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101
Lua para o Epilogo de Verão (Août)
Lua para o Epilogo de Verão (Août)
#
Guitar
#
ADVANCED
#
Contemporary
#
Louis Trépanier
#
Lua para o Epilogo de Verão
#
Les Productions d'OZ - Digital
#
SheetMusicPlus
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4088 Composed by Louis Trépanier. Score. 9 pages. Les Productions d'OZ - Digital #DZ 4088. Published by ...
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4088 Composed by Louis Trépanier. Score. 9 pages. Les Productions d'OZ - Digital #DZ 4088. Published by Les Productions d'OZ - Digital (ZZ.DZ-4088). ISBN 9782898522055.August nights can be tinged with a bit of melancholy because the end of the summer approaches. The moon softly glows with nostalgia for a season passing us by. This mood seems to me folded into the Brazilian Bossa Nova, and the Brazilians? term ?saudade?; in this piece I offer up my tribute to one of my favourite composers, Radamés Gnattali (1906-1988), who wrote for every musical situation in his era in Brazil ? from the concert stage to the back alley, and everything in between. Lua para Epilogo de Verão, is dedicated to the Brazilian guitarist Fabio Zanon, who is both a great friend and a tremendous inspiration.This étude tackles solid chords and contrary motion in the left hand, and, like all the études in this collection, voice separation and phrasing. In measure 24 the guitarist must execute a diagonal barré, where the first finger covers position IV at the first string, and position V at the fifth string, hence the V/IV indication after the barré symbol. The practicalities of navigating through the different chord shapes and rhythms in the piece mean that not all notes can be held for their full, written value. Such discrepancies between the text and the playing are common in this style of music.Les nuits du mois d?août peuvent contenir une douce mélancolie, à savoir que la fin de l?été approche. La lune luit alors avec une nostalgie pour la saison qui est déjà en train de passer. Cette saveur me semble parfaitement miroitée dans les couleurs de la bossa nova brésilienne et le terme brésilien « saudade » ; dans cette pièce je vous offre mon hommage au style d?un de mes compositeurs préféré, Radamés Gnattali (1906-1988), qui a su créer des musiques pour tous les différents musiciens de ses années au Brésil, de la salle de concert, jusqu?à la ruelle. Lua para Epilogo de Verão est dédié au guitariste brésilien Fabio Zanon, un bon ami, et une grande inspiration.Cette étude travaille les accords plaqués et divers mouvements contraires à la main gauche, et, comme toutes les études de cette collection, la séparation de voix et le phrasé. À la mesure 24, on doit exécuter un barré en diagonal, où le premier doigt un est à la position IV à la première corde, et à la position V à la cinquième corde, d?où l?indication V/IV suivant le symbole du barré. Pour des raisons pratiques à naviguer les accords et les rythmes de cette pièce, vous verrez qu?il n?est pas toujours possible de tenir toutes les notes pour leur durée complète. Ces différences entre l?écriture et l?exécution sont courantes dans ce style de musique.
$5.95 ≈
5.57€
Élégie
Élégie
#
Guitar
#
INTERMEDIATE
#
Contemporary
#
Francis Bebey
#
Ingrid Riollot
#
Élégie
#
Les Editions Doberman-Yppan
#
SheetMusicPlus
Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Ypp...
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Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO 1522. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1522). Francis Bebey est né àDouala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller àl'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.Nous approchions de la fin des années 1950 lorsqu'il est arrivé àLa Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé àParis où il a commencé des études d'anglais àla Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux Ã?tats-Unis.Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.Parallèlement, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. Ã? Paris, le jazz, la musique àla mode àcette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait àde nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre àjouer de l'instrument lui-même.Il a commencé àcomposer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain àParis), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.Progressivement, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile àconcilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique àl'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.Il a exploré le patrimoine musical traditionnel du continent africain, notamment àtravers le piano àpouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun àla Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité àse produire, àdonner des conférences ou àrencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité àfaire partie du jury d'un concours de guitare classique àCaracas.Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès àla fin du mois de mai 2001.Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism. He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.
$3.95 ≈
3.70€
Chôro Anonimo
Chôro Anonimo
#
Guitar
#
INTERMEDIATE
#
José Hernán Navarro SÃÂ
#
José Hernán Navarro SÃÂ
#
Chôro Anonimo
#
José Hernán Navarro Sánchez
#
SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.1401834 By José Hernán Navarro Sánchez. By Traditional Brazilian Song. Arranged by José Hern...
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Solo Guitar - Level 3 - Digital Download SKU: A0.1401834 By José Hernán Navarro Sánchez. By Traditional Brazilian Song. Arranged by José Hernán Navarro Sánchez. 20th Century,Folk,Latin,Multicultural,Traditional,World. Individual part. 2 pages. José Hernán Navarro Sánchez #985025. Published by José Hernán Navarro Sánchez (A0.1401834).
