SKU: BR.SON-632
ISBN 9790004803677. 10 x 12.5 inches.
The present volume contains four works for choir and orchestra that were composed and premiered at the turn of the 20th century. The works in the volume are arranged according to their opus numbers, though this does not fully reflect their chronology: Impromptu (Op. 19) for female choir and orchestra, composed and premiered in 1902; Sandels (Op. 28) for male choir and orchestra, composed in 1898 and premiered in 1900; Snofrid (Op. 29) for reciter, mixed choir, and orchestra, composed and premiered in 1900; and Islossningen i Ulea alv (Op. 30) for reciter, male choir, and orchestra, composed and premiered in 1899. Sibelius planned to revise all four works, but he only revised Impromptu in 1910 and Sandels in 1915. Both versions of these two works appear in the volume. All four works are settings of poems by Swedish-speaking authors, namely Viktor Rydberg (1828-1895), Johan Ludvig Runeberg (1804-1877) and Zacharias Topelius (1818-1898). Thorough introductions for all the works are include along with some facsimile pages. One might hope that the availability of the critical edition would encoure performances of these fine, neglected works. The music deserves to be heard more often. (Andrew Barnett & Ian Maxwell, www.sibeliusone.com).
SKU: BR.SON-455
ISBN 9790004803653. 9 x 12 inches.
Between 1834 and 1847 Felix Mendelssohn Bartholdy composed a total of 28 songs for mixed voices, i.e. for two female (soprano and alto) and two male (tenor and bass) voices each. The pieces are arranged so that they can be sung by four individual singers as well as by smaller ensembles or large choirs. The composer had almost two-thirds of these works published by Breitkopf and Hartel in the collections opp. 41, 48 and 59, combining partly already existing and partly newly composed songs into a loose cycle of six songs each. The purpose of such occasional music was clear to him: ... the most natural music of all is when four people go for a walk together, in the forest, or on a boat, and then immediately carry the music with them and in them. The present volume contains all the songs published and unpublished during his lifetime, as well as their versions, which owe their various performance contexts.
SKU: HL.50603806
ISBN 9781705144756. UPC: 840126992670. 7.75x11.0x0.355 inches.
Based on the Béla Bartók Complete Critical Edition (Z. 15009), this volume includes Bartók's complete works for male voices. The lyrics in this Urtext edition are in the original languages and in the translations authorized by the composer. Literal English translations are provided in the appendix, which also includes the early version of Four Hungarian Folk Songs and the German version of movements 3 to 6 from Székely Folk Songs. The edition is complete with an informative preface (in Hungarian, English, and German) and detailed Editorial Comments (in Hungarian and English). The Comments give an overview of the textual, folk-music, and compositional sources, and provide detailed information on the performance practice of Bartók's choral works. The edition has been printed on high-quality and environmentally-friendly paper. This volume is also available cloth-bound, along with the volumes for children's and female voices and for mixed voices, in slipcase(HL50603804). Separate editions of each work included in this volume are also available.
SKU: BT.EMBZ20036
English-German-Hungari an.
Based on the Béla Bartók Complete Critical Edition (Z. 15009), this volume includes Bartók's complete works for male voices. The lyrics in this Urtext edition are in the original languages and in the translations authorized by the composer. Literal English translations are provided in the appendix, which also includes the early version of Four Hungarian Folk Songs and the German version of movements 3 to 6 from Székely Folk Songs.The edition is complete with an informative preface (in Hungarian, English, and German) and detailed Editorial Comments (in Hungarian and English). The Comments give an overview of the textual, folk-music, and compositional sources, and provide detailedinformation on the performance practice of Bartók's choral works. The edition has been printed on high-quality and environmentally-friendly paper.This volume is also available cloth-bound, along with the volumes for children's and female voices and for mixed voices, in slipcase (Z. 20076). Separate editions of each work included in this volume are also available.
