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396 sheet music found Lua para o Epilogo de Verão (Août)
Lua para o Epilogo de Verão (Août) # Guitar # ADVANCED # Contemporary # Louis Trépanier # Lua para o Epilogo de Verão # Les Productions d'OZ - Digital # SheetMusicPlus
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4088 Composed by Louis Trépanier. Score. 9 pages. Les Productions d'OZ - Digital #DZ 4088. Published by ...(+)
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4088 Composed by Louis Trépanier. Score. 9 pages. Les Productions d'OZ - Digital #DZ 4088. Published by Les Productions d'OZ - Digital (ZZ.DZ-4088). ISBN 9782898522055.August nights can be tinged with a bit of melancholy because the end of the summer approaches. The moon softly glows with nostalgia for a season passing us by. This mood seems to me folded into the Brazilian Bossa Nova, and the Brazilians? term ?saudade?; in this piece I offer up my tribute to one of my favourite composers, Radamés Gnattali (1906-1988), who wrote for every musical situation in his era in Brazil ? from the concert stage to the back alley, and everything in between. Lua para Epilogo de Verão, is dedicated to the Brazilian guitarist Fabio Zanon, who is both a great friend and a tremendous inspiration.This étude tackles solid chords and contrary motion in the left hand, and, like all the études in this collection, voice separation and phrasing. In measure 24 the guitarist must execute a diagonal barré, where the first finger covers position IV at the first string, and position V at the fifth string, hence the V/IV indication after the barré symbol. The practicalities of navigating through the different chord shapes and rhythms in the piece mean that not all notes can be held for their full, written value. Such discrepancies between the text and the playing are common in this style of music.Les nuits du mois d?août peuvent contenir une douce mélancolie, à savoir que la fin de l?été approche. La lune luit alors avec une nostalgie pour la saison qui est déjà en train de passer. Cette saveur me semble parfaitement miroitée dans les couleurs de la bossa nova brésilienne et le terme brésilien « saudade » ; dans cette pièce je vous offre mon hommage au style d?un de mes compositeurs préféré, Radamés Gnattali (1906-1988), qui a su créer des musiques pour tous les différents musiciens de ses années au Brésil, de la salle de concert, jusqu?à la ruelle. Lua para Epilogo de Verão est dédié au guitariste brésilien Fabio Zanon, un bon ami, et une grande inspiration.Cette étude travaille les accords plaqués et divers mouvements contraires à la main gauche, et, comme toutes les études de cette collection, la séparation de voix et le phrasé. À la mesure 24, on doit exécuter un barré en diagonal, où le premier doigt un est à la position IV à la première corde, et à la position V à la cinquième corde, d?où l?indication V/IV suivant le symbole du barré. Pour des raisons pratiques à naviguer les accords et les rythmes de cette pièce, vous verrez qu?il n?est pas toujours possible de tenir toutes les notes pour leur durée complète. Ces différences entre l?écriture et l?exécution sont courantes dans ce style de musique. Élégie
Élégie # Guitar # INTERMEDIATE # Contemporary # Francis Bebey # Ingrid Riollot # Élégie # Les Editions Doberman-Yppan # SheetMusicPlus
Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Ypp...(+)
Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO 1522. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1522). Francis Bebey est né àDouala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller àl'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.Nous approchions de la fin des années 1950 lorsqu'il est arrivé àLa Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé àParis où il a commencé des études d'anglais àla Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux Ã?tats-Unis.Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.Parallèlement, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. Ã? Paris, le jazz, la musique àla mode àcette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait àde nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre àjouer de l'instrument lui-même.Il a commencé àcomposer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain àParis), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.Progressivement, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile àconcilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique àl'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.Il a exploré le patrimoine musical traditionnel du continent africain, notamment àtravers le piano àpouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun àla Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité àse produire, àdonner des conférences ou àrencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité àfaire partie du jury d'un concours de guitare classique àCaracas.Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès àla fin du mois de mai 2001.Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism. He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001. Morenita Do Brazil
Morenita Do Brazil # Latin/World Music # Giuseppe Farrauto # Josef Peter Traun # Morenita Do Brazil # Traun # SheetMusicPlus
Guitar - Level 3 - Digital Download SKU: A0.1349374 Composed by Giuseppe Farrauto. Arranged by Josef Peter Traun. Latin. 41 pages. Traun #934124. Publish...(+)
Guitar - Level 3 - Digital Download SKU: A0.1349374 Composed by Giuseppe Farrauto. Arranged by Josef Peter Traun. Latin. 41 pages. Traun #934124. Published by Traun (A0.1349374). An arrangement with different posibilities:Guitar Trio (GT): Guitar 1, Guitar 2, Guitar 3; other parts can be added ad libitum.Guitar Quartet (GQA): Guitar 1, Guitar 2, Guitar 3, Guitar 4; other parts can be added ad libitum.Guitar Quintet (GQI): Guitar 1, Guitar 2, Guitar 3, Guitar 4, Guitar 5 (Bass); other parts can be added ad libitum.Guitar 1-4 also in a choral setting.Guitar Ensemble (GE) or Guitar Orchestra (GO): all parts, also in a choral setting.Requinto in A 1 and Requinto in A 2 can be added to all versions of this arrangement. Ol' Man River
