| 10 Diversion Studies Xylophone Billaudot
| | |
| Diversions 1 Piano, 4 mains - Intermédiaire/avancé Schott
1 Piano, 4 Hands; Piano Four Hands - intermediate to advanced SKU: HL.4900802...(+)
1 Piano, 4 Hands; Piano
Four Hands - intermediate
to advanced SKU:
HL.49008025 Composed
by Noë and l Lee.
This edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. Composed 1979.
24 pages. Schott Music
#ED 8455. Published by
Schott Music
(HL.49008025). ISBN
9790001114622. UPC:
073999710441.
9.0x12.0x0.121
inches. This work
in four movements is
musically demanding and
interesting for the
pianist, though not as
technically challenging
as the composer's highly
complex 'Eight Studies'
(2 vols., ED 7068 and ED
7069). It is an example
of the moderate French
contemporary style. These
four short movements are
kept in a comparatively
modern idiom and hence
should appeal to a wider
audience and entertain
even the
'non-virtuoso'. $22.99 - Voir plus => Acheter | | |
| Latin Studies For Voices And Piano Heugel
1 or More Voices and Piano 2 or 4 Hands SKU: HL.48187233 Composed by Reyn...(+)
1 or More Voices and
Piano 2 or 4 Hands
SKU: HL.48187233
Composed by Reynaldo
Hahn. Heugel. Post-1900,
Romantic. Softcover. 56
pages. Heugel & Cie
#HE20174. Published by
Heugel & Cie
(HL.48187233). UPC:
888680991616. 9x12
inches. “Havi
ng been considered as a
'fashionable' and
'cliché' composer
of his day, Hahn's
compositions are possibly
not as well-known as they
ought to be. Latin
Studies, however, shatter
these prejudices held,
representing the engaging
diversity of the
composer's music.
Venezuelan born Reynaldo
Hahn (1875-1947) entered
the Paris Conservatoire
at 10 years old. He
received a high standard
of musical education from
Decombes, Lavignac,
Dubois and Massenet
before becoming a
prolific and versatile
composer himself, writing
works for all genres. For
Hahn, music was a magical
art and his compositions
often contain expressions
of his otherwise hidden
emotions and moods. With
each of the ten pieces in
Latin Studies arranged
for a different selection
of solo or ensemble
voices, Hahn's Latin
Studies provides pleasant
and evocative pieces,
incorporating a range of
expressions, rhythms and
other musical
features.&rdquo. $71.10 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Choral Diversity Hildegard
SKU: GI.G-10717 A Mosaic of Historical Composers and Compositions....(+)
SKU: GI.G-10717
A Mosaic of Historical
Composers and
Compositions.
Composed by Dennis
Shrock. Music Education.
294 pages. GIA
Publications #10717.
Published by GIA
Publications
(GI.G-10717). ISBN
9781622776597. Writ
ten by noted scholar and
conductor Dennis Shrock,
Choral Diversity is a
presentation of composers
throughout history who
represent the broad and
diverse canon of choral
music. Included are
twenty women composers
and ten composers of
color, many of whom have
been previously
underrepresented in
studies and in
performances. Each
chapter presents
overviews of the
composer’s life
and choral output,
information and analysis
of selected compositions,
including complete texts
and literal translations
not found elsewhere, and
guidelines that address
related and important
aspects of performance.
Importantly, Shrock
approaches choral
diversity from multiple
perspectives. Most
notably, the book
highlights the music of
women
composers—such as
Hildegard von Bingen, Amy
Beach, and Undine Smith
Moore—as well as
composers of color,
including José
MaurÃcio Nunes Garcia,
William Grant Still, and
Margaret Allison Bonds,
among others. Rounding
out his approach, Shrock
also explores the
lesser-known works of
familiar composers such
as Palestrina and Brahms.
The book’s
repertoire, too,
represents a diversity of
musical periods, styles,
and
genres—including
chants, madrigals,
chansons, motets,
partsongs, oratorios,
cantatas, and vocal
chamber pieces—all
of which are intended to
be accessible to regular
school, church, and
community choruses. With
its broad scope and
scholarly authority,
Choral Diversity is the
ideal resource for
conductors at all levels
looking to diversify
their concert programming
in a practical and
historically informed
way. Dennis Shrock is
author of ten books,
three published by Oxford
University Press and the
remaining seven published
by GIA Publications. He
has held faculty
positions at Boston
University, Westminster
Choir College, and the
University of Oklahoma.
