Complete Organ Method

Par STAINER. A classic text on Organ technique. Sir John's book, first published in 1877, quickly became the classic for beginners- so popular that publishers Schirmer, Ditson, and Presser each issued its own 'Americanized' edition in the early twentieth century. In addition to the seven Organ pieces of the original edition, including five of Stainer's own works and two pieces by Guilmant, three additional works round of this Dover edition. This edition is a slightly expanded republication of the edition first published by G. Schirmer, New York in 1909, edited by F. Flaxington Harker. Introduction to this Dover edition by Rollin Smith. / Pédagogie / Méthode / Orgue

Each volume in this bilingual edition of all the works by Johann Jacob Froberger (1617-1667) contains a Critical Commentary and a detailed Preface with sections on the edition's scope and subdivisions, editorial method, and on performance practice, as well as with discussions of contemporary instruments, ornamentation, and Froberger's life. Volume VII now brings the complete edition to a close. It contains the two previously unpublished motets 'Alleluja absorta est mors? (FbWV 701) and 'Apparuerunt Apostolis? (FbWV 702), both for soprano, tenor, bass, two violins and continuo, as well as the 'Capriccio in C? (FbWV 706) for four voices or four instruments. The appendix provides a catalogue of all Froberger works known to date (FbWV), including, as applicable, the incipit of each work and an entry on its instrumentation, date of composition, editions, and sources along with special comments. Another heading directs readers to the most important references in the secondary literature. - Complete urtext edition at the cutting edge of scholarship - First publication of two motets - Catalogue of all Froberger works in an appendix (FbWV) / Ensemble

Progressive Organ Method For Young Beginners is a carefully graded lesson by lesson learning method for the younger student using very easy arrangements of over 20 favourite children's songs.This bookand CD set introduces five notes on the upper manual and three chords on the lower manual using the white keys only.Beautifully illustrated throughout in full colour Progressive Organ Method For YoungBeginners comes complete with a set of Keyboard stickers.

Par WAYNE ERBSEN. Ce livre d\'instruction FUN vous aidera jouant quarante Old-Time et guitare bluegrass tunes en aucun temps plat ! Plusieurs années de Wayne de l\'enseignement de la guitare sont évidentes sur chaque page de ce livre. Le CD audio de l\'instruction est complète avec un énorme 91 pistes et les paroles complètes de toutes les chansons de quarante trouvés dans le livre. 9 \' x 12 \', 80 pages. Cet ouvrage est garanti pour aider le guitariste début et intermédiaire. (Combien de livres viennent avec une garantie personnelle de l\'auteur ' Vous apprendrez également... Comment régler, comment organiser votre choix, comment faire la course reste, comment jouer rythmique solide, comment jouer des accords de recul à 30 morceaux de violon Old-Time, Comment comprendre la théorie musicale indolore, comment d\'improviser, comment lutter contre la peur des écailles et comment jouer à l\'oreille. / Niveau : Débutant / Bluegrass - Methods / Méthode / Guitare Flatpick et Plectre

Eta Cohen 's world famous Violin method broke new ground when it was first released. Providing an incremental approach to learning the instrument, it only introducing one concept at a time and reinforced each new concept with an accompanying exercise and highly enjoyable pieces. The careful organisation of the method meant that it was a great equaliser because any child could make good progress almost irrespective of talent. It was also based upon the principal that playing well brings intense satisfaction, whereas playing badly only results in frustration. The Eta Cohen Violin Method has produced music professionals who, today, occupy many prominent positions in the music profession, including renowned soloists, chamber musicians, orchestral performers (including several orchestral leaders) and teachers. This sixth edition has been completely revised and updated to make Eta's method available to yet another generation of aspiring violinists. Book 1 is a complete guide to everything the beginner violinist needs in order to develop a secure technique. It is packed full of fun and engaging pieces, with helpful photos to guide technical aspects of playing. It includes 4 beautifully recorded CDs containing backing track arrangements for students to play along with, plus demonstration tracks of all the pieces included in the book. 'It's truly the Delia Smith of Violin methods... the much-imitated, indispensible original' - James Murphy Director, Southbank Sinfonia / Violon