$3.99 ≈
3.73€
Grauna (for 8 string guitar)
Grauna (for 8 string guitar)
#
Guitar
#
INTERMEDIATE/ADVANCED
#
Joao Pernambuco
#
Tim Rushworth
#
Grauna
#
Tim Rushworth
#
SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.1381418 Composed by Joao Pernambuco. Arranged by Tim Rushworth. 20th Century,Latin. Individual part. 4 p...
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Solo Guitar - Level 4 - Digital Download SKU: A0.1381418 Composed by Joao Pernambuco. Arranged by Tim Rushworth. 20th Century,Latin. Individual part. 4 pages. Tim Rushworth #966130. Published by Tim Rushworth (A0.1381418). This arrangement is from one of the greatest guitarists of 20th Century Brazilian guitar choro music. This is for 8 string guitar, but can also be played on 7 strings without the lowest A's in the bass! Enjoy.
$4.99 ≈
4.67€
Lúdicas n.8
Lúdicas n.8
#
Guitar
#
Latin/World Music
#
César Guerra-Peixe
#
Lúdicas n.8
#
Musica Brasilis
#
SheetMusicPlus
Solo Guitar - Digital Download SKU: A0.978993 Composed by César Guerra-Peixe. World. Individual part. 4 pages. Musica Brasilis #3112355. Published by ...
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Solo Guitar - Digital Download SKU: A0.978993 Composed by César Guerra-Peixe. World. Individual part. 4 pages. Musica Brasilis #3112355. Published by Musica Brasilis (A0.978993). Brazilian music.
$5.00 ≈
4.68€
Bijou
Bijou
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Guitar
#
INTERMEDIATE
#
Latin/World Music
#
Paulo Tiné
#
Paulo Tiné
#
Bijou
#
Tiné
#
SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.1288724 By Paulo Tiné. By Paulo Tiné. Arranged by Paulo Tiné. Latin. Individual part. 2 pages. ...
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Solo Guitar - Level 3 - Digital Download SKU: A0.1288724 By Paulo Tiné. By Paulo Tiné. Arranged by Paulo Tiné. Latin. Individual part. 2 pages. Tiné #879622. Published by Tiné (A0.1288724). Brazilian Choro for Solo Guitar composed in 1991.
$1.99 ≈
1.86€
Lúdicas n.7
Lúdicas n.7
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Guitar
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Contemporary
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Latin/World Music
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César Guerra-Peixe
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Lúdicas n.7
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Musica Brasilis
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SheetMusicPlus
Solo Guitar - Digital Download SKU: A0.978991 Composed by César Guerra-Peixe. World. Individual part. 4 pages. Musica Brasilis #3112351. Published by ...
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Solo Guitar - Digital Download SKU: A0.978991 Composed by César Guerra-Peixe. World. Individual part. 4 pages. Musica Brasilis #3112351. Published by Musica Brasilis (A0.978991). Brazilian music.
$5.00 ≈
4.68€
Lúdicas n.6
Lúdicas n.6
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Guitar
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Latin/World Music
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César Guerra-Peixe
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Lúdicas n.6
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Musica Brasilis
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SheetMusicPlus
Solo Guitar - Digital Download SKU: A0.978990 Composed by César Guerra-Peixe. World. Individual part. 4 pages. Musica Brasilis #3112349. Published by ...
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Solo Guitar - Digital Download SKU: A0.978990 Composed by César Guerra-Peixe. World. Individual part. 4 pages. Musica Brasilis #3112349. Published by Musica Brasilis (A0.978990). Brazilian music.
$5.00 ≈
4.68€
Guitar Music - Book Two
Guitar Music - Book Two
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Guitar
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INTERMEDIATE
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Numerous
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Robert Styles
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Guitar Music - Book Two
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Robert Styles
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SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.921999 Composed by Numerous. Arranged by Robert Styles. Blues,Contemporary,Standards,World. Individual p...
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Solo Guitar - Level 3 - Digital Download SKU: A0.921999 Composed by Numerous. Arranged by Robert Styles. Blues,Contemporary,Standards,World. Individual part. 138 pages. Robert Styles #3562187. Published by Robert Styles (A0.921999). This collection of music, which appears in four volumes, is designed to allow guitar players the opportunity to enjoy music of different cultures and styles. It includes Renaissance, Baroque, Classical, Romantic, Contemporary, Blues, Rock, Ragtime, Spanish, Flamenco, Brazilian, Eastern, Country and Western and Traditional Folk Music.The music has been written and arranged to be played using the classical guitar technique, often referred to as â??finger-pickingâ??, and has been ordered according to degree of difficulty. These books contain solo, duet and ensemble guitar pieces allowing players to develop and enjoy both solo and ensemble performance skills. â??Melodies for Beginnersâ?? is, as the title suggests, a collection of melodies for beginners (step one to grade one). â??Book Oneâ?? is of elementary to intermediate standard (grade one to grade four). â??Book Twoâ?? is of intermediate to a more advanced standard (grade four to proficiency).I have been careful to make sure the music â??Sits Comfortably Under the Fingersâ??. To this end suggested left-hand fingering has been included. Other interpretation markings have, in most cases, been omitted. Players are encouraged to use their own initiative and ideas based on the â??feelâ?? of the music.Happy music making.Robert Styles
$12.95 ≈
12.12€
Choro Nº 04 para Violão em Em. Choro Nº 04 for Guitar in Am.
Choro Nº 04 para Violão em Em. Choro Nº 04 for Guitar in Am.
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Guitar
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EASY
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Contemporary
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Latin/World Music
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Carlos Gonçalves da Silva
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Choro Nº 04 para Violão em E
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Carlos Goncalves da Silva
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SheetMusicPlus
Solo Guitar - Level 2 - Digital Download SKU: A0.1002629 Composed by Carlos Gonçalves da Silva. Contemporary,Jazz,Latin,Standards. Individual part. 4 ...
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Solo Guitar - Level 2 - Digital Download SKU: A0.1002629 Composed by Carlos Gonçalves da Silva. Contemporary,Jazz,Latin,Standards. Individual part. 4 pages. Carlos Goncalves da Silva #6435539. Published by Carlos Goncalves da Silva (A0.1002629). Choro tÃÂpico brasileiro apropriado como peça de apresentação. Pode ser usada por escolas. Peça de média dificuldade para estudo e prática. Trabalha pestana e dinâmica. Duração aproximada de 3 minutos.Typical Brazilian choro suitable as a presentation piece. It can be used by schools. Ask for medium difficulty for study and practice. Works bridge and dynamics. Approximate duration of 3 minutes.
$1.99 ≈
1.86€
Brazil
Brazil
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Guitar
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Latin/World Music
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Richard Storry
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Brazil
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Richard Storry
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SheetMusicPlus
Solo Guitar - Digital Download SKU: A0.1007210 Composed by Richard Storry. Contemporary,Latin,World. Individual part. 6 pages. Richard Storry #3007855. P...
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Solo Guitar - Digital Download SKU: A0.1007210 Composed by Richard Storry. Contemporary,Latin,World. Individual part. 6 pages. Richard Storry #3007855. Published by Richard Storry (A0.1007210). A lively, percussive and evocative piece for solo classical guitar. .
$5.50 ≈
5.15€
Choro Nº 06 para Violão em Bm. Choro Nº 06 for Guitar in Bm.
Choro Nº 06 para Violão em Bm. Choro Nº 06 for Guitar in Bm.
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Guitar
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INTERMEDIATE
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Latin/World Music
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Carlos Gonçalves da Silva
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Choro Nº 06 para Violão em B
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Carlos Goncalves da Silva
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SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.1002630 Composed by Carlos Gonçalves da Silva. Jazz,Latin,Standards. Individual part. 4 pages. Carlos...
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Solo Guitar - Level 3 - Digital Download SKU: A0.1002630 Composed by Carlos Gonçalves da Silva. Jazz,Latin,Standards. Individual part. 4 pages. Carlos Goncalves da Silva #6436849. Published by Carlos Goncalves da Silva (A0.1002630). Choro para violão, bem legal e fácil de tocar.Choro for guitar, very cool and easy to play.Choro tÃÂpico brasileiro apropriado como peça de apresentação. Pode ser usada por escolas. Peça de média dificuldade para estudo e prática. Trabalha pestana, ligadura e dinâmica. Duração aproximada de 3 minutos.Typical Brazilian choro suitable as a presentation piece. It can be used by schools. Ask for medium difficulty for study and practice. Works bridge, ligature and dynamics. Approximate duration of 3 minutes.
$1.99 ≈
1.86€
Saudosa Viola - Classical Guitar
Saudosa Viola - Classical Guitar
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Guitar
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EASY
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Latin/World Music
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João Pernambuco
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Bisdré Santos
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Santos
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Saudosa Viola - Classical Guit
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Bisdré Santos
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SheetMusicPlus
Composed by João Pernambuco. Arranged by Bisdré Santos. Repertoire, Classroom, World, Afro-Brazilian, Recital. Lead Sheet, Score, Set of P...