He has also served as
Artistic Director of the
Santa Fe Desert Chorale
and was a lecturer and
member of the conducting
staff at Yale University.
Shrock received his
master’s and
doctoral degrees in
choral conducting from
Indiana University. $29.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Tango Quatuor à cordes: 2 violons, alto, violoncelle Schott
Score and Parts String Quartet (Score & Parts) SKU: HL.49045929 No. 7 ...(+)
Score and Parts String
Quartet (Score & Parts)
SKU: HL.49045929
No. 7 from:
“Jazz-like. Partita
for Piano†String
Quartet Score and
Parts. Composed by
Erwin Schulhoff. Arranged
by Wolfgang Birtel.
String Ensemble.
Classical. Softcover. 12
pages. Schott Music
#ED22607. Published by
Schott Music
(HL.49045929).
9.0x12.0x0.057
inches. The
Austro-Hungarian composer
Erwin Schulhoff
(1894-1942) was musically
precocious: At the
suggestion of AntonÃn
Dvorák, he
receivedpiano lessons at
the age of seven, and at
the age of ten became a
student at the Prague
Conservatory. Further
piano studies in Vienna,
Cologne and Leipzig as
well as composition
lessons with Max Reger
supplemented his
education. His Jewish
heritage, which defamed
his music as
“degenerateâ€,
and his sympathy for
communism, however, cost
him his life. In Prague
and finally interned in
Wülzburg near
Weissenburg in Bavaria,
he died of tuberculosis.
Schulhoff's musical
significance lies in the
integration of jazz into
art music, for example in
his oratorio H.M.S. Royal
Oak or in his Hot Sonata
for alto saxophone and
piano. He earned his
living as a jazz pianist
for a long time. In
August 1922 he wrote four
short piano pieces, his
Rag Music, to which he
added four more phrases
in November: released as
Partita, also known as
Jazz-like Partita - with
the fashion dances
Ragtime, Foxtrott,
Shimmy, Boston and - as
No. 7 - a tango. From a
piano to a string quartet
movement, the arrangement
presents itself as a
delicate and smart,
technically not too
difficult sweet, suitable
as a diversion or
addition in a quartet
program.
Special Import
titles are specialty
titles that are not
generally offered for
sale by US based
retailers. These items
must be obtained from our
overseas suppliers. When
you order a special
import title, it will be
shipped from our overseas
warehouse. The shipment
time will be slower than
items shipped directly
from our US warehouse and
may be subject to
delays. $29.99 - Voir plus => Acheter | | |
| Guy Lefevre - Etude Progressive De La Technique Pour Caisse Claire, Vol. 1 Leduc, Alphonse
Drums SKU: HL.48184280 Composed by Guy Lefevre. Leduc. Classical. CD only...(+)
Drums SKU:
HL.48184280 Composed
by Guy Lefevre. Leduc.
Classical. CD only. 40
pages. Alphonse Leduc
#AL27244. Published by
Alphonse Leduc
(HL.48184280). UPC:
888680862107. 9x12
inches. “With
few study books in
existence for the Snare
Drum, Progressive
Technical Studies fills a
large gap. As a prominent
Snare Drum player
himself, Guy
Lefèvre
(1931-2004) produces
well-informed studies for
the instrument. The first
volume of Progressive
Technical Studies is
intended for beginners of
Drum studies. The
diversity of these short
and progressive rhythmic
studies will ensure the
student will rapidly
advance in their learning
of the instrument.
Exercises should be
addressed slowly with
particular attention
given to the precision
and regularity of the
beats. Lefèvre's
40 pages of exercises in
the first volume of
Progressive Technical
Studies for the Snare
Drum are essential to
developing
percussionists.&rdquo. $40.25 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Range of Articulation Trompette Charles Colin Music
Trumpet SKU: M7.AHW-198 Composed by Allan Colin. Edited by Dominic Derass...(+)
Trumpet SKU:
M7.AHW-198 Composed
by Allan Colin. Edited by
Dominic Derasse. Sheet
music. 30 pages. Charles
Colin Corp. #AHW 198.
Published by Charles
Colin Corp. (M7.AHW-198).
English. This
book includes an array of
30 studies to futher
develop and explore the
artistry of articulation.
These studies present an
interesting challenge in
articulation because of
their variety. The edited
slurs and markings should
be viewed as a way to
increase the challenges
presented in the music.
