overplayed). Four-measure phrasing should be observed. When a crescendo occurs, it should connect to the next note without taking a breath. These are teachable concepts that will benefit the musicianship of the students and take them to a higher level of performance.  .

SKU: CF.PPS52

ISBN 9781491151969. UPC: 680160909469.

Balle t of the Dinosaur Hatchlings is an imaginative and fun selection for a beginning band with less than one year of instruction. Wind parts use only five pitches and only the percussion parts use eighth notes. Two sound effects are required in the piece. First, the hatching eggs are portrayed by a ratchet, and second, the snapping dinosaurs jaws are represented by  a slapstick. Ballet of the Dinosaur Hatchlings is an intriguing piece that beginning students are sure to love.
Ballet of the Dinosaur Hatchlings is a descriptive novelty selection for a beginning band with less than one year of instruction. Wind parts use only five pitches. Only percussion parts use eighth notes. Two sound effects are required. First, the hatching eggs are portrayed by the ratchet beginning at m. 2, and second, the snapping dinosaurs jaws, which are first heard at m. 14, are represented by an accented note augmented by a slapstick. Directors are encouraged to use more elaborate sound effects if they are inclined to do so. The story described by the music is as follows:• Dinosaur eggs begin to hatch (the ratchet, mm. 1-8).• The parent dinosaurs guard the nest (Low Brass and Woodwinds mm. 9-12).• The hatchlings begin walking (m. 13).• The hatchlings snap their jaws as they learn to eat (m. 14, Xylophone and Slapstick).• Thunder (Timpani, m. 29).• The parent dinosaurs seek shelter for all (m. 33, Low Brass and Woodwinds).• The hatchlings follow while they continue snapping their jaws (m. 41).• More thunder (mm. 53-54).• All the dinosaurs roar loudly at the clouds (m. 55) as the thunder becomes louder.

SKU: CF.PPS23

ISBN 9780825895425. UPC: 798408095420. 9 x 12 inches.

Open your beginning band's very first concert with this bold new fanfare by popular composer Larry Clark. Like a supernova, your band will explode right from the start with this forceful new piece that sounds much more difficult than it is to play. Fanfare Supernova contains biting fanfare-like harmonies, though it only contains the first six notes of the Bb scale and the most difficult rhythms in the winds are quarter notes.

SKU: CF.PPS21F

ISBN 9780825896026. UPC: 798408096021. 9 x 12 inches.

Named after the newly discovered comet ISON, this new piece from composer Kevin Mixon will have your very beginning students intrigued from the start. The piece is energetic and is exactly what students love to play! The most challenging rhythm is two repeated eighth notes and uses only the first six notes learned in most beginning band methods.

SKU: CF.PPS23F

ISBN 9780825896040. UPC: 798408096045. 9 x 12 inches.

Open your beginning band's very first concert with this bold new fanfare by popular composer Larry Clark. Like a supernova, your band will explode right from the start with this forceful new piece that sounds much more difficult than it is to play. Fanfare Supernova contains biting fanfare-like harmonies, though it only contains the first six notes of the Bb scale and the most difficult rhythms in the winds are quarter notes.

SKU: CF.PPS49

ISBN 9781491151938. UPC: 680160909438.

Exemp lary is a mature musical� �piece for beginning bands. Even though only the first six notes of the Bb-major scale are used with simple rhythms, students and teachers will find many, fun musical challenges that provide opportunities for for growth. As the title suggests, performances of Exemplary should serve as a desirable model, be worthy of imitation, and should represent the absolute best in musicianship.
Exemplar y is a mature musical piece for beginning bands. Even though only the first six notes of the Bb-major scale are used, and simple rhythms are used to compose this piece, it has many musical challenges that will enhance students’ musical growth. There are some very musical ideas and sections in this piece that should be explored. Just as this title suggests, Exemplary should serve as a desirable model, be worthy of imitation, and should represent the best possible example of its kind. If you describe something as exemplary, it should be extremely good. With all of these challenges, the piece also has some nice melodies and is fun to play.  Notes to the ConductorThere are marcato and legato styles, many dynamic markings (sometimes different between woodwinds, brass, and percussion) major and minor third intervals, and challenging beginning percussion writing (that should not be overplayed). Four-measure phrasing should be observed. When a crescendo occurs, it should connect to the next note without taking a breath. These are teachable concepts that will benefit the musicianship of the students and take them to a higher level of performance.  .

SKU: CF.PPS20

ISBN 9780825895395. UPC: 798408095390. 9 x 12 inches.

