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2,687 sheet music found Lua para o Epilogo de Verão (Août)
Lua para o Epilogo de Verão (Août) # Guitar # ADVANCED # Contemporary # Louis Trépanier # Lua para o Epilogo de Verão # Les Productions d'OZ - Digital # SheetMusicPlus
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4088 Composed by Louis Trépanier. Score. 9 pages. Les Productions d'OZ - Digital #DZ 4088. Published by ...(+)
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4088 Composed by Louis Trépanier. Score. 9 pages. Les Productions d'OZ - Digital #DZ 4088. Published by Les Productions d'OZ - Digital (ZZ.DZ-4088). ISBN 9782898522055.August nights can be tinged with a bit of melancholy because the end of the summer approaches. The moon softly glows with nostalgia for a season passing us by. This mood seems to me folded into the Brazilian Bossa Nova, and the Brazilians? term ?saudade?; in this piece I offer up my tribute to one of my favourite composers, Radamés Gnattali (1906-1988), who wrote for every musical situation in his era in Brazil ? from the concert stage to the back alley, and everything in between. Lua para Epilogo de Verão, is dedicated to the Brazilian guitarist Fabio Zanon, who is both a great friend and a tremendous inspiration.This étude tackles solid chords and contrary motion in the left hand, and, like all the études in this collection, voice separation and phrasing. In measure 24 the guitarist must execute a diagonal barré, where the first finger covers position IV at the first string, and position V at the fifth string, hence the V/IV indication after the barré symbol. The practicalities of navigating through the different chord shapes and rhythms in the piece mean that not all notes can be held for their full, written value. Such discrepancies between the text and the playing are common in this style of music.Les nuits du mois d?août peuvent contenir une douce mélancolie, à savoir que la fin de l?été approche. La lune luit alors avec une nostalgie pour la saison qui est déjà en train de passer. Cette saveur me semble parfaitement miroitée dans les couleurs de la bossa nova brésilienne et le terme brésilien « saudade » ; dans cette pièce je vous offre mon hommage au style d?un de mes compositeurs préféré, Radamés Gnattali (1906-1988), qui a su créer des musiques pour tous les différents musiciens de ses années au Brésil, de la salle de concert, jusqu?à la ruelle. Lua para Epilogo de Verão est dédié au guitariste brésilien Fabio Zanon, un bon ami, et une grande inspiration.Cette étude travaille les accords plaqués et divers mouvements contraires à la main gauche, et, comme toutes les études de cette collection, la séparation de voix et le phrasé. À la mesure 24, on doit exécuter un barré en diagonal, où le premier doigt un est à la position IV à la première corde, et à la position V à la cinquième corde, d?où l?indication V/IV suivant le symbole du barré. Pour des raisons pratiques à naviguer les accords et les rythmes de cette pièce, vous verrez qu?il n?est pas toujours possible de tenir toutes les notes pour leur durée complète. Ces différences entre l?écriture et l?exécution sont courantes dans ce style de musique. Sonata No. 6 "Kharkiv", Op. 48
Sonata No. 6 "Kharkiv", Op. 48 # Guitar # ADVANCED # Classical # Konstantin Bliokh # Sonata No. 6 "Kharkiv", Op. 48 # Les Productions d'OZ - Digital # SheetMusicPlus
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4244. Published b...(+)