In practicing these, I
would recommend first
playing them as marked
and then explore some
'freedom' of
interpretation and modify
the articulations as you
see fit. This way of
practicing should
increase your ability to
respond to the diversity
of music that you will
encounter in
performance. $14.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Élégie Guitare Guitare classique - Intermédiaire Doberman
Guitar - Intermediate SKU: DY.DO-1522 Composed by Francis Bebey. Arranged...(+)
Guitar - Intermediate
SKU: DY.DO-1522
Composed by Francis
Bebey. Arranged by Ingrid
Riollot. Score. Les
Editions Doberman-Yppan
#DO 1522. Published by
Les Editions
Doberman-Yppan
(DY.DO-1522). ISBN
9782897963026. Fran
cis Bebey est né Ã
Douala en juillet 1929,
dans une grande famille
où son père,
pasteur, luttait pour
nourrir ses enfants. Mais
Francis a eu
l'opportunité d'aller
à l'école. Admirant
son frère aîné,
Marcel Eyidi Bebey, il
s'est éduqué, s'est
distingué, et a
finalement reçu une
bourse pour passer son
baccalauréat en
France. Nous
approchions de la fin des
années 1950 lorsqu'il
est arrivé à La
Rochelle. Plus que
jamais, dans cette France
où les Africains
étaient regardés
avec curiosité,
condescendance ou
dédain, Francis
s'appuyait sur ses
ressources
intellectuelles.
Travailleur assidu, il a
obtenu son
baccalauréat, puis
s'est installé Ã
Paris où il a
commencé des études
d'anglais à la
Sorbonne. Un jour, il a
su ce qui l'attirait
vraiment : il voulait
faire de la radio.
Francis a appris son
métier en France et
aux
�tats-Unis. Après
avoir travaillé
quelques années comme
reporter, il a été
embauché en 1961 en
tant que fonctionnaire
international au
Département de
l'information de
l'UNESCO. Parallèle
ment, Francis a toujours
été attiré par
la création musicale.
Son activité diurne
très sérieuse ne
l'empêchait pas de
fréquenter les clubs
de jazz le soir. Ã?
Paris, le jazz, la
musique à la mode Ã
cette époque, mais
aussi la rumba et la
salsa l'attiraient. Il
collectionnait les
disques et assistait Ã
de nombreux concerts.
Avec son complice Manu
Dibango, Francis montait
sur scène et jouait de
la musique. Francis
aimait la musique
classique depuis son
enfance. Il avait grandi
en écoutant les
cantates et les oratorios
de Bach ou Handel que son
père chantait au
temple. Il s'est
passionné pour la
guitare, impressionné
par les maîtres
espagnols et
sud-américains, et a
décidé d'apprendre
à jouer de
l'instrument
lui-même. Il a
commencé à composer
des pièces pour
guitare, mêlant les
diverses influences qui
le traversaient avec la
musique traditionnelle
africaine qu'il portait
en lui depuis son
enfance. Son approche a
captivé le directeur
du Centre culturel
américain (alors
situé dans le quartier
de Saint-Germain Ã
Paris), qui lui a offert
l'opportunité de se
produire devant un
public. Francis y a
donné son premier
récital de guitare
(1963) devant un public
hypnotisé. Son premier
album solo est sorti peu
de temps
après. Progressivem
ent, Francis est devenu
reconnu comme musicien et
compositeur. Plusieurs
albums de l'ambassadeur
africain de la guitare,
comme le décrivait la
presse, sont sortis. Il a
également écrit des
livres, au point que sa
carrière artistique
est devenue difficile
à concilier avec sa
carrière de
fonctionnaire. En 1974,
même s'il était
devenu le directeur
général chargé
de la musique Ã
l'UNESCO, il a fait le
saut audacieux et a
démissionné de
cette prestigieuse
institution pour se
consacrer aux trois
activités qui
l'intéressaient : la
musique, la
littérature et le
journalisme. Il a
exploré le patrimoine
musical traditionnel du
continent africain,
notamment à travers le
piano à pouce sanza et
la musique polyphonique
des pygmées d'Afrique
centrale, ou en chantant
dans sa langue maternelle
et en composant des
chansons humoristiques en
français ! Le
succès a suivi.
