My First Gospel Guitar Picking Songs

My First Gospel Guitar Picking Songs is an ideal book for beginners interested in learning country-style guitar and basic reading skills. Author Steve Kaufman uses his award-winning method to teach principles of flatpicking basicchord fingerings and notation within the context of classic country songs. This book emphasizes the versatility of the gospel guitarist as a lead instrumentalist and rhythm accompanist from lyrical melodies to swinging strummingtechniques. The book comes with accompanying audio.

Music from the church always featured in the repertoires of Country Blues Guitarists. In this lesson we explore several styles of fingerpicking gospel tunes. We start with playing in the key of C and two well known songs played in the style of Mississippi John Hurt and Elizabeth Cotten. We then tackle I'll Fly Away which introduces a new right hand technique that combines fingerstyle with strumming. This technique will add a different texture to your playing. We then begin to explore playing in open tunings and Just a Closer Walk with Thee played in an Open G Tuning. We then go to an Open D tuning to learn Death Come Creeping and Will the Circle BeUnbroken.Two bonus sections are included. The first demonstrates how to change your Guitar strings so that they will not slip. The second is an audio section that features recordings showing variations and other approaches to the tunes taught.A detailed tab/music booklet is included as a PDF file on the DVD. Each tune is taught phrase by phrase and played slowly on a split-screen.Titles include: I Am A Pilgrim What a Friend We Have In Jesus I'll Fly Away Just A Closer Walk With Thee Death Come Creeping and Will The Circle Be Unbroken.

The Art of Acoustic Blues Guitar - The Basics. Whether your favourite blues guitarist is Robert Johnson, Muddy Waters, Blind Blake, John Lee Hooker, Big Bill Broonzy, or Mississippi John Hurt, studying the basic techniques presented in this program is the first step toward being able to capture the essence of their traditional styles. In this book, Woody Mann shows you practical ways to develop fundamental technique and offers you insights into the musical logic of blues guitar. Woody walks you through each song, explaining the chord positions and picking techniques. He teaches blues in the keys of D, G, C, E, and A, presenting a wide selection of classic blues songs and instrumentals from the masters of blues guitar. Included in this program are the basics of the Delta blues of Robert Johnson, the ragtime style of Blind Blake (the man with the piano-playing guitar), and the music of Big Bill Broonzy, Memphis Minnie, Willie Walker, and Willie Moore. Each song illustrates how solo players approach the guitar like a piano, playing melodies and bass lines simultaneously. Developing this independent two-line picking technique enables you to get the feel, syncopation, and subtleties of the music. The songs in themselves are studies in acoustic blues technique and present the authentic elements of the acoustic blues sound and style including blues technique and ways to play off of the chords and improvise within a song. This program is recommended for beginning acoustic blues guitarists as well as electric guitarists and acoustic fingerstyle guitarists of all levels who would like to go beyond pattern picking and develop a more dynamic and syncopated sound. Woody Mann had his first schooling as a teenager in the living room of Rev. Gary Davis, the now legendary gospel and ragtime guitarist. Mann soon went on to perform and record with blues masters Son House and Bukka White as well as contemporary innovators including John Fahey. He has recorded extensively, performed throughout the world, and is widely recognized as one of the world's leading teachers and transcribers of acoustic blues music, having taught countless guitarists through his popular books and videos.

The Logic Of Fretboard-The ability to improvise and create variations within a song is the essence of the guitar work of the great traditional acoustic blues guitarists such as Blind Blake Robert Johnson Big Bill Broonzy Rev. Gary Davis and Blind Lemon Jefferson. By exploring the ways that chords melodies and rhythms work Woody Mann presents practical and simple ways to create variations in your playing. Woody teaches a new approach to seeing the fretboard and techniques for 'breaking down' chord blocks into smaller 'pieces' and connecting them throughout the fretboard. As he teaches the repertoire of the masters of acoustic blues he demonstrates how melodies andharmonies can be derived from simple moveable chord shapes. The Logic Of Fretboard is a method for relating the entire fretboard to the basic first position chord shapes that we all learn as beginners and using them to create new chords melodies and variations in your music. Studying the songs and concepts that Woody presents in this program will help students to break out of ruts and begin playing up-the-neck without relying on bar chords or scale patterns. Woody's approach to varying melody and bass lines against each other will also help students to develop a more syncopated and stronger picking technique. This simple and effective method allows students to increase their chord vocabulary by relying on logic instead of memorization.Woody Mann had his first schooling as a teenager in the living room of Rev. Gary Davis the now legendary gospel and ragtime guitarist. Mann soon went on to perform and record with blues masters Son House and Bukka White as well as contemporary innovators including John Fahey. He has recorded extensively performed throughout the world and is widely recognized as one of the world's leading teachers and transcribers of acoustic blues music having taught countless guitarists through his popular books and videos.

