Matériel : Partition
SKU: BR.OB-5562-15
The Missa in c was so dear to Mozart that he cited it as evidence of the reality of my vow to marry his beloved Constanze and to complete the only half-finished mass. Nevertheless, one of Mozart's greatest masterpieces remained a torso.
Have. Mass; Classical. Part. 20 pages. Duration 52'. Breitkopf and Haertel #OB 5562-15. Published by Breitkopf and Haertel (BR.OB-5562-15).
ISBN 9790004342282. 10 x 12.5 inches.
The Missa in c was so dear to Mozart that he cited it as evidence of the reality of my vow to marry his beloved Constanze and to complete the only half-finished mass. Nevertheless, one of Mozart's greatest masterpieces remained a torso. The Dutch music theorist, arranger, and musicologist Clemens Kemme closes the gap in this work by creating a new supplement, creatively and profoundly grounded and giving due respect to the composition, hence fulfilling that part of Mozart's vow after more than 200 years. This version is published by Breitkopf, complete with performance material, piano reduction, and study score. The edition is based on a meticulous re-examination of the sources for the completed sections and offersAddenda validated by authentic materialNew orchestration of the two Credo movements modeled on Handel and Bach as well as on Mozart's own music, e.g., the aria Se il padre perdei (Idomeneo)Reconstruction of the Sanctus for double chorus from secondary sources and models by Caldara and J. Chr. BachSections added in the score clear at first glance from their gray resolutionPreparation of the edition in close collaboration with Frans BruggenFirst performance of the version in 2006 by Bruggen with many subsequent performances, such as by the chorus of the Bavarian Radio under Peter Dijkstra (together with CD production) Kemme applies the same level of care and diligence shown in his 'Et incarnates est' and 'Osanna' reconstructions throughout the score, though these two movements truly set this edition apart from its predecessors. Careful awareness of eighteenth-century music theory and practices facilitate skillful and insightful interventions at every stage. The outcome is a highly refined and elegant take on the C-minor mass as Mozart left it. (Peter Keenan, Eighteenth-Century Music)Audio samples:10. Et incarnatus est: Claron McFadden (Soprano), Orchestra of the 18th Century, cond. Frans Bruggen (NOS Radio, 2006) 11. Sanctus: Chor des Bayerischen Rundfunks, Munchener Kammerorchester, cond. Peter Dijkstra (Sony, 2013)This edition represents the culmination of some eleven or so years of extensive research. It brings an exhaustive understanding of eighteenth-century practices and Mozart's stylistic habits to bear on the unfathomable task of replicating Mozart's style without impinging upon the tone of the work. The rigour with which Clemens Kemme has produced this edition of Mozart's abandoned mass is nothing but exceptional. (Peter Keenan, Eighteenth-Century Music).
SKU: BR.PB-5596-07
Have. Mass; Classical. Study Score. 188 pages. Duration 52'. Breitkopf and Haertel #PB 5596-07. Published by Breitkopf and Haertel (BR.PB-5596-07).
ISBN 9790004214060. 6.5 x 9 inches.
SKU: BR.PB-5562
Have. Mass; Classical. Full score. 188 pages. Duration 52'. Breitkopf and Haertel #PB 5562. Published by Breitkopf and Haertel (BR.PB-5562).
ISBN 9790004213728. 10 x 12.5 inches.
SKU: BR.OB-5562-16
Have. Mass; Classical. Part. 24 pages. Duration 52'. Breitkopf and Haertel #OB 5562-16. Published by Breitkopf and Haertel (BR.OB-5562-16).
ISBN 9790004342299. 10 x 12.5 inches.
SKU: BR.OB-5562-30
Have. Mass; Classical. Set of parts. 116 pages. Duration 52'. Breitkopf and Haertel #OB 5562-30. Published by Breitkopf and Haertel (BR.OB-5562-30).
ISBN 9790004342329. 10 x 12.5 inches.
SKU: BR.OB-5562-19
Have. Mass; Classical. Part. 20 pages. Duration 52'. Breitkopf and Haertel #OB 5562-19. Published by Breitkopf and Haertel (BR.OB-5562-19).
ISBN 9790004342305. 10 x 12.5 inches.
SKU: BR.OB-5562-26
Have. Mass; Classical. Part. 20 pages. Duration 52'. Breitkopf and Haertel #OB 5562-26. Published by Breitkopf and Haertel (BR.OB-5562-26).
ISBN 9790004342312. 10 x 12.5 inches.
SKU: BR.EB-8654
ISBN 9790004184882. 7.5 x 10.5 inches.
SKU: BR.OB-5562-11
Have. Mass; Classical. Part. 32 pages. Duration 52'. Breitkopf and Haertel #OB 5562-11. Published by Breitkopf and Haertel (BR.OB-5562-11).
ISBN 9790004343548. 10 x 12.5 inches.
SKU: BR.OB-5562-12
Have. Mass; Classical. Part. 24 pages. Duration 52'. Breitkopf and Haertel #OB 5562-12. Published by Breitkopf and Haertel (BR.OB-5562-12).
ISBN 9790004344460. 10 x 12.5 inches.
SKU: BR.PB-5596
SKU: UT.NAP-3R
ISBN 9790215323186. 7.7 x 10.6 inches.
P erformance Material on Hire[S olo: SSATB - Flautino.bFl.0.2.0.1 - 0.2.0.0 - Lute - Str - Bc]From the beginning of 1703 throughout the whole duration of his residency in Rome (prolonged until the end of 1708, with the exception of the Venetian visit), the composition of oratorios was one of the principal activities of Alessandro Scarlatti, who added to his already noteworthy output with the creation of new masterpieces. Among these Il giardino di rose – the subject of the present critical edition – stands out for its stylistic innovations as well as for its intrinsic musical qualities. Authoritative scholars have indicated for some time that this piece may be considered as one of the best compositions of the Palermitan musician; and recently Saverio Franchi (to whom we owe the first critical edition), as well as pointing to the beauty of the music, its fine expressive qualities, has drawn attention to its modernity, going as far as to consider the oratorio ‘an exemplary work, a model of European stature, to which Handel himself had to measure up in order to create his Resurrection Oratorio. This was performed (in 1708) barely a year after Il giardino di rose in the same place, for the identical occasion, and for the same commissioning patron, the Marchese Francesco Maria Ruspoli.
SKU: HL.132361
UPC: 884088971953.
Chopi n's Waltzes aroused controversy. They gained their peak in popularity through being treated by many as masterpieces, and held by others to be dangerous for salons. They are included (next to the nocturnes and the impromptus) in his feminine vein of creativity. Volume XI contains 8 of Chpoins Waltzes. There are variations to be found in the written text. The variations marked ossia were marked in this way by Chopin himself or written in his hand into his students copies; variations without this definition are derived from the context of the text in original versions or from inability to gain a singular interpretation of the text. The original titles of the Waltzes given in the music are given according to autographs. In first editions, where describing words, such as grande, brillante, nouvelle are probably freely added by publishers, in the opinions of the editors of WN.
SKU: AP.40469S
UPC: 038081454252. English.
This Haydn quartet movement is a powerful example of the Storm and Stress style (Sturm und Drang) favored by the composer in many of his famous symphonies. Set in the dark key of D minor, rhythmic and harmonic agitation propel the music forward as Haydn develops its four-note theme through a variety of methods. Both musicians and audience will be captivated by this chamber music masterpiece set for string orchestra with an added bass part to strengthen its harmonic movement, making this the perfect concert or contest closer for your orchestra. This title is available in MakeMusic Cloud.