SKU: HL.50603805
ISBN 9781705144749. UPC: 840126992663. 7.75x11.0x0.362 inches.
Based on the Béla Bartók Complete Critical Edition (Z. 15009), this volume includes Bartók's complete works for children's and female voices. The lyrics in this Urtext edition are in the original languages, but literal English translations are provided in the appendix, which also includes English versions of those of the 27 Two- and Three-Part Choruses that were authorized by the composer. The edition is complete with an informative preface (in Hungarian, English, and German) and detailed Editorial Comments (in Hungarian and English). The Comments give an overview of the textual, folk-music, and compositional sources, and provide detailed information on the performance practice of Bartók's choral works. The edition has been printed on high-quality and environmentally-friendly paper. This volume is also available cloth-bound, along with the volumes for male voices and for mixed voices, in slipcase (HL50603804). Separate editions of each work included in this volume are also available.
SKU: BR.SON-452
ISBN 9790004803622. 10 x 12.5 inches.
Felix Mendelssohn Bartholdy lived in the heyday of men's choruses. Early on, the composer had encountered the genre by way of his teacher Carl Friedrich Zelter and his Berlin Liedertafel, founded in 1809, had then gathered his own experience from the Leipzig Liedertafel societies, and was in contact with a number of male choral societies throughout his lifetime. Nevertheless, his relation to male choral singing was characterised not only by his inclination, but also by critical distance. The festive compositions for male chorus and orchestra forming the content of this volume are all commissioned works, two of which, the so-called Gutenberg-Kantate and the Festgesang an die Kunstler on a text by Friedrich Schiller, also appeared in print during Mendelssohn's lifetime.
SKU: BT.EMBZ20035
Based on the Béla Bartók Complete Critical Edition (Z. 15009), this volume includes Bartók's complete works for children's and female voices. The lyrics in this Urtext edition are in the original languages, but literal English translations are provided in the appendix, which also includes English versions of those of the 27 Two- and Three-Part Choruses that were authorized by the composer.The edition is complete with an informative preface (in Hungarian, English, and German) and detailed Editorial Comments (in Hungarian and English). The Comments give an overview of the textual, folk-music, and compositional sources, and provide detailed information on the performancepractice of Bartók's choral works. The edition has been printed on high-quality and environmentally-friendly paper.This volume is also available cloth-bound, along with the volumes for male voices and for mixed voices, in slipcase (Z. 20076). Separate editions of each work included in this volume are also available.
SKU: BR.SON-435
ISBN 9790004803134. 9 x 12 inches.
Works for male chorus or mens voices a cappella run through Mendelssohns oeuvre like a fine red thread. Whoever is only familiar with the six Lieder op. 50, which were printed during the composers lifetime, will be surprised that the Mendelssohn Work Catalogue lists altogether 38 such pieces written between 1820 and 1847. Mendelssohn apparently wrote a number of individual vocal pieces for private occasions, commissions, or as gifts to male vocal societies. Some of them are being published for the first time ever in this volume. The works are so conceived that they can be performed both by solo voices and by a chorus.Consists of two subvolumes and a supplement.
SKU: HL.50603807
ISBN 9781705144763. UPC: 840126992687. 9.0x12.0x0.307 inches.
Based on the Béla Bartók Complete Critical Edition (Z. 15009), this volume includes Bartók's complete works for mixed voices. The lyrics in this Urtext edition are in the original languages and in the translations authorized by the composer. Literal English translations are provided in the appendix. The edition is complete with an informative preface (in Hungarian, English, and German) and detailed Editorial Comments (in Hungarian and English). The Comments give an overview of the textual, folk-music, and compositional sources, and provide detailed information on the performance practice of Bartók's choral works. The edition has been printed on high-quality and environmentally-friendly paper. This volume is also available cloth-bound, along with the volumes for children's and female voices and for male voices, in slipcase (HL50603804). Separate editions of each work included in this volume are also available.