Level: easy / advanced Format: English / French / German Embouchure building Studies Elementary Intermediate Advanced High register training In the 17th century there were no studies in the modern sense of the word. Of J. S. Bach, however, we know that he wrote pieces of a study nature for his pupils, indeed he made them spend months, and in his own words preferably years, practising exercises for touch at the keyboard, that is, daily finger exercises, on the principle: There is little point in getting fit if you do nothing to stay fit. From this point of view, relating it to our instrument and to the lips, you ought to look at the following embouchure-building studies. They are not intended as warm-ups, although that term is quite appropriate for some of these exercises. Taken together they serve to build the muscles, rather like an athlete's training. Like him, we too must increase our capacity gradually. The muscles and organs involved adapt to the greater workload, but only if the increase proceeds systematically and rationally. Try to complete the full distance of each study, gradually reducing the time, like a long-distance runner. Adding one exercise, or at most three, according to the difficulty, to your daily workload will be enough. You should only start further exercises when you have fully mastered the preceding ones according to the directions in my embouchure method and have reached a satisfactory standard in rhythm and sound. The deliberately simple fingerings make it easier to check the actions of the diaphragm, the lips, and the tongue inside the mouth cavity. Form a mental picture of their movements and compare yourself constantly to an artist whose principle is: There are no secrets, at best some small tricks, which can be learned.

Freie Orgelwerke - BuxWV 136-153, 158. Par BUXTEHUDE DIETERICH. This edition is the result of Harald Vogel?s many years of practice as an organist and musicologist. The music text is based on a reevaluation of 17 th - and 18 th -century manuscripts containing the free organ and keyboard works by Buxtehude. They originated during a transitional phase between the traditional letter tablature and the staff notation still in use today. Since many works have survived only in transcriptions for staff notation, the editor was confronted with a high error rate, which he carefully analyzes in the ?Einzelanmerkungen?. During the preparation of the edition, the editor always kept sight of the performance practice, but still, the image of the sources is never distorted (e. g. by superfluous rests, beaming not conforming to the sources and the unhistorical adjustment of time signatures) and stays very close to the compositional notation, the letter tablature. The flexible use of three staves and the differentiated distribution of the voices on the staves allow for an approximation in reading conventions of historical notation with its resulting information about hand division. Grouping the free organ repertoire into works with obbligato pedal and works for manuals, this edition is organized in two volumes. The first subvolume (I/1, EB 9304) contains the Preface and the Preludes, whereas the second subvolume (I/2, EB 9305) contains Toccatas, Ostinato works, alternative versions and a comprehensive Critical Commentary (in German only). Volume II (EB 9306) contains Buxtehude?s free organ and keyboard works (manualiter) with the corresponding texts (Preface and Critical Commentary). Until 1971, Harald Vogel worked on a dissertation (with Georg von Dadelsen, Hamburg) on ?Die Fuge um Bach?. Besides the description of the ?inclusion? of triple measures into the C notation and the irregularities of the ?voice mutation? in the polyphonic structures, this also included a discussion about the justification of the ?inner textual criticism?. With the inner textual criticism, deviations in parallel passages are unified. The North German fugue style, reaching a peak in Buxtehude?s work, is characterized by a constant diversity of details in subject and polyphonic progressions. One of the ?indicators of the fantastic style? is the dissolution of the polyphonic structures at the ends of the fugues, evident in Buxtehude?s work. In this edition, a musical text is presented that avoids the uniformity of detail not conforming to the sources. However, there are many examples of transcription and cursory errors, which are analyzed in a methodical systematic manner. About the editor: As an organist, professor, organ expert, and scholar, Harald Vogel has rendered outstanding services to the interpretation of early music and especially to historical performance practice concerning the organ for decades. He has received numerous awards, including an ECHO Klassik as Instrumentalist of the Year (2012), honorary doctorates from Luleå University of Technology (Sweden, 2008) and Oberlin College (USA, 2014), as well as the Buxtehude Prize of the City of Lübeck (2018). Harald Vogel is the author and editor of numerous scholarly publications and editions. Through his lifelong performance practice, he can look back on an extensive discography, including the complete recording of Buxtehude?s organ works, which he recorded in various locations with historical organ instruments of the North German organ building tradition in Scandinavia, North Germany and the Netherlands. / Date parution : 2022-10-12/ Recueil / Orgue