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Composed by João Pernambuco. Arranged by Bisdré Santos. Repertoire, Classroom, World, Afro-Brazilian, Recital. Lead Sheet, Score, Set of Parts, Sheet Music Single, Solo Part. 2 pages. Published by Bisdré Santos
$5.00 ≈
4.68€
11 Brazilian Choros Arranged for Classical Guitar Solo
11 Brazilian Choros Arranged for Classical Guitar Solo
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Guitar
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INTERMEDIATE
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Latin/World Music
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11 Brazilian Choros Arranged f
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Latin American. Brazilian. Ebook and online audio. 57 pages. Mel Bay Publications - Digital Sheet Music #30976MEB. Published by Mel Bay Publications -...
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Latin American. Brazilian. Ebook and online audio. 57 pages. Mel Bay Publications - Digital Sheet Music #30976MEB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781513459370. 8.75x11.75 inches.
Choro is a popular instrumental-music tradition flourishing in Brazil and around the world. It preceded, influenced, and in turn was influenced by samba and bossa nova. Its repertory is vast, including thousands of choros composed by all manner of string, wind, keyboard, and percussion playersin addition to the guitar classics by Joao Pernambuco and Heitor Villa-Lobos.This landmark publication gives guitarists access to this seemingly endless repertory, empowering its readers to turn a choro written for any instrument into a convincing and idiomatic solo guitar arrangement. This process is taught through examples provided by Dr. Stephen Guerra, a versatile guitarist/composer intimately familiar with both classical and Brazilian guitar (violao brasileiro) as well as the choro idiom. This book is intended for both students of Brazilian guitar and classical guitarists seeking to add choros to their repertory and play them authentically. It includes: Original solo arrangements plus lead sheets and online recordings of 10 choros for the intermediate to advanced classic guitarist.Biographical and performance notes regarding the selected composers and compositions.Insightful suggestions for further reading, listening, and study. Extensive endnotes explaining arrangement choices, notation practice and influences. Dr. Guerra focuses on classics from the pioneering generation of choro composers culminating in the artistry of Joao Pernambuco, Pixinguinha, and Heitor Villa-Lobos; among others, these include compositions by choro pianists Chiquinha Gonzaga and Ernesto Nazareth, samba singer-composer Noel Rosa, choro bandleaders Joaquim Calado and Anacleto de Medeiros, and Brazils early flute virtuoso, Patapio Silva.Includes access to online audio.
$14.99 ≈
14.03€
Conselhos (a Brazilian song)
Conselhos (a Brazilian song)
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Guitar
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Latin/World Music
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Contemporary
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Carlos Gomes
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Ivan Paschoito
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Conselhos
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Ivan Paschoito
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SheetMusicPlus
Composed by Carlos Gomes. Arranged by Ivan Paschoito. 3 pages. Published by Ivan Paschoito (S0.203099). - - - Ivan Paschoito...
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Composed by Carlos Gomes. Arranged by Ivan Paschoito. 3 pages. Published by Ivan Paschoito (S0.203099). - - - Ivan Paschoito
A charming song from 19th Century written by Carlos Gomes, one of the greatest Brazilian composers of all time, arranged for classical guitar solo.
$2.99 ≈
2.80€
The Latin Guitar Handbook
The Latin Guitar Handbook
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Guitar
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EASY
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Flamenco
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Latin/World Music
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Chris Mello
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The Latin Guitar Handbook
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Composed by Chris Mello. USC. Latin American. E-book. 96 pages. Published by Mel Bay Publications - Digital Sheet Music (M0.21685EB). - e-book - Latin American ...
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Composed by Chris Mello. USC. Latin American. E-book. 96 pages. Published by Mel Bay Publications - Digital Sheet Music (M0.21685EB). - e-book - Latin American - Mel Bay Publications - Digital Sheet Music
ISBN 9781609746940. The most complete and comprehensive handbook outlining the role of the guitar in the music of Cuba, Brazil, Columbia, Mexico, and other South American countries in print. A complete survey and guide for any guitarist interested in performing different styles of Latin music. Each chapter examines the styles common to the music of a featured country. Includes a thorough exploration of the history, common instrumentation, core rhythms, guitar patterns and chord voicings, transcriptions, application, and provides musical examples in each style.Students will explore: Mambo, Cha-Cha, Samba, Bossa Nova, Cumbia, Vallenato, Baion, Bolero, Rumba Flamenco, and Contemporary Latin PopGCajust to name a few! Students may choose to focus in on one style or sample many. This resource book contains valuable knowledge guitarists can also utilize in application to a multitude of branch styles (jazz, smooth jazz, pop, rock, and the ever GCo growing Latin Music market), including what to play with an ensemble.
$19.99 ≈
18.71€
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