Concerto for Clarinet and Piano -Corona (BUKIN DANIEL)

Clarinet & Piano-Structuré en trois mouvements Clarinet Concerto débute avec un premier tableau écrit dans un style proche du ragtime et riche de motifs syncopés. Le second mouvement plus lent explore dans un premier temps le registre chalumeau de la clarinette à travers une mélodie reprise ultérieurement par l?orchestre tandis que le soliste façonne son déchant en filigrane. Le troisième mouvement à tendance bebop met l?accent sur le côté jazzy de la clarinette.

Composer : Krommer, Franz Instrumentation : 2Klar,Klav Edition : Piano and solo Editor : Martin, William

For solo Clarinet in Bb and Ensemble.Clarinet and Piano Reduction.Commissioned by the Tanglewood Music Center through the generous support of the Mervyn Geffen M.D. and Norman Solomon M.D. New CommissionsFund.First performance by Brent Besner Clarinet and fellows of the Tanglewood Music Center August 2010.1. With Vigour2. Free and Enigmatic3. CalmoThere is usually some sort of extra-musicalstarting point for my pieces and for the Clarinet Concerto this was ‘The Cracked Bell’ by Baudelaire. In a short space of time the work seemed to take over and move further away the original stimulus with the character andinteractive roles of the soloist and ensemble were suggested by the wintry evocative atmosphere of the poem.The piece opens with declamatory cadenza-like passages in the clarinet that are in turn commented on by theensemble. A more playful section where the clarinet line is very virtuosic leads to a long gently-unfolding melody in the ensemble that begins in the depths of the bass register and gradually gets much higher. Virtuosicclarinet lines interject against the accompaniment and both pursue their own course until culminating in a high impassioned melody for the clarinet coloured by fast-moving passage work in the higher registers of ensemble. Themovement ends with the ‘call and response’ lines of its opening.The second movement opens with an extended solo for the clarinet in its haunting chalumeau register. With each rising phrase the clarinet line gets higheruntil the ensemble enters in unison. The movement becomes much faster and energetic from this point with brisk fleeting lines for soloist and ensemble.The third movement is the most reflective of the three. It opens witha flute solo leading to the solo clarinet line and makes much of the poignant singing style which is so characteristic of the instrument. A melancholy falling passage in the ensemble becomes a recurring feature before the

Par DAVIS CARL. Carl Davis' Clarinet Concerto was commissioned by the Greenwich Festival, with the aid of the Arts Council Of Great Britain. The piece was first performed at the Royal Naval College in June 1984 as part of the festival. It is arranged here for Clarinet and Piano. / Niveau : Intermédiaire à Avancé / Répertoire / Clarinette et Piano

Gregson's Clarinet Concerto was completed in 1994 by commission for the BBC and was first performed by the BBC Philharmonic with Michael Collins in Manchester April 1994 (later recorded on Chandos CHAN 10105). The writing is highly challenging pushing the instrument and its performer to the limits with some formidable glissandi and stark contrasts. This edition features a piano reduction of Gregson's orchestral material.

Over 20 favourite concerto movements arranged for piano solo by Cecil Bolton. From Rachmaninov's Second Piano Concerto to Mozart's Clarinet Concerto this collection features many of your favourites!

Transposed version into B-flat major for Bb Clarinet & Piano. Par MOZART WOLFGANG AMADEUS. Transposed Version Into B-Flat Major For Bb Clarinet And Piano/ Répertoire / Clarinette et Piano

Written in 1803 by Johann Nepomuk Hummel (1778-1837) this Trumpet Concerto in E-flat Major is a classical piece of the Trumpet repertoire. Composed in the spirit of Mozart and initially for the keyed-Trumpet it was re-discovered in 1958 by a Yale student after 150 years of inertia due to the obsolescence of the instrument for which it was made. This edition offers a transposition in E-flat Major (initially in E Major) adapted to the instruments in use today. The other instruments to be involved in this concerto are a Flute two Oboes two Clarinets two Bassoons two Horns Timpani and Strings. Hummel?s Trumpet Concerto begins with an orchestra onlyfirst movement in a sonata theme which is repeated with the inclusion of the soloist. This Allegro Spirito sounds reminiscent of the Haffner Symphony (No. 35 in D Major) by Mozart but distinguished itself by a second theme. The second movement Andante is more melodic with the trumpet which holds long notes. Finally the Rondo offers a blissful and bright end to the Concerto. Former student of Mozart Johann Nepomuk Hummel (1778-1837) was a brilliant composer pianist conductor and teacher. Evolving at the same period as Beethoveen he became as famous as him and wrote numerous concertos (for Piano Oboe Trumpet Violin and others) operas and some wind music pieces.