And Novelty Instrumentals Of Rev. Gary Davis-Rev. Gary Davis is the real thing. The authentic blind-seer. He is a genius with a brightly burning spirit enormous musical intelligence technical brilliance an encyclopaedic memory driving passion deep faith araunchy and gracious sense of humour. A mystic. He is an icon of the style of Guitar he was born into known today as the Piedmont blues. Through players of the first half of the twentieth century like Alfred Shultz Mose Ranger Merle Travis and Chet Atkins this is the signature American fingerpicking style that would so deeply inform the country folk blues and even rock and roll of our day.Rev. Davis (1896-1972) was born black indeep poverty in South Carolina blind from an early age. He overcame these longest of odds to become world famous a giant of American music. He brought together black and white styles country gospel folk themes blues jazz ragtime minstrel songs dance tunes and popular song. He developed his own brilliant fingerpicking style that was deep economical and adaptable enough to easily cover all these genres. Supporting all his creativity was anunshakable faith that pulled him through the obscurity the bitter hard times and crushing poverty he would endure until the folk music awakening of the fifties and sixties caught up to him.In this book and accompanyingaudio Ernie Hawkins has transcribed 9 of Rev. Davis' best known rags minstrel shows tunes and novelty instrumentals. These are challenging and very rewarding to master. Included are: Buck Dance Devil's Dream Sally Where'd You Get Your Liquor From Fast Foxtrot St. Louis Tickle Darktown Strutter's Ball and his tour de forces Twelve Sticks and SoldiersMarch. The unique bottleneck/slide tune Whistlin' Blues is also presented played in an open D6 tuning.The playing of Rev. Davis has influenced generations of guitar players from Blind Boy Fuller to

A Tribute to Reverend Gary Davis-British journalist and writer Robert Tilling lovingly compiled this touching tribute to the great American Guitar genius Reverend Gary Davis. His enthusiasm for the Reverend's powerful music startedafter seeing him on his first UK concert tour in 1964.Reverend Gary Davis (1896-1972) was an African American blues and gospel singer and guitarist. His fingerpicking style was extremely influential; hisstudents in New York City in the 1960s included Stefan Grossman Roy Bookbinder Woody Mann and Ernie Hawkins. Davis' musical influence extends throughout modern American music from theGrateful Dead and Bob Dylan to Keb Mo and Olabelle. Chapters in this revised and updated biography include a detailed Chronology Discography Concert and Record Reviews quotations contributions from musicians and admirers as well as over 100 photographs.

100 Ultimate Blues Riffs for Eb Alto Saxophone, the Beginner Series by musician, educator and world renowned author Andrew D. Gordon is an exhaustive guide to introduce beginner students to the various phrases or ?riffs? that make up Blues sax playing, both from a rhythmic and soloing standpoint. Due to the continued success of his more advanced book 100 Ultimate Blues Riffs for Eb Alto Andrew decided to author a similar type of book for beginner students. This book is ideal for the beginner to intermediate music student with most of the examples notated in the easier keys. Besides learning how to play Blues riffs the book is a useful tool for sight reading exercises with many different rhythms. The 12 bar Blues progression and the Blues scale, in Andrew?s opinion, the two most important aspects of playing the Blues is explained in detail as well as ?straight? and ?swing? rhythms. There are five sections to the riffs in the book, section 1 contains basic Blues riffs, section 2 contains Rhythm and Blues influenced riffs, section 3 contains Blues/Boogie Woogie riffs, section 4 contains Rock influenced Blues riffs and section 5 contains Gospel influenced Blues riffs. Included with this book is an audio CD that contains all the riffs, recorded twice: first, sax melody, piano, guitar, bass and drums and second just the rhythm track of piano, guitar bass and drums so you can play-a-long. 'Whether reading the 100 riffs or picking them up by ear, the book can have many uses. It is good for sightreading in the style, short improvisational work or developing the ear. The clean, well-laid out books should offer a springboard into further study of the blues and improvisation.' - saxshed.com