Description Eta Cohen 's world famous Violin method broke new ground when it was first released. Providing an incremental approach to learning the instrument, it only introducing one concept at a time and reinforced each new concept with an accompanying exercise and highly enjoyable pieces. The careful organisation of the method meant that it was a great equaliser because any child could make good progress almost irrespective of talent. It was also based upon the principal that playing well brings intense satisfaction, whereas playing badly only results in frustration. The Eta Cohen Violin Method has produced music professionals who, today, occupy many prominent positions in the music profession, including renowned soloists, chamber musicians, orchestral performers (including several orchestral leaders) and teachers. This sixth edition has been completely revised and updated to make Eta's method available to yet another generation of aspiring violinists. It includes a beautifully recorded CD containing demonstration tracks of all the pieces. Book 4 is suitable for students from grades 4-7 and includes studies and pieces introducing the 2nd, 4th and 5th positions as well as trills, double stopping, chords, spiccato and sautillé bowings. It's truly the Delia Smith of Violin methods... the much-imitated, indispensible original - James Murphy Director, Southbank Sinfonia

Eta Cohen 's world famous Violin method broke new ground when it was first released. Providing an incremental approach to learning the instrument, it only introducing one concept at a time and reinforced each new concept with an accompanying exercise and highly enjoyable pieces. The careful organisation of the method meant that it was a great equaliser because any child could make good progress almost irrespective of talent. It was also based upon the principal that playing well brings intense satisfaction, whereas playing badly only results in frustration. The Eta Cohen Violin Method has produced music professionals who, today, occupy many prominent positions in the music profession, including renowned soloists, chamber musicians, orchestral performers (including several orchestral leaders) and teachers. This sixth edition has been completely revised and updated to make Eta's method available to yet another generation of aspiring violinists. It includes a beautifully recorded CD containing demonstration tracks of all the pieces. Book 4 is suitable for students from grades 4-7 and includes studies and pieces introducing the 2nd, 4th and 5th positions as well as trills, double stopping, chords, spiccato and sautillé bowings. 'It's truly the Delia Smith of Violin methods... the much-imitated, indispensible original' - James Murphy Director, Southbank Sinfonia / Violon

This Rubank gem represents a compilation of two celebrated clarinet methods completely revised re-edited and re-styled for modern studios and classrooms. The wealth of valuable materials used for clarinet instruction since thelate 19th century was reorganized by Rubank editor Harvey Whistler into a progressive educational format to meet the needs of beginning to intermediate clarinet students. In his edition Whistler also provided:•Additional material to comprehensively cover the low register and crossing the break • Instructional units organized by key as well as topic culminating with melodic studies incorporating each new idea•Exercises for tone development particularly in the upper register incorporated into each unit

The Boosey Brass Method is a complete course for individual and group teaching. Full to the brim with tips tricks important advice and golden rules as well as progressive repertoire examples this is a spectacular way to learn to play your instrument! It has been specifically designed to be used as a joint learning method with supervised or classroom work and home study combining to maximise learning potential. The novel and intuitive lay-out clearly shows warm-ups and breathing exercises; clapping singing and echo games; ensemble and individual work. The pack contains two fabulous CDs of demonstration performances backing tracks and listeningactivities which will aid development as well as being great fun! In conjunction with the illustrations exercises and the carefully considered progression this is one of the best ways to learn to play your instrument as part of an ensemble and at home.

The Boosey Brass Method is a complete course for individual and group teaching. Full to the brim with tips tricks important advice and golden rules as well as progressive repertoire examples this is a spectacular way to learn to play your instrument! It has been specifically designed to be used as a joint learning method with supervised or classroom work and home study combining to maximise learning potential. The novel and intuitive lay-out clearly shows warm-ups and breathing exercises; clapping singing and echo games; ensemble and individual work. The pack contains two fabulous CDs of demonstration performances backing tracks and listeningactivities which will aid development as well as being great fun! In conjunction with the illustrations exercises and the carefully considered progression this is one of the best ways to learn to play your instrument as part of an ensemble and at home.