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4244. Published by Les Productions d'OZ - Digital (ZZ.DZ-4244). La Sonate n° 6 Kharkiv pour guitare solo a été composée en 2021, à la fin du confinement lié au COVID-19. Ã? ce moment-là , ma famille et moi étions restés dans notre ville natale de Kharkiv (également connue sous le nom de Kharkov), en Ukraine, pendant près de deux ans. Nous considérions cette période de pandémie comme un désastre, mais nous avons réalisé plus tard que c'était en fait un moment plutôt heureux, car la guerre est arrivée dans notre pays quelques mois plus tard. Depuis 2022, une fraction considérable des 1,5 million de citoyens de Kharkiv ont quitté leur foyer, ceux qui sont restés vivent sous des attaques incessantes de missiles, et beaucoup ont été tués. Je voudrais dédier cette Sonate à la ville frontalière de Kharkiv et, surtout, à ses citoyens souffrant de la guerre.Pourtant, la musique de la Sonate n'a aucun programme spécifique. Ici, je donnerai un bref aperçu de ses principaux éléments de composition pour faciliter les interprétations futures.Les premier et quatrième mouvements de cette Sonate sont basés sur l'interaction entre le principe dodécaphonique et le centre tonal de sol majeur, naturel pour la guitare. En particulier, le premier mouvement est basé sur l'interaction de la triade de sol majeur Solâ??Siâ??Ré des cordes de guitare à vide 2â??3â??4, le motif ascendant 1 impliquant les notes Miâ??Fa#â??Laâ??Do# (à l'origine sur la première corde), et le motif descendant 2 utilisant les notes Miâ??Doâ??Sibâ??La (à l'origine sur la corde de basse 6). Ces éléments se complètent presque pour former douze tons (à l'exception du Fa manquant), et les motifs alternent avec des fragments ostinato où chaque note de la triade de sol majeur est déplacée pas à pas d'un demi-ton vers le haut ou vers le bas.Le deuxième mouvement est un Scherzo impliquant de nombreux demi-tons dans des accords accentués et des passages rapides, ainsi qu'un mouvement mélodique chromatique dans la voix de basse. Il est presque atonal dans certains fragments, mais a un centre tonal global de la mineur.Le troisième mouvement est un Adagio méditatif basé sur un thème composé dans l'échelle hexatonique Réâ??Miâ??Faâ??Sol#â??Laâ??Si et des accords ostinato impliquant les cordes de basse à vide Miâ??Laâ??Ré et le demi-ton Siâ??Do.Enfin, le quatrième mouvement est basé sur le thème dodécaphonique complet composé de deux phrases comprenant les motifs 1 et 2 du premier mouvement : Solâ??Faâ??Sibâ??Labâ??Doâ??Mibâ??Ré et Miâ??Siâ??Do#â??Laâ??Fa#. Ce thème est présenté dans ses formes prime et rétrograde. Il y a des dialogues entre la première corde, les basses et les cordes médianes à vide, similaires au premier mouvement. Ã? son apogée, le thème dodécaphonique est interprété en utilisant le mouvement parallèle de l'accord de sol majeur standard de la guitare avec les cordes médianes à vide sur douze positions.La Sonate a été créée en première et enregistrée (CD Naxos No. 8.574630) par le célèbre guitariste ukrainien Marko Topchii, qui a également vécu et étudié à Kharkiv. Je lui suis extrêmement reconnaissant pour l'interprétation brillante de cette pièce.Je suis très redevable envers Productions d'Oz d'avoir conservé mes notations originales là où celles-ci ne correspondent pas au style de l'éditeur.Sonata No. 6 Kharkiv for guitar solo was composed in 2021, in the end of the COVID-19 lockdown. At that time my family and I were staying in our home city of Kharkiv (also known as Kharkov), Ukraine for almost two years. We considered that pandemic period as a disaster, but later have realized that it actually was a rather happy time, because a war came to our homeland just a few months later. Since 2022 a considerable fraction of the 1.5 millions of Kharkiv citizens have left their homes, those who stayed have been living under ceaseless missile attacks, and many have been killed. I would like to dedicate this Sonata to the frontier city of Kharkiv and, most of all, to its citizens suffering from the war.Yet, the music of the Sonata does not have any specific program. Here I will give a brief overview of its main composition elements to facilitate future interpretations.The first and fourth movements of this Sonata are based on the interplay between the twelve-tone principle and the G-major tonal center, natural for the guitar. Namely, the first movement is based on the interaction of the G-major triad Gâ??Bâ??D of the open guitar strings 2â??3â??4, ascending motif 1 involving the notes