Ol' Man River # Jerome Kern # Fishel Pustilnik # Pop Piano Paradise  # Ol' Man River # F & N Enterprise # SheetMusicPlus
Guitar,Piano - Level 4 - Digital Download SKU: A0.636217 Composed by Jerome Kern. Arranged by Fishel Pustilnik. Contemporary. Score and part. 10 pages. F...(+)
Guitar,Piano - Level 4 - Digital Download SKU: A0.636217 Composed by Jerome Kern. Arranged by Fishel Pustilnik. Contemporary. Score and part. 10 pages. F & N Enterprise #6320219. Published by F & N Enterprise (A0.636217). An excellent arrangement of the famous Song Ol' Man River (With Improvisation)for Guitar and Piano-Jazz/Pop Version. The video for Violin and Piano: https://youtu.be/rYQLFafJ7SgThe composition is easy to read, fun to play, and sound professional when performed. Arranged by Fishel Pustilnik, a very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands of books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia, and the UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from the review in The Canadian Music Teacher) Yesterday I spent at least two pleasure-filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), Ph.D. (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard Publications. Maple Leaf Rag
Maple Leaf Rag # Scott Joplin # Fishel Pustilnik # Maple Leaf Rag # F & N Enterprise # SheetMusicPlus
Guitar,Piano - Level 4 - Digital Download SKU: A0.635873 Composed by Scott Joplin. Arranged by Fishel Pustilnik. Contemporary. Score and part. 10 pages. ...(+)
Guitar,Piano - Level 4 - Digital Download SKU: A0.635873 Composed by Scott Joplin. Arranged by Fishel Pustilnik. Contemporary. Score and part. 10 pages. F & N Enterprise #5988865. Published by F & N Enterprise (A0.635873). An excellent arrangement of the famous Song Maple Leaf Rag for Violin and Piano-Jazz/Pop Version. The video for Violin and Piano: https://youtu.be/sx4PLUDgJYA The composition is easy to read, fun to play, and sound professional when performed. Arranged by Fishel Pustilnik, very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands of books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia, and the UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from the review in The Canadian Music Teacher) Yesterday I spent at least two pleasure-filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), Ph.D. (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard Publications. Livin' La Vida Loca
Livin' La Vida Loca # Ricky Martin # Fishel Pustilnik # Livin' La Vida Loca # F & N Enterprise # SheetMusicPlus
Guitar,Piano - Level 3 - Digital Download SKU: A0.635895 By Ricky Martin. By Desmond Child and Robi Rosa. Arranged by Fishel Pustilnik. Dance,Latin. Scor...(+)
Guitar,Piano - Level 3 - Digital Download SKU: A0.635895 By Ricky Martin. By Desmond Child and Robi Rosa. Arranged by Fishel Pustilnik. Dance,Latin. Score and part. 8 pages. F & N Enterprise #6010537. Published by F & N Enterprise (A0.635895). An excellent arrangement of the famous Song Livin' La Vida Loa for Guitar and Piano-Jazz/Pop Version. The video for Violin and Piano: https://youtu.be/Nax11rGIopU The composition is easy to read, fun to play, and sound professional when performed. Arranged by Fishel Pustilnik, very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands of books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia, and the UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from the review in The Canadian Music Teacher) Yesterday I spent at least two pleasure-filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), Ph.D. (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard Publications. Vassourinha
Vassourinha # Yo # Rafael Milhomem # Vassourinha # Milhomusic # SheetMusicPlus
Guitar - Level 4 - Digital Download SKU: A0.1366970 By Yo. By Joana Ramos and M Da Rocha. Arranged by Rafael Milhomem. Jazz,Latin,Multicultural,Standards...(+)
Guitar - Level 4 - Digital Download SKU: A0.1366970 By Yo. By Joana Ramos and M Da Rocha. Arranged by Rafael Milhomem. Jazz,Latin,Multicultural,Standards,Traditional,World. 24 pages. Milhomusic #951311. Published by Milhomusic (A0.1366970). Vassourinhas - A Superb Arrangement by Rafael MilhomemImmerse yourself in the vibrant beats and contagious energy of the famous Pernambuco frevo with our exceptional arrangement of Vassourinhas. Crafted by the great musician Rafael Milhomem, this arrangement is tailor-made for a plucked string orchestra, featuring three distinct guitar parts (guitar 1, 2, and a simplified third section), Brazilian ten-string guitar, cavaquinho, and bass.Key Features:Expert Composition: Rafael Milhomem, known for his musical prowess, has meticulously crafted this arrangement to capture the essence and excitement of the traditional Pernambuco frevo.Instrumentation: The arrangement is thoughtfully designed for a plucked string orchestra, comprising guitar 1, guitar 2, and a simplified third section for accessibility. Additionally, it features the distinctive sounds of Brazilian ten-string guitar, cavaquinho, and bass, creating a rich and dynamic ensemble.Versatility: Whether you're a seasoned ensemble or an aspiring group of musicians, this arrangement can be adapted for various settings. The inclusion of a simplified third guitar part ensures accessibility for musicians of different skill levels.Adaptable for Guitar Ensemble: Beyond its original orchestral format, this arrangement can be seamlessly adapted for guitar ensemble, allowing guitar enthusiasts to experience the joy of playing the iconic Vassourinhas.Experience the Magic:Bring the carnival spirit of Pernambuco to your ensemble with this extraordinary arrangement. Feel the pulse of the frevo, embrace the lively rhythms, and let Vassourinhas transport you to the heart of Brazilian musical tradition.Don't miss the opportunity to add this superb arrangement to your repertoire. Elevate your performance and captivate your audience with the infectious energy of Vassourinhas brought to life by Rafael Milhomem.