Matériel : Octavo
SKU: HL.49019912
ISBN 9790220134364. 8.25x11.75x0.19 inches.
I wanted to write a companion piece for Tiger Dancing, which was written for the choreographer Henri Oguike and his company. Although Eternity's Sunrise was written for the concert hall rather than the theatre, dance is a pervasive feature of the music, the ensemble plays almost throughout in rhythmic unison. The opening burst sets the stage for what follows and makes a short final return as a coda. The work last about sixteen minutes.Steve Martland.The work has a powerful impact on both players and audiences, it's high-voltage music requireing real stamina from the performers. Audences at the premiere and subsequent tour loved it and the work would make marvellous dance music.The title of this piece comes from lines by the visionary English poet William Blake: He who binds to himself a joyDoes the winged life destroy;But he who kisses the joy as it fliesLives in eternity's sunrise. Incidentally, this poem was on Stockhausen's desk for most of his working life, and his death occurred as Steve was writing the piece.
SKU: HL.14029542
ISBN 9780711978140. English.
An essential resource collection of twelve new songs for assemblies, choirs, class singing and Sunday schools. Includes songs for each season and the main Christian festivals such as Harvest and a setting of Psalm 23. The teachers part contains piano part, lyrics, guitar chord symbols and a matching CD containing all the songs, plus great backing tracks to sing along to.
SKU: OU.9780193412583
ISBN 9780193412583. 12 x 8 inches.
For flute, clarinet in A, harp, and string quartet Sharing its scoring with Ravel's Introduction and Allegro, this work makes full use of the wealth of instrumental combinations available within the septet. The haunting yet quirky theme around which the entire piece is based is likely to linger in the memory long after the music has finished.
SKU: CA.3106014
ISBN 9790007043452. Key: D major / a major. Language: German/English.
The cantata Eternity, O awesome word BWV 60, which belongs to Bach's first Leipzig annual cycle and was written for the 24th Sunday after Trinity Sunday, is one of Bach's few dialog cantatas. It deals with the conflict between Dread (contralto) and Hope (tenor) in the face of death, which is already the topic of the expansive opening chorale arrangement . Using a device which was surprisingly dramatic for a Baroque church cantata, the bass joins in as a third vocal part (functioning as Vox Christi) in the penultimate movement - the recitative Der Tod bleibt doch der menschlichen Natur verhasst (Dread) - with the Bible quote Blessed are the dead which die in the Lord. This also convinces Dread and leads into the concluding chorale Es ist genug, so nimm Herr meinen Geist.. Score and part available separately - see item CA.3106000.
SKU: CA.3106007
ISBN 9790007043407. Key: D major / a major. Language: German/English.
The cantata Eternity, O awesome word BWV 60, which belongs to Bach's first Leipzig annual cycle and was written for the 24th Sunday after Trinity Sunday, is one of Bach's few dialog cantatas. It deals with the conflict between Dread (contralto) and Hope (tenor) in the face of death, which is already the topic of the expansive opening chorale arrangement . Using a device which was surprisingly dramatic for a Baroque church cantata, the bass joins in as a third vocal part (functioning as Vox Christi) in the penultimate movement - the recitative Der Tod bleibt doch der menschlichen Natur verhasst (Dread) - with the Bible quote Blessed are the dead which die in the Lord. This also convinces Dread and leads into the concluding chorale Es ist genug, so nimm Herr meinen Geist.. Score available separately - see item CA.3106000.
SKU: CA.3106019
ISBN 9790007134044. Key: D major / a major. Language: German/English.
The cantata Eternity, O awesome word BWV 60, which belongs to Bach's first Leipzig annual cycle and was written for the 24th Sunday after Trinity Sunday, is one of Bach's few dialog cantatas. It deals with the conflict between Dread (contralto) and Hope (tenor) in the face of death, which is already the topic of the expansive opening chorale arrangement . Using a device which was surprisingly dramatic for a Baroque church cantata, the bass joins in as a third vocal part (functioning as Vox Christi) in the penultimate movement - the recitative Der Tod bleibt doch der menschlichen Natur verhasst (Dread) - with the Bible quote Blessed are the dead which die in the Lord. This also convinces Dread and leads into the concluding chorale Es ist genug, so nimm Herr meinen Geist.. Score and parts available separately - see item CA.3106000.
SKU: CA.3106013
ISBN 9790007043445. Key: D major / a major. Language: German/English.
SKU: CA.3106005
ISBN 9790007043391. Key: D major / a major. Language: German/English.
SKU: CA.3106049
Key: D major / a major. Language: German/English.
SKU: CA.3106000
ISBN 9790007043377. Key: D major / a major. Language: German/English.
The cantata Eternity, O awesome word BWV 60, which belongs to Bach's first Leipzig annual cycle and was written for the 24th Sunday after Trinity Sunday, is one of Bach's few dialog cantatas. It deals with the conflict between Dread (contralto) and Hope (tenor) in the face of death, which is already the topic of the expansive opening chorale arrangement . Using a device which was surprisingly dramatic for a Baroque church cantata, the bass joins in as a third vocal part (functioning as Vox Christi) in the penultimate movement - the recitative Der Tod bleibt doch der menschlichen Natur verhasst (Dread) - with the Bible quote Blessed are the dead which die in the Lord. This also convinces Dread and leads into the concluding chorale Es ist genug, so nimm Herr meinen Geist..
SKU: CA.3106011
ISBN 9790007043421. Key: D major / a major. Language: German/English.
SKU: CA.3106009
ISBN 9790007043414. Key: D major / a major. Language: German/English.