Eâ??F#â??Aâ??C# (originally on the first string), and descending motif 2 using the notes E-â??Câ??Bbâ??A- (originally, on the bass string 6). These elements supplement each other to almost make up twelve tones (apart from the missing F), and the motifs alternate with ostinato fragments where each note in the G major triad is step-by-step moved by a semitone up or down.The second movement is a Scherzo involving numerous semitones in accented chords and fast passages, as well as chromatic melodic motion in the bass voice. It is almost atonal in some fragments, but has an overall tonal center of A-minor.The third movement is a meditative Adagio based on a theme composed within hexatonic scale Dâ??Eâ??Fâ??G#â??Aâ??B and ostinato chords involving open bass strings Eâ??Aâ??D and semitone Bâ??C.Finally, the fourth movement is based on the complete twelve-tone theme consisting of two phrases including motifs 1 and 2 from the first movement: Gâ??Fâ??Bbâ??Abâ??Câ??Ebâ??D and Eâ??Bâ??C#â??Aâ??F#. This theme is presented in its prime and retrograde forms. There are dialogues between the first string, basses and open middle strings, similar to the first movement. In the culmination, the twelve-tone theme is performed using the parallel motion of the standard guitar G-major chord with open middle strings across twelve positions.The Sonata was premiered and recorded (CD Naxos No. 8.574630) by the prominent Ukrainian guitarist Marko Topchii who has also lived and studied in Kharkiv. I am extremely grateful to him for the brilliant performance of this piece.I am greatly indebted to Productions dâ??Oz for keeping my original notations in places where these do not conform to the publisherâ??s style. Betty
Betty # Guitar notes and tablatures # INTERMEDIATE # Pop music # Taylor Swift # JJ Gaydon # Betty # JJ Gaydon # SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.1413684 By Taylor Swift. By Taylor Swift and William Bowery. Arranged by JJ Gaydon. Country,Folk,Pop,Sin...(+)
Solo Guitar - Level 3 - Digital Download SKU: A0.1413684 By Taylor Swift. By Taylor Swift and William Bowery. Arranged by JJ Gaydon. Country,Folk,Pop,Singer/Songwriter. Individual part. 7 pages. JJ Gaydon #995000. Published by JJ Gaydon (A0.1413684). This is an arrangement of Taylor Swiftâ??s and William Boweryâ??s â??bettyâ?? from the album Folklore, for solo fingerstyle guitar. It is best suited to players of an advanced-intermediate level and higher, though lower-intermediate players could make progress on it at slower tempos. The arrangement features syncopated melodic rhythms on top of straight basslines, as well as Travis-picking passages, meaning some familiarity with contemporary fingerpicking styles is beneficial. Recommended for performance on a steel-string or nylon-string acoustic guitar.As far as I am aware this is the first comprehensive fingerstyle arrangement of â??bettyâ?? to be published, with a melodic line and structure authentic to the original song. Only the tempo has been slowed slightly, making some of the more challenging manoeuvres easier to perform and allowing for a more flowing sound on the guitar. Parts of the melody are adapted from subtle electric guitar phrases heard towards the ends of sections in the original recording. Rehearsal marks are used for song sections, while lyrics have been omitted for the sake of readability. "Wintersong" album for solo classical fingerstyle guitar ( TAB)
"Wintersong" album for solo classical fingerstyle guitar ( TAB) # Guitar notes and tablatures # INTERMEDIATE # Keith Gehle # "Wintersong" album for solo cl # Keith Gehle # SheetMusicPlus
Guitar - Level 3 - Digital Download SKU: A0.1411010 By Keith Gehle. By Keith W. Gehle. Classical,Contemporary,Folk,New Age. Guitar Tab. 72 pages. Keith G...(+)