SKU: BT.EMBZ20037
Based on the Béla Bartók Complete Critical Edition (Z. 15009), this volume includes Bartók's complete works for mixed voices. The lyrics in this Urtext edition are in the original languages and in the translations authorized by the composer. Literal English translations are provided in the appendix.The edition is complete with an informative preface (in Hungarian, English, and German) and detailed Editorial Comments (in Hungarian and English). The Comments give an overview of the textual, folk-music, and compositional sources, and provide detailed information on the performance practice of Bartók's choral works. The edition has been printed on high-quality andenvironmentally-friend ly paper.This volume is also available cloth-bound, along with the volumes for children's and female voices and for male voices, in slipcase (Z. 20076). Separate editions of each work included in this volume are also available.
SKU: BA.BA06858
ISBN 9790260103603. 34.2 x 27.3 cm inches. Text Language: Czech, German, English.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?< /p> MUSICOLOGICA LLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
What can I expect from a Barenreiter Urtext edition?< /p>
MUSICOLOGICA LLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: FG.55011-833-1
ISBN 9790550118331.
Unde r the heading of opus 1 Sibelius grouped together five Christmas carols for voice and piano, written between 1895 and 1913. Best known of these is Giv mig ej glans, ej guld, ej prakt (We ask for Nothing Rich or Rare, 1909) which exists in various choral arrangements. The song is one of Sibelius' most popular and has been included in many song books as well as the Finnish Psalter.This version for male choir (TTBB) is written by the composer and is based on the complete critical edition Jean Sibelius Works (JSW).
SKU: BR.SON-250
Ein Requiem an Mozarts Seite
ISBN 9790004802830. 10.5 x 13.5 inches.
Die Reihe wird fortgesetzt. Neben der Hauptreihe der Neuen Folge der Denkmaler der Tonkunst in Bayern erscheint eine Reihe von Sonderbanden in Buchformat. Price reduction for a subscription.
SKU: BT.SCHBB8000005
SKU: HL.50606951
ISBN 9798350126815. UPC: 196288211761. 7.5x11.0x0.892 inches.
ZOLTÃN KODÃLY (1882-1967) created a significant oeuvre equally as a composer, pedagogue, and ethnomusicologist; he was one of the most influential figures in 20th-century Hungarian music. With his over 130 works for unaccompanied choir he laid the foundation of modern Hungarian choral literature. A complete collection of Kodály's choral works is available in three volumes: Choral Works for Children's and Female Voices (Z. 6724) Choral Works for Mixed Voices (Z. 6725) Choral Works for Male Voices (Z. 6726 This volume of works for children's and female voices is an extended and revised edition. Containing a total of 59 compositions, three of which were not included in earlier editions, it is the most complete and most authentic edition of Kodály's choral works for children's and female voices to be published thus far. It has been edited based on uniform principles, contains easy-to-read, first-rate musical scores, and includes an informative Epilogue. The volume is available both in paperback and clothbound.
SKU: BR.CHB-5372
ISBN 9790004413029. 7.5 x 10.5 inches. Finnish.
The four choral settings in this edition from Jean Sibelius's Op. 18, in the original six settings for male choir, were arranged for mixed choir by Sibelius himself. While Sortunut aani Op. 18,1 and Saarella palaa Op. 18,4 were first published in this version in a choral collection in 1898, Venematka Op. 18,3 was only arranged by Sibelius in 1904 for a summer class and Sydameni laulu Op. 18,6 another ten years later as a reaction to an unauthorized arrangement. In the long and changeful history of the collection Op. 18, its contents were extended, revised and repositioned many times. The four current settings are all those that are also present in the final version of Op. 18 for male choir and of which there are original arrangements.The texts for Sortunut aani (The Broken Voice), Venematka (Boat Trip) and Saarella palaa (Fire on the Island) stem from the Finnish national epics Kalevala and Kanteletar, while the text of Sydameni laulu (Song of My Heart) stems from the poet Aleksis Kivi, but refers to the Kalevala, too. The edition includes translations of the texts in German and English as well as an informative preface that is based on the complete edition Jean Sibelius Works, just like the score.
