century Not classified 17,633
Piano & keyboards
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WoodwindWoodwind Quintet: flute, oboe, bassoon, clarinet, horn 1,532Clarinet and Piano 1,263Clarinet 950Clarinet Quartet: 4 clarinets 800Flute, Oboe, Clarinet, Bassoon 7892 Clarinets (duet) 495Clarinet Ensemble 2973 Clarinets (trio) 248Clarinet Quintet: 5 clarinets 242Flute, Clarinet (duet) 238Clarinet, Guitar (duet) 235Saxophone, Clarinet (duet) 123Clarinet, Violin (duet) 111Oboe, Clarinet (duet) 85Bass Clarinet, Piano 73Oboe, Clarinet, Bassoon (trio) 71Clarinet and Viola 69Clarinet, Trumpet (duet) 67Clarinet, Bassoon (duet) 62Flute, Oboe, Clarinet (trio) 50Clarinet (band part) 48Clarinet, Cello (duet) 36Flute, Clarinet, Piano (trio) 272 Clarinets, Piano 21Clarinet Quartet: Clarinet, Violin, Viola, Cello 16Clarinet, Cello, Piano (trio) 14Clarinet, Harp (duet) 11Clarinet, Bassoon, Piano (trio) 10Clarinet Quintet: Clarinet, String Quartet 9Clarinette, Viola and Piano (trio) 8Clarinet, Trombone (duet) 7Eb Instruments 7Wind ensemble 5Clarinet, Orchestra 42 Clarinets, Bassoon 4Clarinet, Organ 4Flute, Clarinet, Violin (trio) 3Clarinet, Tuba 2
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Digital sheet music, access after purchasing
2 sheet music found O Come, Emmanuel - jazz clarinet and tuba O Come, Emmanuel - jazz clarinet and tuba #Clarinet, Tuba #INTERMEDIATE #Phil Beaman #O Come, Emmanuel - jazz clarin #Phil Beaman #SheetMusicPlus
B-Flat Clarinet,Instrumental Duet,Tuba - Level 3 - SKU: A0.1349249 Composed by Phil Beaman. Advent,Christmas,Early Music,Jazz,Renaissance. 4 pages. Phil...(+)
B-Flat Clarinet,Instrumental Duet,Tuba - Level 3 - SKU: A0.1349249 Composed by Phil Beaman. Advent,Christmas,Early Music,Jazz,Renaissance. 4 pages. Phil Beaman #933995. Published by Phil Beaman (A0.1349249). This jazz composition is based on the hauntingly beautiful 15th century medieval tune that is commonly used for the Advent carol O Come, O Come, Emmanuel. I have reharmonized it with the accompaniment in a Key Signature a fifth above that of the melody. The accompaniment, part 2, has a broken two chord ostinato throughout written as a walking bass line. I have altered the melody, part 1, and moved much of it to the off beats. As in period early music, I allow occassional dissonances in order to keep the ostinato. This piece makes a wonderfully useful and unique addition to the season's repertoire. (I have also published a version on this site with text so it can be sung by a soloist or unison choir with piano accompaniment.) (Also as a piano solo.)range - part 1 melody - 10th, middle C to E; part 2 walking bass line, octave and a half, bass clef low A below staff to D middle line2 pages score, 1 page @ part, 2:05 minutes.
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