Francis Bebey a parcouru
le monde : de la France
au Brésil, du Cameroun
à la Suède, de
l'Allemagne aux
Caraïbes, ou du Maroc
au Japon... la liste des
pays où il a été
invité à se
produire, Ã donner des
conférences ou Ã
rencontrer des lecteurs
est très longue. En
plus de la reconnaissance
publique, il
bénéficiait de la
reconnaissance de ses
collègues musiciens,
tels que le guitariste
John Williams ou le
Vénézuélien
Antonio Lauro, qui l'ont
invité à faire
partie du jury d'un
concours de guitare
classique Ã
Caracas. Sa vie
était le voyage d'un
pionnier africain, un
homme enraciné dans
son patrimoine culturel
et portant un message de
partage et d'espoir pour
le monde. Son
originalité continue
de résonner dans le
monde entier depuis son
décès à la fin
du mois de mai
2001.
Francis
Bebey was born in Douala
in July 1929, into a
large family where his
father, a pastor,
struggled to feed his
children. But Francis had
the opportunity to go to
school. Admiring his
elder brother, Marcel
Eyidi Bebey, he educated
himself, distinguished
himself, and eventually
received a scholarship to
go and take his
baccalaureate in
France. We approached
the end of the 1950s when
he arrived in La
Rochelle. More than ever,
in this France where
Africans were looked at
with curiosity,
condescension, or
disdain, Francis relied
on his intellectual
resources. A diligent
worker, he obtained his
Baccalaureate, then moved
to Paris where he started
English studies at the
Sorbonne. One day, he
knew what truly attracted
him: he wanted to do
radio. Francis learned
his craft in France and
in the USA. After
working for a few years
as a reporter, he was
hired in 1961 as an
international civil
servant in the UNESCO
Information
Department. In
parallel, Francis had
always been drawn to
musical creation. His
very serious daytime
activity didnâ??t
prevent him from
frequenting jazz clubs in
the evenings. In Paris,
the Jazz, the trendy
music of that time, but
also rumba and salsa
attracted him. He
collected records and
attended numerous
concerts. With his
accomplice Manu Dibango,
Francis took the stage
and played
music. Francis liked
classical music since his
childhood. He grew up
listening to the cantatas
and oratorios of Bach or
Handel that his father
had sung in the temple.
He became passionate
about the guitar,
impressed by the Spanish
and South American
masters, and decided to
learn to strum the
instrument himself. He
started composing guitar
pieces, blending the
various influences that
flow through him with the
traditional African music
he had carried within
since childhood. His
approach captivated the
director of the American
Cultural Center (then
located in the
Saint-Germain
neighborhood of Paris),
who offered him the
opportunity to perform in
front of an audience.
Francis gave his first
guitar recital there
(1963) in front of a
mesmerized audience. His
first solo album was
released shortly
thereafter. Gradually,
Francis became recognized
as a musician and
composer. Several albums
of the African guitar
ambassador, as described
by the press, were
released. He also wrote
books, to the point that
his artistic career
became challenging to
reconcile with his career
as a civil servant. In
1974, even though he had
become the General
Manager in charge of
music at UNESCO, he took
the bold leap and
resigned from this
prestigious institution
to dedicated himself to
the three activities that
interested him: music,
literature, and
journalism. He
explored the traditional
musical heritage of the
African continent,
notably through the thumb
piano sanza, and the
polyphonic music of the
Central African pygmies,
or singing in his native
language and composing
humoristic songs in
French! Success
followed. Francis Bebey
traveled the world: from
France to Brazil,
Cameroon to Sweden,
Germany to the Carribean,
or Morocco to Japan...
the list of countries
where he was invited to
perform, gives lectures,
or meets readers is very
long. In addition to
public recognition, he
enjoyed the recognition
of his fellow musicians,
such as guitarist John
Williams or Venezuelan
Antonio Lauro, who
invited him to be a part
of the jury for a
classical guitar
competition in
Caracas. His life was
the journey of an African
pioneer, a man rooted in
his cultural heritage and
carrying a message of
sharing and hope for the
world. His originality
continues to vibrate
around the world since
his passing at the end of
May 2001. $4.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Orgelschule zur historischen Auffuhrungspraxis Carus Verlag
SKU: CA.6000610 Teil 3. Die Moderne. Buch-Reihen bei Carus: Method...(+)
SKU: CA.6000610
Teil 3. Die
Moderne. Buch-Reihen
bei Carus: Methods.
Orgelschule zur
historischen
Aufführungspraxis.
Book. 352 pages. Carus
Verlag #6000610.
Published by Carus Verlag
(CA.6000610). ISBN
9790007311407.