Guitar - Level 3 - Digital Download SKU: A0.1411010 By Keith Gehle. By Keith W. Gehle. Classical,Contemporary,Folk,New Age. Guitar Tab. 72 pages. Keith Gehle #993381. Published by Keith Gehle (A0.1411010). Wintersong is a collection of 20 original compositions for solo guitar in standard notation and TAB ranging from very simple pieces for students (Prelude, Windsong, Contemplation) to more advanced and extended works (Daybreak, Montana, Reverie). This folio offers the classical or fingerstyle guitarist a body of ambient/pastoral pieces with a contemporary â??new ageâ? sound. If youâ??re a fan of Andrew Yorkâ??s music, give these tunes a listen; youâ??re sure to find at least a few gems for your concert programs or gigs. Hereâ??s what one listener wrote of the Wintersong recording:I have purchased almost 200 Cd's from CD Baby over the last few years, most recently were acoustic guitar. This is certainly in the top three, if not the best, of ALL the CD's I've boughtâ?¦ very pure acoustic sound. .. beautiful, flowing sound from the heart. I could listen to it over and over every day. I can't wait to hear more from this splendid artist.- Bob S.The sample MP3 features three pieces: Montana, Kimberlyâ??s Song (starting @ 4:23) and Into the Mist (starting at 6:26). "Wintersong" album for solo classical fingerstyle guitar
"Wintersong" album for solo classical fingerstyle guitar # Keith Gehle # "Wintersong" album for solo cl # Keith Gehle # SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.1411002 By Keith Gehle. By Keith W. Gehle. Classical,Contemporary,Folk,New Age. Individual part. 47 page...(+)
Solo Guitar - Level 3 - Digital Download SKU: A0.1411002 By Keith Gehle. By Keith W. Gehle. Classical,Contemporary,Folk,New Age. Individual part. 47 pages. Keith Gehle #993372. Published by Keith Gehle (A0.1411002). Wintersong is a collection of 20 original compositions for solo guitar in standard notation ranging from very simple pieces for students (Prelude, Windsong, Contemplation) to more advanced and extended works (Daybreak, Montana, Reverie). This folio offers the classical or fingerstyle guitarist a body of ambient/pastoral pieces with a contemporary “new age†sound. If you’re a fan of Andrew York’s music, give these tunes a listen; you’re sure to find at least a few gems for your concert programs or gigs. Here’s what one listener wrote of the Wintersong recording:I have purchased almost 200 Cd's from CD Baby over the last few years, most recently were acoustic guitar. This is certainly in the top three, if not the best, of ALL the CD's I've bought… very pure acoustic sound. .. beautiful, flowing sound from the heart. I could listen to it over and over every day. I can't wait to hear more from this splendid artist.- Bob S.The sample MP3 features three pieces: Montana, Kimberly’s Song (starting @ 4:23) and Into the Mist (starting at 6:26). There’s also a version of this collection available with TAB on this site. Tales of Greiffenberg
Tales of Greiffenberg # Guitar # Dale Kavanagh # Tales of Greiffenberg # Edition Chanterelle - Digital # SheetMusicPlus
Guitar - intermediate to advanced - Digital Download SKU: S9.Q588559 Composed by Dale Kavanagh. Downloadable. Edition Chanterelle - Digital #Q588559. Pub...(+)
Guitar - intermediate to advanced - Digital Download SKU: S9.Q588559 Composed by Dale Kavanagh. Downloadable. Edition Chanterelle - Digital #Q588559. Published by Edition Chanterelle - Digital (S9.Q588559). English â?¢ German.Tales of Greiffenbergâ? was published in 2012 and written in 2010. On the Lake, The Forest and Wind Danceâ?, describe my experiences around Greiffenberg, a village,one hour outside of Berlin, in the direction of Poland. Here, I would visit my fine, longtime friend, Carlo Domeniconi and his friend, Justus Werden. They shared a house in Greiffenberg at the time.Carlo Domeniconi was my main teacher for composition and our visits would consist of working on ideas and pieces and also, long walks in the surrounding forest and fishing on the lake. Thus the movement names. Wind Dance is about the leaves flying through the forest in the autumn. Greiffenberg is a beautiful place, with fine memories and a piece of music was born giving thanks to Carlo and Justus for their friendship. (Dale Kavanagh).