Comme Par Enchantement (Cor Et Piano)

SKU: BU.EBR-A019

ISBN 9790560150918. 8.58 x 12.48 inches.

La collection ANACROUSE offre aux pianistes novices et confirmés un large choix d’œuvres classiques, allant de la Renaissance à l’époque moderne.

Proposer tout à la fois des « incontournables » du répertoire classique et des pièces de compositeurs parfois oubliés, toutes d’une valeur pédagogique indéniable, tels sont les objectifs que nous nous sommes fixés. Chaque pièce, vendue à l’unité, a fait l’objet d’un travail éditorial attentif, tant sur le plan de l’établissement du texte musical que de sa gravure, afin de garantir aux musiciens les conditions indispensables aux plaisirs tirés du commerce fréquent de ces œuvres.

Les partitions sont proposées sous la forme d’ouvrages traditionnels (feuillets papier), et disponibles également par téléchargement.



Cette sonate dite facile ou « sonata semplice » est la plus célèbre de Mozart. Son sous-titre est trompeur car elle n’est pas aussi facile que l’on pourrait croire. En effet, la maîtrise pianistique et la science de Mozart échouent à révéler la réelle difficulté de cette sonate. Sa création date du 26 juin 1788, peu d’années avant la disparition du compositeur. La finalité de cette création serait mi-pédagogique, mi-commerciale d’où l’objet de son surnom.
Cette pièce a trois mouvements : Allegro, Andante et Rondo-allegretto. Elle débute par un allegro sur un tempo assez allant avec une basse appelée basse d’Alberti en rythme de croche, se déployant tout au long du mouvement. La structure du premier mouvement est une forme sonate. La mélodie comporte deux sujets sur la tonique et à la réexposition se présente le thème sur la sous-dominante. La basse dAlberti exposée dans ce premier mouvement est développée d’une manière assez étendue en fluidité dans le deuxième mouvement, l’andante.
Seul l’allegro est représenté dans cette partition, ce premier mouvement, très connu, ensorcelle de nombreux pianistes de tous niveaux grâce à la relative aisance de son interprétation et à l’enchantement et à la frivolité qui s’en dégage.

SKU: FG.55011-538-5

ISBN 9790550115385.

The air is heavy with flashy comments, when the flute, the bassoon and the piano start their debate in Storm in a Teacup (2014) by Kirmo Lintinen (b. 1967). Only 4'30'' of length, this virtuosic trio finds the piece after the grand rampage. Kirmo Lintinen is a man of many musical talents: composer, pianist and conductor. His catalogue encompasses almost all genres and categories of composition, from solo work to opera, and he operates with ease from one to another without being a crossover artist; in his case, the versatility is both internalised and innate. He often finds inspiration in French music of the 1920s and its intrinsic musicality. Humour and playfulness are characteristic elements of his music, as are a natural, musicianly approach and an enchantingly effervescent, even tongue-in-cheek texture.

SKU: BA.BA25146

ISBN 9790006575121. 29.5 x 21 cm inches. Text Language: Latin.

The motets and choral pieces, composed with the distinctive features of the Madeleine organ in mind, enchant with their colourful, floating harmonies and convey a certain intimacy even with their ritualized Latin texts. These works are very well suited for performances by small vocal ensembles. A novelty is the inclusion of the double bass part (ad libitum) which does not appear consistently in the first editions but corresponds to the musical practice at the Madeleine.

Numerou s gems such as the “Cantique de Jean Racine” or the “Messe basse” are published in performing editions based on the musical text of the “Gabriel Faur – Œuvres complètes”.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

SKU: BA.BA25141

ISBN 9790006575077. 29.7 x 21 cm inches. Text Language: French.

The motets and choral pieces, composed with the distinctive features of the Madeleine organ in mind, enchant with their colourful, floating harmonies and convey a certain intimacy even with their ritualized Latin texts. These works are very well suited for performances by small vocal ensembles. A novelty is the inclusion of the double bass part (ad libitum) which does not appear consistently in the first editions but corresponds to the musical practice at the Madeleine.