German. Volume 3
(in German) contains
articles by different
authors on the
interpretation of organ
music of the 20th century
(ranging from the early
modern era to the
avantgarde). The chapters
are not structured based
on a pre-existing mould
or pattern. Rather they
display stylistic
diversity –
personal recollections
appear together with
analytical
studies.Jon
Laukvik’s
Historical Performance
Practice in Organ Playing
has become a standard
work. It is addressed to
organists who wish to
integrate the latest
knowledge of historical
performance practice into
their playing today. The
insights of this
three-volume series are
the result of practical
and scholarly research
which present to the
performer in a detailed,
easily understandable
form a precise view of
the customs and goals of
performance in previous
and modern/ contemporary
eras. These volumes are
directed not only to
organists, but also to
organ teachers who are
looking for a guide for
use in their instruction.
Score available
separately - see item
CA.6000600. $118.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Complete Fingerstyle Guitar Method Guitare notes et tablatures [Partition + Accès audio] - Débutant Mel Bay
Composed by Tommy Flint. Perfect binding. Complete. Book and online audio. Publi...(+)
Composed by Tommy Flint.
Perfect binding.
Complete. Book and online
audio. Published by Mel
Bay Publications, Inc
(MB.98722M).
$29.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Concertino Basson Et Piano Basson, Piano (duo) Leduc, Alphonse
(BASSOON/PNO) SKU: HL.48181243 Composed by Marcel Bitsch. Leduc. Classica...(+)
(BASSOON/PNO) SKU:
HL.48181243 Composed
by Marcel Bitsch. Leduc.
Classical. Softcover. 12
pages. Alphonse Leduc
#AL20590. Published by
Alphonse Leduc
(HL.48181243). UPC:
888680868277.
9.0x12.0x0.06
inches. “Born
in Toulouse, Marcel
Bitsch (1921-2011) went
on to study at the Paris
Conservatoire before
becoming a professor of
counterpoint at the
institution. As an
exceptionally versatile
composer, Bitsch has
composed orchestral
works, chamber works and
numerous pieces and
studies for wind
instruments. Concertino
is a sublime addition to
the Bassoon repertoire.
Suited to advanced level
bassoonists, Bitsch's
Concertino contains a
range of exciting musical
aspects, including varied
articulation, complex
rhythms, irregular
phrasing, exploited
tonality and much
variation in dynamics,
tempo and performance
directions. The diversity
of musical elements
included in this Marcel
Bitsch Concertino for
Bassoon and Piano is
outstanding, creating a
necessary addition to the
advanced bassoonist's
repertoire.â€. $25.80 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Enjoy the Double Bass Contre Basse [Partition + CD] Boosey and Hawkes
(Volume 3 (5 1/2 - 7 position), Book/CD). For Double Bass. Boosey and Hawkes Cha...(+)
(Volume 3 (5 1/2 - 7
position), Book/CD). For
Double Bass. Boosey and
Hawkes Chamber Music.
Book with CD. 92 pages.
Bote and Bock
#M202523155. Published by
Bote and Bock
$26.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Book for Piano Piano seul Leduc, Alphonse
Piano SKU: HL.282996 Piano Solo. Composed by Florent Nagel. Music ...(+)
Piano SKU:
HL.282996 Piano
Solo. Composed by
Florent Nagel. Music
Sales America. Classical.
Softcover. 89 pages.
Alphonse Leduc #AL30792.
Published by Alphonse
Leduc (HL.282996).
9.0x12.0x0.267
inches. During his
studies, pianist and
composer Florian Nagel
drew on the teachings of
two masters with
diametrically opposed
approaches tomusic:
according to him, Marcel
Bitsch brought him wisdom
and Claude Ballif, folly.
He has written numerous
pieces for the pianoalong
with vocal and chamber
music. His first
international success
came with Alice in
Wonderland for piano four
hands and narrator,an
orchestral version of
which was premiered in
March 2018 by the
Orchestra national du
Capitole de Toulouse.
Nagel's Piano Book
connects old and new,
drawing on the past while
remaining firmly anchored
in modern times. The 25
remarkably inventive
pieces in this collection
present an astonishing
diversity of styles. From
the Prelude et Fuga
Antica to the study for
the Octaves and the
Hommage Ligeti et
Rautavaara, this volume
offers a rich selection
of the piano's potential
today. Written equally
for concert performance
and for the perfection of
technique, it also
contains an educational
component in which the
musical form is placed at
the service of a
wide-ranging
imagination. $29.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
|