SKU: BA.BA04480
ISBN 9790006448951. 27.3 x 19.8 cm inches.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
What can I expect from a Barenreiter Urtext edition?< /p> MUSICOLOGICA LLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
What can I expect from a Barenreiter Urtext edition?< /p>
MUSICOLOGICA LLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: BA.BA25017
ISBN 9790006568116. 29.6 x 21 cm inches. Language: German.
Separate edition from BA 4480: „Einzelne Psalmen II“, 5 mehrchörige Psalm-Kompositionen und Deutsches Magnificat
SKU: HL.49044338
ISBN 9790001200004. UPC: 841886024373. 7.5x11.0x0.178 inches. Latin.
In Cantica hat Heinrich Poos seine Vertonungen des Magnificat (1972), Nunc dimittis (1995/2005) und Benedictus (2009) in Form eines Triptychons zusammengestellt. Dementsprechend mochte der Komponist jedes einzelne dieser Stucke als eine Art musikalische Portratmalerei verstanden wissen. Der lateinische Text dieser neutestamentlichen Psalmen ist als 'vieltonige Zungenrede' in Partitur gesetzt. In jeder der bis zu sechs Stimmen wird er vorgetragen, 'sprechend' betont und dynamisch, agogisch sowie modulatorisch begleitet. Heinrich Poos versteht es in diesen drei geistlichen Werken fur gemischten Chor a cappella (SSATBB) einmal mehr, mittels einer gemassigt modernen Tonsprache hochste Klangexpressivitat und pragnante Ausdruckstiefe miteinander zu vereinen.
