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Op. 6 No. 8
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You've selected:
Op. 6 No. 8
GUITAR
Guitar notes and tablatures
Sheetmusic to print
6 sheet music found
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1
Etude in C Major, Op. 6 No. 8 by Fernando Sor - Guitar Tab
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Guitar notes and tablatures
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Fernando Sor
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Etude in C Major, Op. 6 No. 8
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Musicnotes
Sheet Music for Etude in C Major, Op. 6 No. 8 by Fernando Sor arranged for Guitar TAB;Instrumental Solo in C Major. Digital sheet music from Musicnotes. ...
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Sheet Music for Etude in C Major, Op. 6 No. 8 by Fernando Sor arranged for Guitar TAB;Instrumental Solo in C Major. Digital sheet music from Musicnotes.
$5.79 ≈
5.40€
Waltz Op 69 No 2 (Arranged for Guitar)
Waltz Op 69 No 2 (Arranged for Guitar)
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Guitar notes and tablatures
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INTERMEDIATE
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Classical
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Frederic Chopin
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Brian Streckfus
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Waltz Op 69 No 2
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Brian Streckfus
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.1177383 By Frederic Chopin. By Frédéric Chopin. Arranged by Brian Streckfus. 19th Century,Classical,Contemporary,Instruct...
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Guitar - Level 3 - SKU: A0.1177383 By Frederic Chopin. By Frédéric Chopin. Arranged by Brian Streckfus. 19th Century,Classical,Contemporary,Instructional,Romantic Period. Guitar Tab. 6 pages. Brian Streckfus #776814. Published by Brian Streckfus (A0.1177383). Key: Changed from B minor to A minorCapo: 2 (If you want original key, but I wasn't a fan of capo 2; it felt like there was no bass notes.)1. Arranged for guitar. 2. Piano pedal markings removed 3. Phrase markings removed and opted for commas. 4. Re-harmonized 5. Key changed from B minor to A minor. 6. Slurs 7. Left hand fingers 8. Tablature9. Harmonics added when advantageous, but playing the regular note would work as well.10. Piano pedal markings removed and replaced with commas. It's a flaw of sheet music that slurs, ties, and phrase markings are all the same symbol, and having all three happening can clutter a score.Compromises This may sound obvious, but of course I had to make some alterations to make this flow properly on guitar. Many of the original chord inversions on the piano were not kept. However, many harmonies were kept intact as far as following the chord nomenclature name. Measure 50 was originally an A minor chord, the irony is that the F major suprise is an homage to Chopin anyways, suprised he didn't opt for it. To be honest, I don't like how there is a perfect authentic cadence in measure 50. I think modern audiences would want to clap too badly, so I believe that ending needs to be slightly messed up to propel the music forward, and give a sense that there is still a problem. The other chord that was changed was an E7b9 to a Ddim7 in measure 78. If you know your theory well, you'll realize these chords have the same exact function and nearly the same notes, it's just that Ddim7 flowed a bit better on guitar. I'd rather have guitarists play the rhythms correctly and with musicality, than have guitarist clunkily go though overly large chords in order to mantain historical accuracy. Measure 15 was hard to keep the original chord intact. A Bb/D with a G in the melody as a suspension sounds more like a g minor chord. That is cliche Chopinesque neopolitan moment so the Bb is crucial to mantain. Having some rough sort of Bbmaj7 or G minor chord while mantaining the melody seemed to sound the best even though the name of the chord might have gotten a little off. I tried chord charts, but they seemed messier than what it was worth. I also could have the denser tablature in the sheet music, but that does make it look 10x more intimidating. So this version is unique in that the tablature is my denser arrangement, whereas the sheet music would allow someone to quickly make a new arrangement. I like this ethos because most guitarists are likely to be much better at playing chord quickly when they don't have to have an exact voicing. This makes this arrangement easier to further perfect since I am naming the harmonies, which often isn't done in classical music.BackstoryThis is one of my favorite pieces, and also my favorite composer. I feel classical guitar repertoire is lacking easily playable music in the romantic style. Often, if it is romantic guitar music, it is extemely difficult and therefore only a select few can enjoy performing it. Also, I sometimes get my hopes up to find a romantic guitar composer, but then after listening, there's nothing quite like Chopin. Obviously, you will have to have some chops to play this since it's one of the most ambitious undertakings a guitarist could take, but it's also not so hard that you have to be train for a decade because I changed the key.
$1.99 ≈
1.86€
Nocturne Op 48 No 1 EXCERPT (arranged for guitar)
Nocturne Op 48 No 1 EXCERPT (arranged for guitar)
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Guitar notes and tablatures
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INTERMEDIATE/ADVANCED
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Classical
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Frederic Chopin
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Brian Streckfus
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Nocturne Op 48 No 1 EXCERPT
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Brian Streckfus
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SheetMusicPlus
Guitar - Level 4 - SKU: A0.1181680 By Frederic Chopin. By Frédéric Chopin. Arranged by Brian Streckfus. 19th Century,Contemporary,Instructional,Roma...
