Classical Solos for Baritone T.C., Vol. 2

Baritone T.C. Baritone T.C.; Piano Accompaniment (Baritone Treble Clef) 15 Easy Solos for Contest and Performance with Online Audio and Printable Piano Accompaniments. Composed by Various. Arranged by Philip Sparke. Essential Elements Band Folios. Classical. Softcover Media Online. 16 pages. Published by Hal Leonard

Baritone T.C. Baritone T.C.; Piano Accompaniment (Baritone Treble Clef) 15 Easy Solos for Contest and Performance with Online Audio and Printable Piano Accompaniments. Composed by Various. Arranged by Philip Sparke. Essential Elements Band Folios. Classical. Softcover Media Online. 16 pages. Published by Hal Leonard

Band baritone horn T.C. - Grade 3

SKU: KJ.W39TC

Composed by Bruce Pearson and Mary Elledge. Band method. Method Book. Neil A. Kjos Music Company #W39TC. Published by Neil A. Kjos Music Company (KJ.W39TC).

ISBN 9780849764141.

Festival Solos Books 1, 2, and 3, by Bruce Pearson, Mary Elledge, and Dave Hagedorn, are collections of outstanding solo arrangements of classic literature from master composers-ideal for contests, festivals, concerts, and private study. Each part book includes demonstration and play-along recordings, with a piano accompaniment book also purchasable separately.

SmartMusic, a MakeMusic subscription-based interactive assessment software program that provides students with instant performance feedback, is available for Festival Solos Books 1, 2, and 3. The Complete Assessment Manual (W39T) rubrics look to the SmartMusic score as one component of evaluation.

(15 Easy Solos for Contest and Performance). Arranged by Philip Sparke. For Baritone B.C. (Baritone Treble Clef). Instrumental Folio. Grade 2. Softcover with CD. Published by Hal Leonard

Concert band - Grade 4

SKU: MH.1-59913-064-5

Composed by William Ryden. Suitable for high school, community, and college bands. Conductor score and set of parts. Duration 2:45. Published by Manhattan Beach Music (MH.1-59913-064-5).

ISBN 9781599130644.

I wrote Galloping Ghosts (A Ragtime March) to conclude a concert of my chamber music in New York City on October 28, 1986. It is the final part of a work called Rags for Divers Players. This work was written to show the variety possible within the standard rag form. I used all the players available for the finale -- two violins, viola, cello, bass, flute, oboe, clarinet, horn, bassoon, and piano. Since this is a rather unusual instrumental combination and not easy to reassemble, I decided to rescore the work for concert band. Galloping Ghosts is written in a standard march form but incorporates many of the syncopations found in ragtime. The uniquely American music called ragtime traces its history to African rhythms brought over by slaves. Over the years this music became welded to European musical forms such as the quadrille and the march. Drums and banjos and the minstrel tradition lent a special flavor, and from all these elements ragtime slowly evolved within the largely unknown black subculture of the late 19th century. In the late 1890's it emerged as a fully developed form in the classic piano solos of Scott Joplin (1869-1917). Joplin's 1899 hit, Maple Leaf Rag, was an overnight sensation and brought ragtime worldwide fame. Ensemble instrumentation: 1 Piccolo, 8 Flute 1 & 2, 2 Oboe, 1 Eb Clarinet, 4 Bb Clarinet 1, 4 Bb Clarinet 2, 4 Bb Clarinet 3, 2 Eb Alto Clarinet, 3 Bb Bass & Bb Contrabass Clarinet, 2 Bassoon 1 & 2, 2 Eb Alto Saxophone 1, 2 Eb Alto Saxophone 2, 2 Bb Tenor Saxophone, 1 Eb Baritone Saxophone, 3 Bb Cornet 1, 3 Bb Cornet 2, 3 Bb Cornet 3, 2 Horn 1 & 2 in F, 2 Horn 3 & 4 in F, 4 Trombone 1 & 2, 4 Bass Trombone, 2 Baritone (B.C.), 2 Baritone (T.C.), 4 Tuba, 1 String Bass, 1 Timpani, 1 Xylophone, 3 Percussion 1, 3 Percussion 2.