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38 sheet music found 11 Brazilian Choros Arranged for Classical Guitar Solo
11 Brazilian Choros Arranged for Classical Guitar Solo # Guitar # INTERMEDIATE # Latin/World Music # 11 Brazilian Choros Arranged f # Mel Bay
Publications - Digital Sheet
Music # SheetMusicPlus
Latin American. Brazilian.
Ebook and online audio. 57
pages. Mel Bay Publications -
Digital Sheet Music #30976MEB.
Published by Mel Bay
Publications -...(+)
Latin American. Brazilian.
Ebook and online audio. 57
pages. Mel Bay Publications -
Digital Sheet Music #30976MEB.
Published by Mel Bay
Publications - Digital Sheet
Music ISBN 9781513459370. 8.75x11.75 inches.
Choro is a popular instrumental-music tradition flourishing in Brazil and around the world. It preceded, influenced, and in turn was influenced by samba and bossa nova. Its repertory is vast, including thousands of choros composed by all manner of string, wind, keyboard, and percussion playersin addition to the guitar classics by Joao Pernambuco and Heitor Villa-Lobos.This landmark publication gives guitarists access to this seemingly endless repertory, empowering its readers to turn a choro written for any instrument into a convincing and idiomatic solo guitar arrangement. This process is taught through examples provided by Dr. Stephen Guerra, a versatile guitarist/composer intimately familiar with both classical and Brazilian guitar (violao brasileiro) as well as the choro idiom. This book is intended for both students of Brazilian guitar and classical guitarists seeking to add choros to their repertory and play them authentically. It includes: Original solo arrangements plus lead sheets and online recordings of 10 choros for the intermediate to advanced classic guitarist.Biographical and performance notes regarding the selected composers and compositions.Insightful suggestions for further reading, listening, and study. Extensive endnotes explaining arrangement choices, notation practice and influences. Dr. Guerra focuses on classics from the pioneering generation of choro composers culminating in the artistry of Joao Pernambuco, Pixinguinha, and Heitor Villa-Lobos; among others, these include compositions by choro pianists Chiquinha Gonzaga and Ernesto Nazareth, samba singer-composer Noel Rosa, choro bandleaders Joaquim Calado and Anacleto de Medeiros, and Brazils early flute virtuoso, Patapio Silva.Includes access to online audio. Brazilian Electric Guitar
Brazilian Electric Guitar # Guitar notes and tablatures # INTERMEDIATE # Latin/World Music # Flavio Henrique Medeiros # Brazilian Electric Guitar # Mel Bay Publications - Digital Sheet Music # SheetMusicPlus
By Flavio Henrique Medeiros. For Guitar (Electric). Brazilian. 88 pages. Published by Mel Bay Publications - Digital Sheet Music ...(+)
By Flavio Henrique Medeiros. For Guitar (Electric). Brazilian. 88 pages. Published by Mel Bay Publications - Digital Sheet Music ISBN 9781619112636.
The main goal of this book is to present what could be called Brazilian guitar today, working melodically, harmonically and rhythmically in some of the most important Brazilian musical styles. We have chosen to always use two electric guitars in these arrangements (but in the song 'Violeiros e Cantadores', which is for solo electric guitar), so that the essential functions of the guitar - rhythm, melody and harmony - might be expressed in the clearest and best way in each different style.We have made three versions of each piece, for ease of study: a complete one, one without the first electric guitar, and one without the second electric guitar. Therefore the student will be able to listen to the complete version and then practice with the other ones, playing the missing parts of the first guitar and the second guitar. At the end of the book, like an appendix, we have included the bass lines used in the recordings to strengthen the rhythmic and harmonic comprehension of each style.All music is in notation and tablature. Online audio available for download. Suite de Maré: III. Ao Clube do Choro de Paris
Suite de Maré: III. Ao Clube do Choro de Paris # Guitar # ADVANCED # Leo Costa # Leo Costa # Suite de Maré: III. Ao Clube # Leo Costa # SheetMusicPlus
Solo Guitar - Level 5 - Digital Download SKU: A0.1260852 By Leo Costa. By Leonardo Costa Dela Coleta. Arranged by Leo Costa. 21st Century,Classical,Conte...(+)
Solo Guitar - Level 5 - Digital Download SKU: A0.1260852 By Leo Costa. By Leonardo Costa Dela Coleta. Arranged by Leo Costa. 21st Century,Classical,Contemporary,Jazz,Latin. Individual part. 4 pages. Leo Costa #853992. Published by Leo Costa (A0.1260852). Suite de Maré: III. Ao Clube do Choro de Paris is dedicated to the Clube of Choro in Paris. It was composed in Paris in 2014 and released in 2023 on the album Na Densidade do Ar, by guitarist Leo Costa. It translates the atmosphere of the meetings of the Clube do Choro de Paris, a gathering of musicians dedicated to the Brazilian musical genre called choro, which is very popular in Brazil and in France, in general. The composition brings the classic forms of a choro waltz, with parts A, B and C and brings strong erudite, jazz and contemporary influences. In addition to carrying inspirations from a traditional French waltz as well. Élégie
Élégie # Guitar # INTERMEDIATE # Contemporary # Francis Bebey # Ingrid Riollot # Élégie # Les Editions Doberman-Yppan # SheetMusicPlus
Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Ypp...(+)
Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO 1522. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1522). Francis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux Ã?tats-Unis.Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.Parallèlement, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. Ã? Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.Progressivement, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism. He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001. Vassourinha
Vassourinha # Yo # Rafael Milhomem # Vassourinha # Milhomusic # SheetMusicPlus
Guitar - Level 4 - Digital Download SKU: A0.1366970 By Yo. By Joana Ramos and M Da Rocha. Arranged by Rafael Milhomem. Jazz,Latin,Multicultural,Standards...(+)
Guitar - Level 4 - Digital Download SKU: A0.1366970 By Yo. By Joana Ramos and M Da Rocha. Arranged by Rafael Milhomem. Jazz,Latin,Multicultural,Standards,Traditional,World. 24 pages. Milhomusic #951311. Published by Milhomusic (A0.1366970). Vassourinhas - A Superb Arrangement by Rafael MilhomemImmerse yourself in the vibrant beats and contagious energy of the famous Pernambuco frevo with our exceptional arrangement of Vassourinhas. Crafted by the great musician Rafael Milhomem, this arrangement is tailor-made for a plucked string orchestra, featuring three distinct guitar parts (guitar 1, 2, and a simplified third section), Brazilian ten-string guitar, cavaquinho, and bass.Key Features:Expert Composition: Rafael Milhomem, known for his musical prowess, has meticulously crafted this arrangement to capture the essence and excitement of the traditional Pernambuco frevo.Instrumentation: The arrangement is thoughtfully designed for a plucked string orchestra, comprising guitar 1, guitar 2, and a simplified third section for accessibility. Additionally, it features the distinctive sounds of Brazilian ten-string guitar, cavaquinho, and bass, creating a rich and dynamic ensemble.Versatility: Whether you're a seasoned ensemble or an aspiring group of musicians, this arrangement can be adapted for various settings. The inclusion of a simplified third guitar part ensures accessibility for musicians of different skill levels.Adaptable for Guitar Ensemble: Beyond its original orchestral format, this arrangement can be seamlessly adapted for guitar ensemble, allowing guitar enthusiasts to experience the joy of playing the iconic Vassourinhas.Experience the Magic:Bring the carnival spirit of Pernambuco to your ensemble with this extraordinary arrangement. Feel the pulse of the frevo, embrace the lively rhythms, and let Vassourinhas transport you to the heart of Brazilian musical tradition.Don't miss the opportunity to add this superb arrangement to your repertoire. Elevate your performance and captivate your audience with the infectious energy of Vassourinhas brought to life by Rafael Milhomem. Lua Nascente
Lua Nascente # Guitar # ADVANCED # Leo Costa # Leo Costa # Lua Nascente # Leo Costa # SheetMusicPlus
Solo Guitar - Level 5 - Digital Download SKU: A0.1260598 By Leo Costa. By Marina Oliveira de Santana / Leonardo Costa Dela Coleta. Arranged by Leo Costa....(+)
Solo Guitar - Level 5 - Digital Download SKU: A0.1260598 By Leo Costa. By Marina Oliveira de Santana / Leonardo Costa Dela Coleta. Arranged by Leo Costa. Classical,Contemporary,Jazz,Latin,Multicultural,World. Individual part. 4 pages. Leo Costa #853791. Published by Leo Costa (A0.1260598). Lua Nascente is a work for solo guitar which brings deep references to Brazilian regional rhythms such as ijexá, maracatu and baião.The original and virtuoso arrangement, written by the artist himself, brings references from popular music closer to the erudite universe without losing the connection with the lyrical narrative that makes it sound like a song. Influenced by great names in Brazilian guitar such as João Pernambuco, Garoto and Paulo Bellinati, Leo Costa proposes his own look at the instrument. It brings complex sonority due to the diversity of elements worked on the same instrument. Starting with low dynamics, full of natural harmonics, the music gradually grows and shows the clearest and strongest notes, reaching the fortissimo at its peak, to fall again afterwards, bringing precisely the figurative sense of a nocturnal trip/journey, with ups and downs, in the light of an imaginary moon that illuminates the Brazilian hinterland and our interior.The music follows unusual paths but at the same time brings constancy in the repetitive marking of the bass, proposing to be a reduced form of the rhythmic orchestra of an ijexá. Terna Saudade (Tender Longing) - Flute and Guitar
Terna Saudade (Tender Longing) - Flute and Guitar # Flute and Guitar # INTERMEDIATE # André Alberto Santos # André Alberto Santos # Terna Saudade # Soul - Musical Creations # SheetMusicPlus
Flute,Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.1108083 By André Alberto Santos. By Anacleto de Medeiros. Arranged by André Alb...(+)
Flute,Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.1108083 By André Alberto Santos. By Anacleto de Medeiros. Arranged by André Alberto Santos. 20th Century,Chamber,Instructional,Latin,Multicultural,World. 9 pages. Soul - Musical Creations #710698. Published by Soul - Musical Creations (A0.1108083). This score for the composition Terna Saudade is a great option to play at home or in your instrument lessons. It will also be a great addition to your original parts library. Written by Brazilian composer Anacleto de Medeiros, this arrangement by Bisdré Santos for flute and guitar has all the qualities—beauty, depth, and emotion—to make it a classic.