Numerou s gems such as the “Cantique de Jean Racine” or the “Messe basse” are published in performing editions based on the musical text of the “Gabriel Faur – Œuvres complètes”.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

SKU: BA.BA25150

ISBN 9790006575169. 29.5 x 21 cm inches. Text Language: Latin.

The motets and choral pieces, composed with the distinctive features of the Madeleine organ in mind, enchant with their colourful, floating harmonies and convey a certain intimacy even with their ritualized Latin texts. These works are very well suited for performances by small vocal ensembles. A novelty is the inclusion of the double bass part (ad libitum) which does not appear consistently in the first editions but corresponds to the musical practice at the Madeleine.

Numerou s gems such as the “Cantique de Jean Racine” or the “Messe basse” are published in performing editions based on the musical text of the “Gabriel Faur – Œuvres complètes”.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

SKU: BA.BA25147

ISBN 9790006575138. 29.7 x 21 cm inches. Text Language: Latin.

The motets and choral pieces, composed with the distinctive features of the Madeleine organ in mind, enchant with their colourful, floating harmonies and convey a certain intimacy even with their ritualized Latin texts. These works are very well suited for performances by small vocal ensembles. A novelty is the inclusion of the double bass part (ad libitum) which does not appear consistently in the first editions but corresponds to the musical practice at the Madeleine.

Numerou s gems such as the “Cantique de Jean Racine” or the “Messe basse” are published in performing editions based on the musical text of the “Gabriel Faur – Œuvres complètes”.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

SKU: BA.BA25143

ISBN 9790006575091. 29.5 x 21 cm inches. Text Language: Latin.

The motets and choral pieces, composed with the distinctive features of the Madeleine organ in mind, enchant with their colourful, floating harmonies and convey a certain intimacy even with their ritualized Latin texts. These works are very well suited for performances by small vocal ensembles. A novelty is the inclusion of the double bass part (ad libitum) which does not appear consistently in the first editions but corresponds to the musical practice at the Madeleine.

Numerou s gems such as the “Cantique de Jean Racine” or the “Messe basse” are published in performing editions based on the musical text of the “Gabriel Faur – Œuvres complètes”.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

SKU: BA.BA25148

ISBN 9790006575145. 29.7 x 21 cm inches. Text Language: Latin.

The motets and choral pieces, composed with the distinctive features of the Madeleine organ in mind, enchant with their colourful, floating harmonies and convey a certain intimacy even with their ritualized Latin texts. These works are very well suited for performances by small vocal ensembles. A novelty is the inclusion of the double bass part (ad libitum) which does not appear consistently in the first editions but corresponds to the musical practice at the Madeleine.

Numerou s gems such as the “Cantique de Jean Racine” or the “Messe basse” are published in performing editions based on the musical text of the “Gabriel Faur – Œuvres complètes”.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

SKU: BA.BA25153

ISBN 9790006575190. 29.7 x 21 cm inches. Text Language: French.

The motets and choral pieces, composed with the distinctive features of the Madeleine organ in mind, enchant with their colourful, floating harmonies and convey a certain intimacy even with their ritualized Latin texts. These works are very well suited for performances by small vocal ensembles. A novelty is the inclusion of the double bass part (ad libitum) which does not appear consistently in the first editions but corresponds to the musical practice at the Madeleine.

Numerou s gems such as the “Cantique de Jean Racine” or the “Messe basse” are published in performing editions based on the musical text of the “Gabriel Faur – Œuvres complètes”.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

SKU: BA.BA25140

ISBN 9790006575060. 29.5 x 21 cm inches. Text Language: Latin.

The motets and choral pieces, composed with the distinctive features of the Madeleine organ in mind, enchant with their colourful, floating harmonies and convey a certain intimacy even with their ritualized Latin texts. These works are very well suited for performances by small vocal ensembles. A novelty is the inclusion of the double bass part (ad libitum) which does not appear consistently in the first editions but corresponds to the musical practice at the Madeleine.

Numerou s gems such as the “Cantique de Jean Racine” or the “Messe basse” are published in performing editions based on the musical text of the “Gabriel Faur – Œuvres complètes”.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding