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614 sheet music found Élégie
Élégie # Guitar # INTERMEDIATE # Contemporary # Francis Bebey # Ingrid Riollot # Élégie # Les Editions Doberman-Yppan # SheetMusicPlus
Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Ypp...(+)
Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO 1522. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1522). Francis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux Ã?tats-Unis.Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.Parallèlement, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. Ã? Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.Progressivement, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism. He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001. Bach - Prelude in D minor - BWV 999
Bach - Prelude in D minor - BWV 999 # Guitar # INTERMEDIATE/ADVANCED # Classical # Johann Sebastian Bach # Ygor Nunes # Bach - Prelude in D minor - BW # Ygor Nunes # SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.1385238 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Ygor Nunes. Baroque,Classical. I...(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.1385238 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Ygor Nunes. Baroque,Classical. Individual part. 4 pages. Ygor Nunes #969249. Published by Ygor Nunes (A0.1385238). BWV 999, Johann Sebastian Bach's Prelude in C minor, is a solo keyboard piece characterized by its intricate polyphony, Baroque style, and moderate tempo. Keywords: Bach, Prelude, D minor, solo keyboard, Baroque, polyphony, moderate tempo. Prelude in D minor - BWV 999
Prelude in D minor - BWV 999 # Guitar # INTERMEDIATE/ADVANCED # Classical # Johann Sebastian Bach # Ygor Nunes # Prelude in D minor - BWV 999 # Ygor Nunes # SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.1385241 By Johann Sebastian Bach. By James Lorde Piermont. Arranged by Ygor Nunes. Baroque,Classical. In...(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.1385241 By Johann Sebastian Bach. By James Lorde Piermont. Arranged by Ygor Nunes. Baroque,Classical. Individual part. 3 pages. Ygor Nunes #969252. Published by Ygor Nunes (A0.1385241). BWV 999, Johann Sebastian Bach's Prelude in C minor, is a solo keyboard piece characterized by its intricate polyphony, Baroque style, and moderate tempo. Keywords: Bach, Prelude, D minor, solo keyboard, Baroque, polyphony, moderate tempo. Prelude in D minor - BWV 999
Prelude in D minor - BWV 999 # Guitar # INTERMEDIATE/ADVANCED # Classical # Johann Sebastian Bach # Ygor Nunes # Prelude in D minor - BWV 999 # Ygor Nunes # SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.1385235 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Ygor Nunes. Baroque,Classical. I...(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.1385235 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Ygor Nunes. Baroque,Classical. Individual part. 4 pages. Ygor Nunes #969246. Published by Ygor Nunes (A0.1385235). BWV 999, Johann Sebastian Bach's Prelude in D minor, is a solo keyboard piece characterized by its intricate polyphony, Baroque style, and moderate tempo. Keywords: Bach, Prelude, D minor, solo keyboard, Baroque, polyphony, moderate tempo. Bach - Prelude in D minor - BWV 999
Bach - Prelude in D minor - BWV 999 # Guitar # INTERMEDIATE/ADVANCED # Classical # Johann Sebastian Bach # Ygor Nunes # Bach - Prelude in D minor - BW # Ygor Nunes # SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.1385243 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Ygor Nunes. Baroque,Classical. I...(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.1385243 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Ygor Nunes. Baroque,Classical. Individual part. 3 pages. Ygor Nunes #969254. Published by Ygor Nunes (A0.1385243). BWV 999, Johann Sebastian Bach's Prelude in C minor, is a solo keyboard piece characterized by its intricate polyphony, Baroque style, and moderate tempo. Keywords: Bach, Prelude, D minor, solo keyboard, Baroque, polyphony, moderate tempo. Prelude No. 1 in C Major by J.S. Bach for Guitar (Arranged by Aaron Larget-Caplan)
