Te Deum I (LISZT FRANZ)

S 27. Par LISZT FRANZ. L Hautbois und Dank - Langue : Latin/ Répertoire / Choeur SATB (TTBB), 2 Cors, 2 Trompettes, 2 Trombo

S 27. Par LISZT FRANZ. L Hautbois und Dank - Langue : Latin/ Répertoire / Choeur SATB (TTBB), 2 Cors, 2 Trompettes, 2 Trombo

S 27. Par LISZT FRANZ. L Hautbois und Dank - Langue : Latin/ Répertoire / Choeur SATB (TTBB), 2 Cors, 2 Trompettes, 2 Trombo

S 27. Par LISZT FRANZ. L Hautbois und Dank - Langue : Latin/ Répertoire / Choeur SATB (TTBB), 2 Cors, 2 Trompettes, 2 Trombo

Hymnus S. Ambrosii et Augustini. Par LISZT FRANZ. S 24/ Répertoire / Choeur TTBB et Orgue

S 27. Par LISZT FRANZ. L Hautbois und Dank - Langue : Latin/ Répertoire / Choeur SATB (TTBB), 2 Cors, 2 Trompettes, 2 Trombo

Description The First Book Of Mezzo-Soprano/Alto Solos Part II Compiled by Joan Frey Boytim. Each volume contains several very easy songs, progressing to moderate difficulty. Songlist A Legend [Tchaikovsky, Pyotr Ilyich] Ah! Mio Cor (Ah! My Heart) [Handel, George Frideric] As I Went A-roaming [Brahe, May] Auf Dem Meere (On The Ocean) [Franz, Robert] Ave Verum (Jesu, Word Of God Incarnate) [Mozart, Wolfgang Amadeus] Beneath A Weeping Willow's Shade [Hopkinson, Francis] Bist Du Bei Mir (You Are With Me) [Bach, Johann Sebastian] Carmena [Wilson, H Lane] C'est Mon Ami (My Friend) [French Air/Arr. Bainbridge Christ] Clouds [Charles, Ernest] Come Ye Blessed [Gaul, Alfred] Crepuscule (Twilight) [Massenet, Jules] Danny Boy (Londonderry Air) Das Erste Veilchen (The First Violet) [Mendelssohn, Felix] Die Stille (Silence) [Schumann, Robert] Die Stille Wasserrose (The Silent Waterlily) [Fielitz, Alexander Von] Dream Valley [Quilter, Roger] Elegie [Massenet, Jules] Es Muss Ein Wunderbares Sein (It Must Be Wonderful) [Liszt, Franz] Gott Im Fruhling (Got In Springtime) [Schubert, Franz] Keine Sorg'um Den Weg (Love Finds Out The Way) [Raff, J] Maria Wiegenlied (The Virgin's Slumber Song) [Reger, Max] Mystery's Song [Purcell, Henry] Nymphs And Shepherds [Purcell, Henry] Rend'il Sereno Al Ciglio (Bring To Your Eyes) [Handel, George Frideric] Separazione (Parting) [Sgambati, Giovanni] Serenade (Sing, Smile, Slumber) [Gounod, Charles] Spring Is At The Door [Quilter, Roger] Te Deum (Vouchsafe,O Lord) [Handel, George Frideric] The Blue-bell [Macdowell, Edward] The Carol Of The Birds [Niles, John Jacob] The Lovely Song My Heart Is Singing [Goulding, Edmund] The Sleep That Flits On Baby's Eyes [Carpenter, John Alden] The Willow Song [Sullivan, Arthur] Weep No More [Handel, George Frideric] When I Have Often Heard Young Maidens Complaining [Purcell, Henry] Wind Of The Wheat [Phillips, Montague]

Anton Bruckner (1824-1896). Par BRUCKNER ANTON / DOSS THOMAS (Arr.). Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn?t have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth. In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism. Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism. Anton Bruckner composed about 40 motets during his lifetime, the earliest a setting of Pange lingua around 1835, and the last, Vexilla regis, in 1892. Thomas Doss has compiled some of these motets in this volume for symphonic wind orchestra. These motets show many characteristics of personal expression, especially Bruckner's colourful harmony in the earlier works, which is in places aligned with Franz Schubert (changes between major and minor; and movements in thirds). Later works are characterised by many components which, in addition to the expanded stature of the movements, include above all a sense of the instrumentation as an outward phenomenon and the harmony as a compositional feature that works more internally. Some aspects of Bruckner's work are the result of his long period of study, which familiarised him not only with the tradition of his craft, but also gave him insights into the 'modernity' of his time in such composers as Wagner, Liszt and Berlioz. From this developed his personal standpoint, which always pursues the connection between the old and the new. / Date parution : 2023-08-12/ Répertoire / Concert Band/Harmonie

Par HEUMANN HANS-GUNTER. 130 de mélodies les plus grands de tous les temps de tous les coins du monde musical ont été disposés comme les solos de Piano facile par Hans-Günter Heumann. Des thèmes classiques spectaculaires et des Gospels, droit par le biais de favoris de Jazz, chansons du pays et même mer cabanes... cette collection est la ressource ultime pour l'étudiant de Piano intermédiaire, ou pour ceux cherchant simplement un moyen rapide pour stimuler votre répertoire. Toutes les pièces en vedette accessibles et facile à suivre une ligne mélodies et accompagnements simple, avec des paroles complètes et symboles de la corde / Niveau : Assez Facile / Rép International / Recueil / Piano