SKU: CA.4019606
ISBN 9790007181482. Language: German.
The Christmas oratorio Die Geburt Christi op. 90 was first performed in 1894 in the St. Thomas Church in Strassburg and today it has been rediscovered. It is the first of a trio of so-called church oratorios by Brahms's friend, Heinrich von Herzogenberg. It was followed by Die Passion op. 93 and Erntefeier op. 104, all of which have been published by Carus in reprints of earlier editions. With these works which are partly neo-baroque, partly late romantic choral works, Herzogenberg commits himself to a new form of the Protestant worship service characterized by a high artistic level, but still near to the congregation. Allowing the choir to be accompanied by instruments outside the closed liturgical form of the service goes back to a concept of the theologian from Strasbourg, Friedrich Spitta. Since Christmas was a good occasion for the choir to perform independently, Spitta decided to put together the text for a Christmas oratorio and to commission Herzogenberg to realize it musically. Score available separately - see item CA.4019600.
SKU: CA.4019619
ISBN 9790007133146. Language: German.
The Christmas oratorio Die Geburt Christi op. 90 was first performed in 1894 in the St. Thomas Church in Strassburg and today it has been rediscovered. It is the first of a trio of so-called church oratorios by Brahms's friend, Heinrich von Herzogenberg. It was followed by Die Passion op. 93 and Erntefeier op. 104, all of which have been published by Carus in reprints of earlier editions. With these works which are partly neo-baroque, partly late romantic choral works, Herzogenberg commits himself to a new form of the Protestant worship service characterized by a high artistic level, but still near to the congregation. Allowing the choir to be accompanied by instruments outside the closed liturgical form of the service goes back to a concept of the theologian from Strasbourg, Friedrich Spitta. Since Christmas was a good occasion for the choir to perform independently, Spitta decided to put together the text for a Christmas oratorio and to commission Herzogenberg to realize it musically. Score and parts available separately - see item CA.4019600.
SKU: CA.1038649
ISBN 9790007191207. Language: German.
Reinhard Keiser, highly regarded by his contemporaries as a composer (primarily of operas), also wrote a considerable number of sacred works, such as cantatas, masses, passions, and oratorios. Among these works, most of which are lost, this Dialogus von der Geburt Christi, published here for the first time, occupies a special place as Keiser's only surviving Christmas oratorio. It is a an alternative to the current Christmas repertoire. Opulently scored, well-known Christmas chorales are presented, while in other movements the intimacy of the scene at the crib is evoked. The colorful and finely nuanced instrumentation is contrasted with freely flowing, easily singable choral movements. Score and part available separately - see item CA.1038600.
SKU: CA.4019608
ISBN 9790007076221. Language: German.
The Christmas oratorio Die Geburt Christi op. 90 was first performed in 1894 in the St. Thomas Church in Strassburg and today it has been rediscovered. It is the first of a trio of so-called church oratorios by Brahms's friend, Heinrich von Herzogenberg. It was followed by Die Passion op. 93 and Erntefeier op. 104, all of which have been published by Carus in reprints of earlier editions. With these works which are partly neo-baroque, partly late romantic choral works, Herzogenberg commits himself to a new form of the Protestant worship service characterized by a high artistic level, but still near to the congregation. Allowing the choir to be accompanied by instruments outside the closed liturgical form of the service goes back to a concept of the theologian from Strasbourg, Friedrich Spitta. Since Christmas was a good occasion for the choir to perform independently, Spitta decided to put together the text for a Christmas oratorio and to commission Herzogenberg to realize it musically. Score and part available separately - see item CA.4019600.
SKU: CA.4019605
ISBN 9790007064877. Language: German.
SKU: CA.1038619
ISBN 9790007138707. Language: German.
Reinhard Keiser, highly regarded by his contemporaries as a composer (primarily of operas), also wrote a considerable number of sacred works, such as cantatas, masses, passions, and oratorios. Among these works, most of which are lost, this Dialogus von der Geburt Christi, published here for the first time, occupies a special place as Keiser's only surviving Christmas oratorio. It is a an alternative to the current Christmas repertoire. Opulently scored, well-known Christmas chorales are presented, while in other movements the intimacy of the scene at the crib is evoked. The colorful and finely nuanced instrumentation is contrasted with freely flowing, easily singable choral movements. Score and parts available separately - see item CA.1038600.
SKU: BA.BA05953-01
ISBN 9790006497652. 27.7 x 19.6 cm inches. Language: German. Preface: Varwig, Bettina.
In volume 1 of the New Schutz Edition Friedrich Schoneich presented the Historia der Geburt Jesu Christi. He had to accept that one source was considered lost. The volume was published in 1955 and, of course, Schoneich edited it within the framework of the musicological standards of his time.For her new edition, Bettina Varwig has now been able to take all known sources into account including the first print, copies of parts of the work which have come down to us in the Duben Collection, as well as the score copy from the music archive of the Berlin Sing-Akademie, which had been known only from fragmentary copies until it had been returned from Kiew. This enables a fresh view of the Historia on how it presumably was performed. The edition maintains the original note values and generally follows the editorial principles of the New Edition of the Complete Works.The Introduction centrally deals with the question how the Historia was performed at Christmas 1660 in the Dresden Schlosskirche and how it can be realised today. Also the scoring for singers and instruments (Evangelist movements versus concertante movements) is being appropriately discussed. Three appendices enable a greater understanding of the source traditions of the work which are documented in detail in the Critical Commentary and whose readings are critically examined there.Replaces BA1709.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?< /p> MUSICOLOGICA LLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
What can I expect from a Barenreiter Urtext edition?< /p>
MUSICOLOGICA LLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: CA.1037300
ISBN 9790007094577. Language: German.
The cantata is an example of the striving toward reform at the end of 19th century to give choir and congregational singing more importance in worship services, even under modest circumstances. Therefore, Ludwig Meinardus did without the participation of soloists and made due with the organ as the accompanying instrument. The antiphonal singing between the choir and congregation holds a central place in this work. The cantata may be performed as a whole, but, in accordance with the conception of the composer it can also be performed within the context of a liturgical service.
SKU: CA.4016911
ISBN 9790007063535. Language: German/English.
Men delssohns unfinished 3rd oratorio in its first critical edition. The parts Die Geburt Christi and Das Leiden Christi are presented with full orchestration. In 1852, five years after Mendelsohn's death, two independently-performable fragments of an unfinished oratorio were published under the title Christus. The second fragment, The Suffering of Jesus, comes from the middle of the Passion story: the scene Jesus before Pilot is presented with rapid, dramatic alternation between the recitatives of the evangelist (tenor) and choruses of the people. A contemplative choral movement closes the fragment.
SKU: CA.4017015
ISBN 9790007063665. Language: German/English.
SKU: CA.4016919
ISBN 9790007133122. Language: German/English.
SKU: CA.4017012
ISBN 9790007063634. Language: German/English.
SKU: CA.4016915
ISBN 9790007063573. Language: German/English.
SKU: CA.4016909
ISBN 9790007063528. Language: German/English.
SKU: CA.4017013
ISBN 9790007063641. Language: German/English.
SKU: CA.4017011
ISBN 9790007063627. Language: German/English.
SKU: CA.4016914
ISBN 9790007063566. Language: German/English.