SKU: BR.CHB-5372-02
SKU: BR.CHB-5374
ISBN 9790004413043. 7.5 x 10.5 inches. Finnish.
Jean Sibelius's Six Songs for Male Choir Op. 18 are published as Urtext with the original Finnish lyrics for the first time in this edition. Most of these stem from the Finnish national epics Kalevala and Kanteletar, but the texts of Sydameni laulu [Song of My Heart] and Metsamiehen laulu [Song of the Woodmen] are from the poet Aleksis Kivi. The individual pieces originated over a couple of years for different choirs and occasions and were only later combined by Sibelius under a common Opus number. Venematka [Boat Trip] originated as early as 1893, Saarellaa palaa [Fire on the Island] was first performed in 1895 and Sortunut aani [The Broken Voice] in 1899. Sydameni laulu was published in the same year together with Metsamiehen laulu, while Terve kuu [Greetings to the Moon] was not composed by Sibelius until 1901. The contents of the collection Op. 18 were subsequently extended, revised and repositioned by Sibelius many times; the final shape with six settings was established in 1930. Four of these settings were also arranged for mixed choir and have already been published as an Urtext edition (CHB 5372). The edition includes translations of the lyrics in German and English as well as an informative preface that is based on volume VII/2 of the complete edition Jean Sibelius Works, just like the score.
SKU: BR.CHB-5374-00
Jean Sibelius's Six Songs for Male Choir Op. 18 are published as Urtext with the original Finnish lyrics for the first time in this edition. Most of these stem from the Finnish national epics Kalevala and Kanteletar, but the texts of Sydameni laulu [Song of My Heart] and Metsamiehen laulu [Song of the Woodmen] are from the poet Aleksis Kivi. The individual pieces originated over a couple of years for different choirs and occasions and were only later combined by Sibelius under a common Opus number. Venematka [Boat Trip] originated as early as 1893, Saarellaa palaa [Fire on the Island] was first performed in 1895 and Sortunut aani [The Broken Voice] in 1899. Sydameni laulu was published in the same year together with Metsamiehen laulu, while Terve kuu [Greetings to the Moon] was not composed by Sibelius until 1901. The contents of the collection Op. 18 were subsequently extended, revised and repositioned by Sibelius many times; the final shape with six settings was established in 1930. Four of these settings were also arranged for mixed choir and have already been published as an Urtext edition (ChB 5372). The edition includes translations of the lyrics in German and English as well as an informative preface that is based on volume VII/2 of the complete edition Jean Sibelius Works, just like the score.
SKU: BR.CHB-5370
ISBN 9790004413005. 7.5 x 10.5 inches. Latin.
In 1896, Sibelius wrote Hymn (Op. 21), also known by its initial words Natus in curas, for the unveiling of the sepulchral monument of Josef Pippingskold (1825-1892), professor of obstetrics at the Imperial Alexander University in Finland (presently the University of Helsinki). The Latin text for Hymn was written for the occasion by Fridolf Gustafsson (1853-1924), professor of Roman literature at the University. Sibelius worked as acting music teacher at the University at the time, and as part of his duties at the ceremony he conducted a small ensemble consisting of singers from the male choirs Akademiska Sangforeningen and Muntra Musikanter. According to the report in Hufvudstadsbladet on the following day, the simple unveiling ceremony was given a particularly impressive ending by a hymn composed for the ceremony by Jean Sibelius in an old Italian style. The work was included in a choral collection published in 1899, for which Sibelius made small revisions, mostly by interchanging the inner-voices in some passages and reworking the ending by extending the last phrase. This version was published in the Complete Edition on which the current practical edition is based.
SKU: BR.CHB-5371-02
ISBN 9790004413012. 7.5 x 10.5 inches. Finnish.