This piece for the youngest students depicts wide open spaces, rugged terrain, and covered wagons heading West through the American plains. Students will love to play this contest selection, written in a minor mode. It will make them sound more mature than their experience as the piece can be performed with as little as 10 weeks of study.

SKU: CF.PPS20F

ISBN 9780825896019. UPC: 798408096014. 9 x 12 inches.

This piece for the youngest students depicts wide open spaces, rugged terrain, and covered wagons heading West through the American plains. Students will love to play this contest selection, written in a minor mode. It will make themsound more mature than their experience as the piece can be performed with as little as 10 weeks of study.

SKU: CF.PPS24

ISBN 9780825895432. UPC: 798408095437. 9 x 12 inches.

A beginning concert band piece of elephantine proportions! Sean O'Loughlin is able to deliver exciting music that students love to play, time and time again. His pieces in sounds much more difficult and sophisticated than students are technically able to play. Your band will shine with this mammoth musical depiction.

SKU: BO.B.3200

ISBN 9788480206587.

Come ntarios del Espanol:
Tres poemas de Merce Prat han servido de hilo conductor para musicar este triptico, siguiendo siempre de manera rigorosa las sugerentes imagenes de unos versos llenos de ironia y ternura. Obra estructurada en tres movimientos. PRELUDI. Primer movimiento. Despues del inicio por parte de la cuerda se impone el clarinete con unas melodias que, como preguntas, se van repitiendo a lo largo del periodo para llegar a una resolucion conclusiva en los ultimos compases. SCHERZO. Glosa a la frivolidad que la nostalgia interrumpe en ocasiones, aunque siempre retornando a la placida seduccion del ritmo festivo original. ARIA. Un canto amoroso a la Epifania que reincide en el dialogo entre el clarinete y la cuerda y que de manera continuada intensifica la trama hasta dejar en suspenso el acorde final.

SKU: GI.G-3854

Text source: from Sarum Primer, 1558.

SKU: FP.FTJ06

ISBN 9780951479537.

Comp osing for the recorder can be intimidating for those with limited or no experience playing the instrument. John Turner's new book is the ideal primer, taking the would be recorder composer on a journey through the history of recorder composition, and onwards to explore player techniques and the musicality offered by this versatile instrument. Each section is extensively referenced to exisiting compositions, providing a fantastic platform for further research by the reader.

About the Author:

JOHN TURNER is one of the leading recorder players of today. Born in Stockport, he was Senior Scholar in Law at Fitzwilliam College Cambridge before pursuing a legal career, acting for many distinguished musicians and musical organisations alongside his many musical activities. These included numerous appearances and recordings with David Munrow's Early Music Consort of London, the Academy of Ancient Music, the English Chamber Orchestra, the Academy of St. Martin-in-the-Fields and the English Baroque Soloists. He now devotes his time to playing, writing, reviewing, publishing, composing and generally energising.

He has played as recorder soloist with the Halle Orchestra, the Royal Liverpool Philharmonic Orchestra, the Manchester Camerata, the English Baroque Soloists, the English Chamber Orchestra, and many other leading orchestras and ensembles. Concertos and works with orchestra have been written for him by Gordon Crosse, Anthony Gilbert, Peter Hope, Kenneth Leighton, Elis Pehkonen, Alan Bullard, John Casken, and many other distinguished composers. His recordings include no less than five sets of the Brandenburg Concertos, as well as the F Major version of Brandenburg Concerto No. 4 with Menuhin and George Malcolm, but lately he has madenumerous acclaimed recordings of the recorder’s contemporary concerto and chamber music repertoire, including several concerto discs, all of which have received critical acclaim. In all, he has given the first performances of over 600 works for the recorder, with works by many non-British composers, including Leonard Bernstein, Ned Rorem, Peter Sculthorpe, Douglas Lilburn and Petr Eben.

Many of the works he has premiered have now entered the instrument’s standard repertoire, and these and his own recorder compositions are regularly set for festivals and examinations. He edits series of recorder publications for both Forsyths and Peacock Press, and founded the periodical Manchester Sounds, in response to the perceived threat to music libraries in Great Britain. In addition he was responsible for the rediscovery of several works for his instrument, including the Rawsthorne Recorder Suite, Antony Hopkins' Pastiche Suite, Herbert Murrill’s Sarabande, the Handel F Major Trio Sonata and John Parry's Nightingale Rondo (the only substantial known British nineteenth century work for a fipple flute). He was awarded an Honorary Fellowship by the Royal Northern College of Music in 2002 for his services to British music, and is a Visiting Distinguished Scholar of Manchester University.