Flamenco Method For Melodic Instruments (PARILLA JUAN)

Par PARILLA JUAN. Méthode de flamenco pour Instruments mélodiques étudie certains du flamenco principal ' palos ': TANGOS, SOLEÁ, BULERÍA, SEGUIRIYAS et ALEGRÍAS et TANGUILLOS. L'étude de chaque ' palo ' se compose de:-l'explication des différentes mesures applicables et les accompagnements claps différents. -Exercices articulations, de mesure, de prévision et de rythme. -Un thème mélodique, composé par l'auteur de ' Juan Parrilla ', qui contribuera à l'élève d'appliquer les choses apprises dans les exercices anciens accompagnés à la guitare, percussions et palmas. Il existe deux versions audio pour le thème mélodique, avec and sans les flûte. Cette méthode comprend également tous les scores dans les différentes clefs utilisés par la plupart des instruments mélodiques : clef de clef ' F ' ' G ' Transposing pour instruments dans ' B ' Transposing plat pour instruments dans ' E ' plat comprend un CD avec tous les exercices 6 thèmes mélodiques avec deux versions audio (flûte accompagnement et accompagnement sans les flûte). Texte en anglais et en espagnol. / Niveau : Débutant / Flamenco - Methods / Méthode / Instruments en Sib

Par MARTIN JUAN. In this easy-to-follow book and DVD set, Juan Martin and Patrick Campbell provide a thorough introduction to flamenco Guitar. What are the essential elements and techniques of flamenco Guitar playing? How does one capture the real essence of authentic flamenco Guitar? These are questions that Juan Martin, celebrated virtuoso flamenco guitarist and teacher, addresses in this first book of a projected three-volume series. This method is designed for the complete beginner and requires no prior knowledge of the Guitar or flamenco music. It also provides invaluable insights and material for more advanced players who want to capture the essential sounds, rhythms and emotional power of true flamenco. The series begins with in-depth demonstrations of how the basic building blocks of flamenco Guitar technique are used in actual flamenco music. The material then progresses to a detailed exploration of the individual rhythmic forms - the palos. In this book, the fundamental palos of Solea and Alegrias are presented to emphasize the basic rhythms and provide examples of falsetas - the melodic passages. Martin then shows how to apply these when collaborating with a dancer and singer. In Essential Flamenco Guitar: Volume 1 the music is transcribed in standard notation and tablature (cifra). The two DVDs contain over 3.5 combined hours of explanation and demonstrations. The first DVD provides a detailed introduction to basic techniques, using examples of authentic flamenco to show these techniques in action. The second DVD progresses to demonstrations of the Solea and Alegrias, including music for the soloist and the Guitar accompanying the dancing and singing. / Niveau : Facile / Méthode / Guitare

LA GUITARE FLAMENCO 48 LECONS, VOL. 2 LECONS 13-25 DVD / Guitare (Fingerpick)

LA GUITARE FLAMENCO 48 LECONS, VOL. 3 LECONS 26-37 DVD / Guitare (Fingerpick)

Par VARGAS ENRIQUE. The definitive, comprehensive explanation of both the harmonic and melodic aspects of flamenco! Flamenco Improvisation - Modal Improvisation and Melodic Construction in the Flamenco Environment by famed guitarist Enrique Vargas. This volume deals with new scales in the flamenco modal language. Some of these scales, such as the diminished, wholetone, overtone or hexatonic symmetrical, come from modern classical or jazz. Others come from ethnic modalities which are external to flamenco. The harmonic implications of these scales is analysed and their application in the flamenco environment is explained and illustrated by numerous melodic examples, both original and by renowned flamenco artists. The concept of modal substitutions is introduced and modal polytonality is explained and the notion of replicating dominant scales by minor thirds and tritones is introduced and various ways to resolve a tritone are explained. Appendix I contains a collection of 110 licks in modern penta-, hexa-, hepta- and octatonic scales. Each lick is harmonized and comes with detailed guitar fingerings. Appendix II is a complete thesaurus of vertical and horizontal guitar fingerings for every modern penta-, hexa-, hepta- and octatonic scales in flamenco, in every flamenco tonality. Each lick is recorded with harmonic accompaniment and bass. / Methods & Tutors / Etude / Guitare

Par VARGAS ENRIQUE. The definitive, comprehensive explanation of both the harmonic and melodic aspects of flamenco! Flamenco Improvisation - Modal Improvisation and Melodic Construction in the Flamenco Environment by famed guitarist Enrique Vargas. Before delving into the more complex, polytonal, tetrachordal modal structures of flamenco, Volume 1 explores the melodic and harmonic aspects of the seven basic Greek modes (Ionian, Dorian, Phrygian, Lydian, Mixolydian, Aeolian and Locrian), even if they are not bona fide flamenco modalities. In addition, the general rules of left-hand guitar fingerings are established here, to avoid possible confusion when interpreting the wealth of material offered in the second and third volumes. In this first volume, the concept of symmetrical permutations is analysed and explained and three types of symmetrical permutations, with their corresponding guitar fingerings, are presented for the basic modes. These permutations are perfectly valid for musical instruments other than the guitar — one can play them and just ignore the guitar fingering symbols. Every harmonic aspect of the seven basic modes are explained — triads, seventh, ninth and add chords, etc. One appendix gives a compendium of 72 licks, or melodic examples/ideas for improvisation, written in each of the basic modes. / Methods & Tutors / Etude / Guitare

Par VARGAS ENRIQUE. The definitive, comprehensive explanation of both the harmonic and melodic aspects of flamenco! Flamenco Improvisation - Modal Improvisation and Melodic Construction in the Flamenco Environment by famed guitarist Enrique Vargas. This volume deals with the main flamenco modes extracted from the Arabic modal system, Maqam. First, the concept of tetrachordal modal construction is introduced. The ten main flamenco modes are explained, and the concept of advanced, horizontal left-hand fingerings for guitar is introduced. Since modern flamenco harmony is heavily influenced by jazz, the concept of harmonic substitutions is introduced. Different types of harmonic substitutions are analysed and four types of cadences are explained. The use of “add chords” in flamenco tonalities is presented and various examples of traditional flamenco forms are harmonized, with a detailed explanation of the harmonic substitutions being applied. Appendix I contains 55 licks in the main flamenco modes. These licks are harmonized and each come with complete guitar fingerings. Appendix II is a complete thesaurus of the flamenco modes in all of their vertical and horizontal guitar fingerings, and are written in every flamenco tonality.   / Methods & Tutors / Etude / Guitare