Prelude No. 1 in C Major by J.S. Bach for Guitar (Arranged by Aaron Larget-Caplan) # Guitar # INTERMEDIATE # Classical # Aaron Larget-Caplan # Aaron Larget-Caplan # Prelude No. 1 in C Major by J. # Aaron Larget-Caplan # SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.1377888 By Aaron Larget-Caplan. By Johann Sebastian Bach. Arranged by Aaron Larget-Caplan. Baroque,Chris...(+)
Solo Guitar - Level 3 - Digital Download SKU: A0.1377888 By Aaron Larget-Caplan. By Johann Sebastian Bach. Arranged by Aaron Larget-Caplan. Baroque,Christian,Christmas,Classical,Early Music. Individual part. 5 pages. Aaron Larget-Caplan #962501. Published by Aaron Larget-Caplan (A0.1377888). Prelude N. 1 in C Major, BWV 846 by J.S. Bach (1685-1750) arranged by Aaron Larget-Caplan Includes: 2 pages of music, 1 page of notes, 1 page of alternate fingering. It is recommended to print double-sided so no page turns are required while playing.About this Arrangement â?? The regular arpeggio gesture is straightforward on piano, but on guitar the performer may have to do a few adjustments to keep this gesture clear. The performer should play the arpeggios over multiple strings as much as possible allowing the notes to ring beyond their notated values. The music can be realized in various ways; hence the fingerings are suggestions and some measures can be played without a Barre. For an ethereal conclusion, I raised the octave of the last measures.Prelude N. 1 in C Major (no sharps or flats) is the first of 44 preludes and fugues written by Bach for keyboard. It follows a progression of arpeggiated chords touching multiple keys as it climaxes on an exquisite pedal point in the Dominant before returning to C-major. One of the most often arranged of Bachâ??s compositions, it was most famously the basis of Ave Maria by Charles Gunoud.This arrangement of Prelude No. 1 in C major, WTC Book I, BWV 846 is featured on the 2022 album â??Godâ??s Time: Music of J.S. Bach on Guitarâ?? by Aaron Larget-Caplan on Tiger Turn (888-09) and streams worldwide. Online lessons are also available.The arrangements of Aaron Larget-Caplan have been called â??very importantâ? and â??a must haveâ?, with Soundboard â??strongly advocatingâ? for them â??to be performed by young guitaristsâ? and include music by J.S. Bach, John Cage, Isaac Albéniz, Franz Schubert, Reynaldo Hahn, and Alan Hovhaness. God's Time Is The Very Best Time, BWV 106 by J.S. Bach
God's Time Is The Very Best Time, BWV 106 by J.S. Bach # Guitar # INTERMEDIATE # Classical # Aaron Larget-Caplan # Aaron Larget-Caplan # God's Time Is The Very Best Ti # Aaron Larget-Caplan # SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.1356074 By Aaron Larget-Caplan. By Johann Sebastian Bach. Arranged by Aaron Larget-Caplan. Baroque,Class...(+)
Solo Guitar - Level 3 - Digital Download SKU: A0.1356074 By Aaron Larget-Caplan. By Johann Sebastian Bach. Arranged by Aaron Larget-Caplan. Baroque,Classical,Early Music,Sacred,Spiritual. Individual part. 4 pages. Aaron Larget-Caplan #940737. Published by Aaron Larget-Caplan (A0.1356074). A beautiful and solemn solo by Johann Sebastian Bach arranged for guitar by award winning composer, arranger, and guitarist Aaron Larget-Caplan.An early cantata, BWV 106 is assumed to have been written as a funeral cantata while Bach was in Mühlhausen, Germany. In the original, two recorders echo each other in the melody. Due to lack of sustain and technical issues, the guitar is unable to copy that effect fully, but the performer should be aware.Arranged for moderate level and above players, the solo is written in Drop D (E string 6 tuned down to D).  Most of the playing is in the first three positions and ornamentation is optional.A note on the history of the work, arrangement, and recording are included, as well as a page for ornament realizations.