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Guitar - Level 4 - SKU: A0.1181680 By Frederic Chopin. By Frédéric Chopin. Arranged by Brian Streckfus. 19th Century,Contemporary,Instructional,Romantic Period. Guitar Tab. 2 pages. Brian Streckfus #781456. Published by Brian Streckfus (A0.1181680). Disclaimer: This is a two page excerpt with mostly only the beginning and end of the original piece. This is still a work in progress, the middle section is going to be difficult, if not impossible on guitar. Some may see this as more of an homage to Chopin rather than a historically accurate version. That being said, both this arrangement and the original are incredible pieces of music, and it may be my favorite piece of all time, and I think jaws would drop if the average person hears a guitarist effortlessly playing Chopin as if it was meant for guitar. 1. Arranged for guitar. 2. Guitar Tablature added. 3. Key changed 4. Notes removed and and inverted chords changed to be idiomatic for guitar.5. Slurs added. 6. Chord nomenclature added. 7. Piano pedal and phrase markings are a bit unnecessary for a guitarist so they are not included. Slurs and ties are more important for a guitarist, so I don't want a ton of swoops symbols obscuring slurs and ties. As with the other Chopin arrangement I made, I want super romantic music while making sure it isn't super difficult to play. If I wanted a super hard version, I would just find the public domain version and read treble and bass clef in a difficult key for free. There could also be a lot more mantaining of historical accuracy if this was arranged for a 7 or 8 string guitar. Having a low E and Eb would really changed the trajectory of the arrangement. Sure a guitar can play an Eb chord, but it always sounds too high pitched, when really the original has a low powerful bass note as the music inflects a different key. So that's why I took some liberty with the bass notes for guitar. It's incredibly grimy sounding even though A minor isn't typically seen as a dark and low key.Tips:1. A Bb chord in the key of a minor is an example of a Neopolitan chord, named after a city in Italy. This is one main essence of Chopin, and constantly using them allows him to really toy around with the key and suspense. To Do:1. Measure 10 is glitched out. Sorry. It is correct in a way but it is strangely spaced. It is a challenge because at times it looks like measures have the incorrect amount of beats, but I think Chopin's freedom of rhythm is the reason why, and bizarre triplets and quintuplets are being forced into the measure. 2. Combination version without tab?3. The full piece?4. Add rhythm to tab?
$1.99 ≈
1.86€
Sonata No. 8, Op.13 "Pathetique": II. Adagio Cantabile by Ludwig Van Beethoven - Guitar Tab
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Guitar notes and tablatures
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Classical
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Ludwig Van Beethoven
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Sonata No. 8, Op.13 "Pathetiqu
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Musicnotes
Ludwig Van Beethoven - Sonata No. 8, Op.13 "Pathetique": II. Adagio Cantabile Digital Sheet Music - instantly downloadable sheet music, scoring: Guita...
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Ludwig Van Beethoven - Sonata No. 8, Op.13 "Pathetique": II. Adagio Cantabile Digital Sheet Music - instantly downloadable sheet music, scoring: Guitar Tab;Instrumental Solo, instruments: Guitar; 6 pages -- Classical~~Romantic
$5.50 ≈
5.13€
Vivace (from Concerto Grosso in G Minor, Op. 6, No. 8)
Vivace (from Concerto Grosso in G Minor, Op. 6, No. 8)
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Guitar notes and tablatures
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Classical
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Arcangelo Corelli
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Mark Phillips
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Vivace
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A. J. Cornell Publications
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SheetMusicPlus
Composed by Arcangelo Corelli (1653-1713). Arranged by Mark Phillips. Baroque Period. Sheet Music Single. 2 pages. Published by A. J. Cornell Publications (S0.2...
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Composed by Arcangelo Corelli (1653-1713). Arranged by Mark Phillips. Baroque Period. Sheet Music Single. 2 pages. Published by A. J. Cornell Publications (S0.216085). - Sheet Music Single - Baroque Period - A. J. Cornell Publications
$1.99 ≈
1.86€
Chopin for Acoustic Guitar
Chopin for Acoustic Guitar
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Guitar notes and tablatures
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INTERMEDIATE
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Classical
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Richard Yates
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Chopin for Acoustic Guitar
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Composed by Richard Yates. Ebook and online audio. 88 pages. Published by Mel Bay Publications - Digital Sheet Music (M0.97854MEB). - ebook and online audio - ...
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Composed by Richard Yates. Ebook and online audio. 88 pages. Published by Mel Bay Publications - Digital Sheet Music (M0.97854MEB). - ebook and online audio - - Mel Bay Publications - Digital Sheet Music
ISBN 9781619116979. 8.5 X 11 inches. Frederic Chopin was one of the most original and influential composers in history. Although he only lived 39 years, he wrote music that has thoroughly embedded itself in our culture. His melodies are often instantly familiar to us and show a profound lyric sense. Many qualities of Chopin's music are ideal for guitar transcription. He wrote pieces that are short with a manageable range. The textures are mostly single melody lines with harmonic accompaniment without the complex counterpoint that can be so difficult on the guitar. His music is often soft, intimate, subtle, and full of naunces of articulation, dynamics, and phrasing. These qualities transfer quite naturally to the guitar. While remaining as faithful as possible to the composer's musical intentions, these pieces experienced some modification that is noted in the provided performance notes. Intermediate in difficulty, this book assumes the player has basic knowledge of the guitar and familiarity with either standard music notation or guitar tablature. Selections include: Prelude Op. 28, No. 7; Prelude Op. 28, No. 20; Prelude Op. 28, No. 4; Cantabile; Mazurka Op. 6, No. 2; Prelude Op. 28, No , 15; Nocturne Op. 9, No. 2; Nocturne Op. 15, No. 3; Nocturne Op. 37, No 1; and Nocturne Op. 55, No. 1. All of these beautiful pieces are included on the downloadable online audio.
$19.99 ≈
18.65€
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