Creative Hymns for Violin

SKU: HP.9129

UPC: 763628191290. Joshua Evanovich.

Nine traditional hymns Preludes, postludes, Communion meditations, special music selections and recital pieces are all possible uses for this collection. Soaring, majestic lines weave gracefully throughout the violin parts, offering a variety of texture and range while remaining accessible to many skill levels. The piano accompaniment is creative and intricate, yet not too difficult, offering support for the violin and also sharing in the musicality. Suggestions for violin phrasing and bowing are provded but may be altered at the performer's discretion.

SKU: CA.7006511

ISBN 9790007244736. Language: German.

In spring 1816 Franz Schubert, just nineteen years old, completed his second setting of the Stabat Mater in the midst of a highly productive period. In contrast with his first setting written the previous year, just five minutes in length, this time Schubert used the German translation by Klopstock as the basis for his composition. Stefan Schuck's edition is the first one of this work to be based on a critical evaluation of the primary sources, with complete performance material. The work, in a dark F minor, with its text by Klopstock, places Jesus Christ, rather than Mary, at the center of the contemplation. With his fugues, but particularly in the eight-part lamenting chorus Wer wird Zahren sanften Mitleids, Schubert shows himself at the height of his creative output. He composed his 4th Symphony, the Tragic, at almost the same time. The Stabat Mater is a rewarding work for choral societies and choirs to perform, because the choir has the largest portion to sing, and the choral parts are not too demanding. The composition is also a beautiful introduction to the choral-symphonic music of Schubert for less experienced choirs. Score and part available separately - see item CA.7006500.

SKU: CA.7006512

ISBN 9790007244743. Language: German.

In spring 1816 Franz Schubert, just nineteen years old, completed his second setting of the Stabat Mater in the midst of a highly productive period. In contrast with his first setting written the previous year, just five minutes in length, this time Schubert used the German translation by Klopstock as the basis for his composition. Stefan Schuck's edition is the first one of this work to be based on a critical evaluation of the primary sources, with complete performance material. The work, in a dark F minor, with its text by Klopstock, places Jesus Christ, rather than Mary, at the center of the contemplation. With his fugues, but particularly in the eight-part lamenting chorus Wer wird Zahren sanften Mitleids, Schubert shows himself at the height of his creative output. He composed his 4th Symphony, the Tragic, at almost the same time. The Stabat Mater is a rewarding work for choral societies and choirs to perform, because the choir has the largest portion to sing, and the choral parts are not too demanding. The composition is also a beautiful introduction to the choral-symphonic music of Schubert for less experienced choirs. Score and part available separately - see item CA.7006500.

SKU: HL.2050207

UPC: 797242245190. 6.75x10.5x0.045 inches.

Few hymns capture the pathos and emotion of Christ's Passion as capably as this centuries-old melody. Jay Rouse has reached deeply into his artistic palette to render a marvelous setting of Hassler's chorale for voices, piano and solo violin. Instrumental interludes, pianistic accompaniment lines, a cappella choral passages, creative interplay between major and minor tonalities, and an echo of J.S. Bach's Siciliano are all brought together in this evocative arrangement.