Matériel : Partition + CD
Voir toutes les partitions de Duke Ellington
SKU: KN.63780
UPC: 822795637809.
Based on the chord changes to It Don't Mean A Thing by Duke Ellington, this chart is the perfect chart to introduce beginning jazz groups to the swing style. The solo section is playable by any instrument, with solo sheets provided in all keys along with scales to assist students in improvisation. Featuring Kendor Konvertible scoring for 9-17 players, each set includes a guitar chord chart by Jim Greeson and optional flute, clarinet, horn in f, tuba and vibes parts. Duration 2:10.
SKU: KN.63780S
SKU: KN.KEN60061S
UPC: 822795600612.
This medium swing original for developing groups is a riff-based blues in the tradition of the Count Basie and Duke Ellington bands. The solo section is playable by any instrument with solo sheets provided in all keys, along with scales to assist students in improvisation. Featuring Kendor Konvertible scoring for 9-17 players, each set includes a guitar chord chart by Jim Greeson and optional flute, clarinet, horn in f, tuba and vibes parts. Duration 3:45.
SKU: KN.KEN60061
SKU: AP.1-ADV11307
ISBN 9783892211334. UPC: 805095113075. English.
Many different possibilities for harmonizing the same melody are illustrated and analyzed, using techniques by such influential arrangers and composers as Duke Ellington, Billy Strayhorn, Oliver Nelson, Gil Evans, and Clare Fischer. Techniques of melody harmonization are covered, along with linear writing, and counterpoint for 2, 3, 4, and 5 horns. A chapter on writing for the rhythm section clearly illustrates the techniques commonly used by jazz arrangers and composers. Six complete scores in concert key are ideal for analysis, for playing the horn parts on the piano, or for following the performances on the CD. An extensive chapter on form and development deals with extended compositional forms and the use of compositional techniques in writing for the small jazz ensemble. A useful discography is included at the end of each chapter. Dans ce volume, beaucoup de différentes possibilités pour l'harmonisation de la même mélodie sont illustrées et analysées, en utilisant des techniques d'arrangeurs et compositeurs influents tels que Duke Ellington, Billy Strayhorn, Oliver Nelson, Gil Evans et Clare Fischer. Contents: Preface * About the Chord Symbols Used in This Book * Melody Harmonization: The Basic Techniques and the Linear Approach * Writing for Two Horns * Writing for the Rhythm Section * Writing for Three Horns * Writing for Four Horns * Writing for Five Horns * Form and Development * Minor D * Blues for Barry * Beautiful Dreamer * Suite for Swee' Pea' * Appendix: I. Ranges and Transpositions of the Instruments Used in this Book * II. Articulations and Jazz Inflections Used in this Book * III. Basic Procedures for Score Layout * Bill Dobbins Discography.
SKU: HG.GH-11772
ISBN 9790202825167.
Im Ensemblespiel ubernimmt der Kontrabassist meistens die tiefste Begleitstimme. Nur selten bekommt er die Gelegenheit, die Melodie zu ubernehmen. Die vorliegenden Play Alongs ermoglichen es nun dem Kontrabassisten, im tiefen Register bekannte Titel der popularen Musik des 20. Jahrhunderts zu spielen. Man findet hier Songs von Interpreten wie Joan Baez, Johnny Cash, Ray Charles, Joe Cocker, Phil Collins, Bill Haley, Cyndi Lauper, Marius Muller-Westernhagen, Peter, Paul and Mary, Elvis Presley, Heinz Ruhmann, Rod Stewart oder Neil Young. Auch Jazz-Titel, die durch Louis Armstrong, Miles Davis, Doris Day, Tommy Dorsey, Duke Ellington, Stephane Grappelli, Diana Krall, Glenn Miller, das Modern Jazz Quartet, Frank Sinatra und Stevie Wonder bekannt wurden, sind vertreten. Die Ausgabe umfasst zahlreiche Bearbeitungen fur Kontrabass, die zu farbenfroh instrumentierten Play Alongs gespielt werden konnen. In den Demoversionen ist zusatzlich die Kontrabass-Stimme zu horen. Die Audiodateien konnen mit dem Download-Code heruntergeladen werden. Wer gerne gemeinsam mit dem Klavier musiziert, findet die Noten der Begleitungen im Hauptheft. Begonnen wird jeweils mit dem Tonmaterial, das sich sowohl in der 1/2 Lage als auch in der I. Lage spielen lasst. Es wird nach und nach erweitert. So konnen sowohl Anfanger als auch Fortgeschrittene das Spiel im tiefen Register erproben.
SKU: AP.1-ADV11306
UPC: 805095113068. English.
Many different possibilities for harmonizing the same melody are illustrated and analyzed, using techniques by such influential arrangers and composers as Duke Ellington, Billy Strayhorn, Oliver Nelson, Gil Evans, and Clare Fischer. Techniques of melody harmonization are covered, along with linear writing and counterpoint for 2, 3, 4, and 5 horns. A chapter on writing for the rhythm section clearly illustrates the techniques commonly used by jazz arrangers and composers. Six complete scores in concert key are ideal for analysis, for playing the horn parts on the piano, or for following the performances on the CD. An extensive chapter on form and development deals with extended compositional forms and the use of compositional techniques in writing for the small jazz ensemble. A useful discography is included at the end of each chapter. Contents: Preface * About the Chord Symbols Used in this Book * Melody Harmonization: The Basic Techniques and the Linear Approach * Writing for Two Horns * Writing for the Rhythm Section * Writing for Three Horns * Writing for Four Horns * Writing for Five Horns * Form and Development * Minor D * Blues for Barry * Beautiful Dreamer * Suite for Swee' Pea' * Appendix.
