Dvd Carter Bo Guitar Of By John Miller

Bo Carter a été un grand guitariste. Il a joué avec facilité absolue dans une variété de touches et les ajustements apportés et son sens harmonique est unique dans le monde de Country Blues. Carrière d'enregistrement de Bo dans la période de la guerre mondiale adhéraient, était extrêmement important et significatif pour un bluesmen de pays. Son répertoire centré sur (mais il n'était pas composé exclusivement de) des chansons de ' partie ', comme le Let Me Roll Your citron ou Pussy Cat Blues. Malgré le caractère ' grivois ' de certains de ses paroles, jouant de Bo Carter et performance a révélé comme l'un des grands maîtres du Country Blues et un joueur de polyvalence inhabituel, de subtilité et d'imagination. Comme avec d'autres joueurs de sa génération, les origines de la musique de Bo sont enveloppées dans des mythes et de mystère. Approche de la main droite de Bo était unique, cueillette avec tous les doigts et se déplaçant de façon fluide entre alternance, sourd et dirige avec son pouce. John Miller présente un examen détaillé et pratique d'un talent fascinant et hautement individuel. Un livret de 48 pages tablature est i... / Guitare

The musical appeal of the Blues, as they began to be heard in the early twentieth century, was so infectious that musicians with open minds and ears were drawn to it as soon as they heard it. And that appeal crossed the racial and ethnic divides that characterized American society. So it was, that even before African American guitarists were recorded playing fingerstyle blues guitar, their white neighbors had already begun learning the music?listening to, watching, and imitating the musicians whose music they so admired. And what these white musicians ended up expressing in their own playing and singing was not simply imitation, but their own reconfiguration of what their models did, played in accordance with their own senses of rhythm, phrasing and how to sing the music.In Hillbilly Fingerstyle Blues Guitar, author John Miller offers transcriptions, in tablature and standard notation, of twenty-eight pieces by these white fingerstyle blues players, taken from recordings made in the period 1926?1970. Some of the featured musicians in the book, like Sam McGee, Frank Hutchison, Maybelle Carter, Hobart Smith, and Roscoe Holcomb are pretty well known, but the tunes by more obscure players like Debs Mays, Lake Howard, or Lester McFarland certainly don?t suffer by comparison, and in many instances are spectacular. The pieces have been chosen for variety, too?you?ll encounter pieces played in C, E, and A in standard tuning, as well as songs in Open G, Open D tunings and an exotic offshoot of Open G tuning. Downloadable links to all of the original performances from which the transcriptions were made come with the book, so you can get the sound of the tunes in your head. The musicians in Hillbilly Fingerstyle Blues Guitar gravitated towards the Blues because the music spoke to them so strongly that they felt compelled to make it part of their own musical language. And they did just that. These performances are strong and worthwhile in their own right, but they?ll also show you how you can honor those who have inspired you by singing and playing in your own voice. And that?s an important lesson to learn. Includes access to online audio.
1. Hillbilly Fingerstyle Blues Guitar ? An Introduction
2. Learning the Songs
3. Understanding the Tablature
4. The Songs
5. 1) Knoxville Blues?Sam McGee
6. 2) Easy Rider?Sam McGee
7. 3) Railroad Blues?Sam McGee
8. 4) Sally Long?Sam McGee
9. 5) Fuzzy Rag?Riley Puckett
10. 6) Worried Blues?Frank Hutchison
11. 7) Train That Carried The Girl From Town?Frank Hutchison
12. 8) The Miner?s Blues?Frank Hutchison
13. 9) K. C. Whistle?Lester McFarland
14. 10) John Hardy Was A Desperate Little Man?The Carter Family
15. 11) Johnson City Blues?Clarence Greene
16. 12) Brown Skin Blues?Dick Justice
17. 13) Cocaine?Dick Justice
18. 14) She Lied To Me?Emry Arthur
19. 15) Everyday Dirt?David McCarn
20. 16) Take Them For A Ride?David McCarn
21. 17) Jailhouse Rag?David Miller
22. 18) Match Box Blues?Larry Hensley
23. 19) New Chattanooga Mama?Lake Howard
24. 20) Soap Box Blues?Debs Mays
25. 21) Rabbit Blues?Debs Mays
26. 22) Graveyard Blues?Hobart Smith
27. 23) Railroad Bill?Hobart Smith
28. 24) K. C. Moan?Hobart Smith
29. 25) Mississippi Heavy Water Blues?Roscoe Holcomb
30. 26) Riley And Spencer?Fields Ward
31. 27) Raggin? The Wires?E. C. Ball
32. 28) Ain?t No Grave Can Hold My Body Down?E. C. Ball
33. Appendix?Default Chord Positions
34. ABOUT THE AUTHOR
35. Afterword
36. ACKNOWLEDGEMENTS
/ Partitions variété - pop - rock / Variété internationale / Guitare tablatures / MEL BAY

Bo Carter was a great guitar player. He played with absolute facility in a variety of tunings and keys and his harmonic sense was unique in the Country Blues world.Bo's recording career in the pre-World War II period washugely substantial and significant for a Country bluesmen. His repertoire centered on (but was not comprised exclusively of) 'party' songs such as Let Me Roll Your Lemon or Pussy Cat Blues. Despite the'saucy' nature of some of his lyrics Bo Carter's playing and performance revealed him as one of the great masters of Country Blues and a player of unusual versatility subtlety and imagination. As with other players of hisgeneration the origins of Bo's music are shrouded in mystery and myth. Bo's right hand approach was unique picking with all fingers and moving fluidly between alternation thumping and runs with his thumb.John Millerpresents a detailed and practical examination of a fascinating and highly individual talent. A 48-page tablature booklet is included.

Un livre de méthode complète, plus de 200 pages, remplis d'informations et des exercices sur tous les aspects du jeu basse, pour basse acoustique et électrique. Plus les lignes de basse transcrits et solos par : Eddie Gomez, Ron Carter, David Friesen, Charles Mingus, Jamerson, Ray Brown, Paul Jackson, Scott LaFaro, Marcus Miller, George Mraz, Jaco Pastorius, Paul Chambers, Alphonso Johnson, Jimmy Garrison,.. .et plus ! / Guitare Basse