The hymn from the tone poem Finlandia op. 26 for orchestra, one of the best-known works of Jean Sibelius, became the unofficial national anthem of Finland with the text of Veikko Antero Koskenniemi (1906-1962). In a time of great insecurity after the attack of the Soviet Union in 1939, Koskenniemi managed to capture the rising national consciousness and the hope of the Finns for an imminent solution of the conflict. Sibelius had already written an arrangement of the hymn for male choir on a different text in 1938, but after a suggestion by his publisher Roger Lindberg, he decided to write a version for mixed choir, too, on the by now better known text by Koskenniemi. This version in F major was published in 1949, but at Breitkopf & Hartel only with a German translation by Hellmuth von Hase. The Finlandia-Hymn with the Finnish text by Koskenniemi is therefore now available at Breitkopf & Hartel for the first time, as Urtext of the complete edition Jean Sibelius Works. The edition includes both the version in F major as well as a second version in A flat major, written by Sibelius himself, too, but until now unpublished outside of the complete edition.
SKU: BR.CHB-5371
SKU: CA.4083300
ISBN 9790007135522. Language: Latin.
Among the numerous Requiem settings of the 19th century, only very few are scored for male voices. Although several compositions (by, amongst others, Max Reger and Peter Cornelius) are designated 'Requiem', these are usually only single-movement works, not settings of the entire text of the ordinary. To date, only four complete settings for male choir - by Luigi Cherubini, Franz Liszt, Hugo Kaun and Lorenzo Perosare - are known. With the first edition of the Requiem by Johann Christian Heinrich Rinck for solo voices, male choir and organ, a further work is being made available for performance. Rinck, celebrated as the Rhenish Bach and as a worldwide famous composer, wrote it in 1836.
SKU: CA.4083305
ISBN 9790007162375. Language: Latin.
Among the numerous Requiem settings of the 19th century, only very few are scored for male voices. Although several compositions (by, amongst others, Max Reger and Peter Cornelius) are designated 'Requiem', these are usually only single-movement works, not settings of the entire text of the ordinary. To date, only four complete settings for male choir - by Luigi Cherubini, Franz Liszt, Hugo Kaun and Lorenzo Perosare - are known. With the first edition of the Requiem by Johann Christian Heinrich Rinck for solo voices, male choir and organ, a further work is being made available for performance. Rinck, celebrated as the Rhenish Bach and as a worldwide famous composer, wrote it in 1836. Score available separately - see item CA.4083300.
SKU: BR.EB-8142
ISBN 9790004175255. 9 x 12 inches.
The Sonata op. 12 is the largest of Sibeliuss piano works. Sibelius may have composed it in the summer of 1893. The second movement comes from a work originally planned for male choir to a text from the Finnisch national epic Kalevala. Something of its character my still have shaped the final outcome, with its restless opening bars, sparkling writing in the pianos high register, the calming homophonic passages, and soothing arpeggio writing. The first public performance took place on April 17, 1895, in the Solennity Hall of Helsinki University. The first edition was published by Breitkopf & Hartel in 1906. Over and beyond the excellent music text, this volumes contains an extensive preface by Sibelius expert Kari Kilpelainen.
SKU: BA.BA10581
ISBN 9790260109124. 27 x 19 cm inches. Text Language: Czech.
Bohuslav Martinu’s “Field Mass†is one of his most significant vocal-instrumental works. It originated in 1939 in Paris in response to the outbreak of World War II and was intended for outdoor performance. The libretto, by Jirà Mucha, contains references to the Bible.This study score adopts the musical text from the Bohuslav Martinu Complete Edition, Volume VI/2/2. As an interesting performance alternative, the appendix contains an early version of the ending that quotes the medieval Czech hymn “Jezu Kriste, štedrý kneže†(Jesus Christ, Generous Prince).
SKU: BA.BA04919
ISBN 9790006495306. 30 x 26 cm inches. Text Language: Swedish.