SKU: HL.50487684
ISBN 9790080136362. Bach (23 x 30,2 cm) inches. Hungarian, English. Nicolae Bretan.
Nicolae Bretan (1887-1968) was a great singer and composer who had the keys to create great lieder. He understood that the imagery of poetry deeply stirs the subconscious, that verbal images must be weighed and translated with precise yet unmeasurab le artistry into rhythm and harmony. Given songs that penetrate the listener's psyche, that arouse the listener's humanity, that increase the listener's sense of beauty, the singer has munch of his work already done for him. And the singer who sings Bretan is far ahead on the pathways to his audience's mind and heart. The listeners sense new doors onto vistas of order and beauty, torment and calm. This release of energy withinthe audience is the secret of art. Art is eternity's dialogue in whic h the listener participates, which the listener fills in with his own emotion, his own experience... Frederica von Stade Nicolae Bretan (1887-1968) war ein Sanger und Komponist der das Geheimnis der grossen Liedschopfung kannte. Erwusste, dass das poetische Bild das Unterbewusste zutiefst aufwuhlt, dass das poetische Wort mit praziser und vollendeter kunstlerischer Meisterschaft in Rhythmen und Harmonien verwandelt werden muss. Dadurch, dass diese Lieder in die Seele des Horers dringen, das Humane, in ihm erwecken, seinen Sinn fur Schonheit steigern, wird dem Sanger seine Arbeit erleichtert. Und der Interpret, der Bretan singt, befindet sich in jenen hohen Gefilden und auf Wegen die zum Herz und Verstand des Publikums fuhren. Seine Horer erahnen Pfade zu neuen Ordnungen undSchonheiten, zu Erregung und Stille. Dieser Ausbruch von Energien im Inneren des Zuhorers ist das Geheimnis der Kunst. Die Kunst ist der Dialog der Ewigkeit, an dem das Publikum teilnimmt, den es mit seinen eigenen Emotionen und Erfahrungen erganzt... Frederica von Stade.
SKU: JK.00957
Mark 4:39-41, Psalm 48:14.
Beautifu l piece of the Savior's life, singing words of encouragement for men to become like Christ--arranged for mixed chorus (SATB) and piano accompaniment:If I reach out and calm a troubled heart or let another heal the rift in me, if in distress, I take another's part as Jesus took ours in Gethsemene, then I embrace the Savior's loving art, and honor Him throughout eternity.Composer: Gaylene Anderson Lyricist: Susan Noyes Anderson Difficulty: Medium / medium acc. Performance time: 4:00Reference: Mark 4:39-41, Psalm 48:14.
SKU: LP.765762102521
UPC: 765762102521.
This deeply moving and compelling musical is a beautiful response to God's loving, sacrificial and powerful act of redemption. Sacred and cherished hymns, popular worship songs, and new, expressive compositions combine in arrangements that are both poignant and moving, while retaining a level of difficulty that even the smallest choir can master. The emotive narrations are derived directly from the scriptures and perfectly frame the musical settings. In addition, the work includes several solo and congregational opportunities for participation. Echoing the song of heaven's eternity, this 47-minute presentation is assembled in 4 main sections: I. Worthy of Praise II. Worthy of Our Love III. A Worthy Sacrifice IV. Worthy of Exaltation
SKU: SU.80400290
SSA Chorus & PianoDuration: 3:20 Commissioned by: American Boy Choir and Glen Ellyn Children's ChorusDedication: For the American Boychoir and Glen Ellyn Children's ChoirPremiered by: American Boy Choir (Premiered June 16, 2001; James Litton, Music Director, Princeton, NJ) and Glen Ellyn Children's Chorus (Premiered May 12, 2001; Emily Ellsworth, Conductor; Wheaton, IL)Copyright 2001Text author: John Clare Published by: Paulus Publications (SP385) Minimum order quantity: 8 copies. To order quantities fewer than 8.
SKU: HL.14026080
Adapted by Walter Rummel from J.S.Bach's original Cantata 129. Gelobet sei mein Gott in alle ewigkeit. There are two versions of this work printed in this book. One is a simplified version.
SKU: WD.080689673023
UPC: 080689673023.
Song of the Lamb extends an invitation to join a journey; it's a journey from despair to hope and from death to life, and it all begins with a Lamb. Veteran arranger Marty Parks has woven classic hymns, modern worship songs and inspirational favorites into a 39-minute work of timeless beauty. Featuring accessible vocal and piano parts and two solos, this offering from Simply Word is ideal for groups with limited rehearsal time. Churches may choose between a poignant, Scripture-based narration or an optional dramatic script, making Song of the Lamb flexible enough to meet a wide variety of performance and worship needs for the Easter season and beyond. The invitation still stands: Come join the journey, and help deliver eternity's message to your church and congregation this Easter. Accessible vocal and piano parts for churches with limited rehearsal time. Conceived for the small to mid-size church. Includes narration AND an optional dramatic script. Veteran arranger Marty Parks.
SKU: WD.080689861123
UPC: 080689861123.
Song of the Lamb extends an invitation to join a journey; it's a journey from despair to hope and from death to life, and it all begins with a Lamb. Veteran arranger Marty Parks has woven classic hymns, modern worship songs and inspirational favorites into a 39-minute work of timeless beauty. Featuring accessible vocal and piano parts and two solos, this offering from Simply Word is ideal for groups with limited rehearsal time. Churches may choose between a poignant, Scripture-based narration or an optional dramatic script, making Song of the Lamb flexible enough to meet a wide variety of performance and worship needs for the Easter season and beyond. The invitation still stands: Come join the journey, and help deliver eternity's message to your church and congregation this Easter.