Classic Guitar Method, Volume 1

This premier method for the beginning classical guitarist by one of the world's pre-eminent virtuosos and the recognized heir to the legacy of Andrés Segovia is now available with a CD! Guitarists will learn basicclassical technique by playing over 50 beautiful classical pieces 26 exercises and 14 duets and through numerous photos and illustrations. The method covers: rudiments of classical technique note reading and music theory selection and care of guitars strategies for effective practicing and much more! The CD includes 99 demonstration tracks.

La méthode Hal Leonard Classical Guitar est conçue pour tous ceux qui apprennent à jouer de la guitare classique. Ce guide complet et facile à utiliser, rédigé par le célèbre guitariste classique et professeur Paul Henry, utilise la musique des maîtres compositeurs pour approfondir votre compréhension du style et de la technique classiques. Le 2e volume comprend : la sonorité; la dynamique ; l\'étouffement ; la sixième corde accordée en ré ; les notes au-dessus de la position ouverte ; le déplacement de la main gauche ; les notes d\'agrément, les glissades et les articulations ; les harmoniques naturelles et artificielles ; les barrés complèts et partiels ; les trilles et les mordants ; les gammes à deux octaves ; le vibrato ; le contrepoint ; la révision de la technique de la main gauche et de la main droite ; les exercices de liaisons ; et plus encore ! Ce recueil comprend également l\'accès à plus de 50 pistes audio pour la démonstration et l\'accompagnement. L\'accès aux fichiers audio se fait en ligne à l\'aide du code unique qui se trouve dans le livre et peut être écouté en continu ou téléchargé. Les fichiers audio comprennent PLAYBACK , un lecteur audio multifonctionnel qui vous permet de ralentir l\'audio sans modifier la hauteur, de définir des points de boucle, de changer de tonalité et d\'effectuer un panoramique à gauche ou à droite. / Méthodes et pédagogie / Guitare / Guitare acoustique / HAL LEONARD

Par BAY MEL. Complète en trois volumes, ce texte largement utilisé présente instruction de guitare classique d'une manière claire et logique. L'étudiant est fondée sur fond à gauche et à droite des études techniques et connaît les oeuvres des maîtres. Dans la notation. / Niveau : Débutant / Classic - Methods / Méthode / Guitare Classique

Le volume final dans la série d'anthologie de guitare de Frederick Noad nous amène jusqu'à la période romantique, avec des oeuvres de Jose Ferrer, Napoléon Coste, Francisco Tarrega et beaucoup d'autres. / Guitare / 128 pages / Partition Cd

for Teaching and Private StudyContent : Contents of the book: - Preface - The Author - Text Styles Used in This Book - About this CD - Posture - The Sound of the Flamenco Guitar - Gingerlabelling - Rasgueo - One-Finger-Rasgueo - 3-Finger-Rasgueo - 4-Finger-Rasgueo - Continuing Rasgueo - Pulgar - Pulgar and ima-Downstroke - Pulgar and Rasgueo - Remate - Pulgar-Downstroke - Ayudado - Golpe - Golpeador - i- and p-Downstroke with Golpe - m-Golpe with Downstroke - The Rumba-Stroke - Tresillos - a-m-i-p-Rasgueo - Guitarra Flamenca - Guitarreros - Guitarreros actual - La Cejilla - Guitarristas actual - Unas - Palmas - Compás - Modo Dórico - Glossary - Contents of Volume 2 - Adresses - . - Contents of the DVD: - Lesson 1: - Rasgueado - Punteado - Sencillos I (Tangos) - 3-Finger-Rasgueado - Estudio por Soleá - 4-Finger Rasgueado - Sencillos II (Tangos) - a-m-i-i-Rasgueo - Naino I (Tangos) - . - Lesson 2: - Pulgar - Naino II (Tangos) - Naino III (Tangos) - Naino IV (Tangos) - Remate - Mantón (Soleá) - Ayudado - Caí (Alegrías en Do) - Ayudado I - Ayudado II - Rumbita I (Rumba) - . - Lesson 3: - Golpe - a-Golpe - Mantón II (Soleá) - i- and p-Downstroke with Golpe - i-Downstroke with Golpe (Garrotín) - p-Downstroke with Golpe and p-Upstroke (Garrotín) - Naino V (Tangos) - m-Golpe - Quejío I (Taranto) - m-Golpe with Downstroke - The Rumba-Stroke - Rumba-Compás I - Rumba-Compás II - Rumba-Compás III - Rumba-Compás IV - Rumba-Compás V - Rumba-Compás VI - . - Lesson 4: - Tresillo I - Tresillo II - Tresillo III - Tresillo IV - Tangos-Compás with Tresillos - Soleá-Compás with Tresillos I - Soleá-Compás with Tresillos II - Soleá-Compás with Tresillos III - Soleá-Compás with Tresillos IV - Fandango de Huelva (Intro) - Fandango de Huelva (Copla) - Sevillanas (Intro) - Sevillanas - Paso Lento (Alegrías) - Mantón III (Soleá) - . - El Compas: - Menu - Alegrías - Soleares - Bulerías - Fandangos - Guajiras - Petenera - Siguiriyas

Book 1-Charles Duncan. This multi-volume method was developed to allow students to study the art of classical guitar within a new more contemporary framework. For private class or self-instruction. Book One features an all-new formatthat incorporates chord frames and symbols as well as a record to assist in tuning and to provide accompaniments for at-home practise. Book One also introduces beginning finger-board technique and music theory. Book Two and Threebuild upon the techniques learned in Book One.

Méthode progressive, vol. 1 (franCais / english / español)64 p., Niveau 1Une nouveauté aux Productions d'Oz, forts actives dans le domaine de la pédagogie pour guitare. ConCue pour être utilisée avec un professeur, la Méthode progressive pour guitare de Claudio Camisassa se démarque des autres ouvrages pour guitaristes débutants. De très nombreux morceaux sur les cordes à vides (une quinzaine de pages) permettent à l'élève de se concentrer sur l'acquisition d'un bonne technique de main droite, seul le pincé étant abordé dans ce premier volume. La méthode qui s'appuie sur un répertoire original écrit par Claudio Camisassa, comporte de nombreux duos pour l'éléve et le professeur et, surtout pour l'éléve, un accompagnement optionnel en accord ou en arpèges des mélodies travaillées. Deux pages d'exercices journaliers simples mais réellement efficaces, accompagnées d'indications précises sur Ies techniques de jeu, complètent cette méthode au chemin pédagogique efficace et rigoureux.(FranCois Nicolas, Guitare Classique, 2e trimestre 2002)This well-presented volume takes students from the very beginning with four main objectives of Classical Guitar Magazine developing technique, sight-reading, basic chord accompaniments and duo playing, and assumes the student is working with a teacher. It is very methodical, beginning with photographs of hand positions etc, and gives explanations of both rest and free stroke from the start. The first musical examples are open string melodies with added chord symbols with plenty of varied exampIes, and blank staves are given for note-writing exercises and also for aural tests, both of which are useful ideas for reinforcing general musical understanding. Apart from chord symbols, the left hand is first introduced with natural harmonics at the twelfth fret in an effective two-part exercise Carillon, which requires right fingers and thumb. Combinations of open strings and right-hand arpeggios follow and the opening section is brought to a natural close with Valse des Harmoniques - nicely shaped and quite complex with its use of natural harmonics, but a bit over-long. Camisassa now introduces notes on each string, in turn, in first position, and more complex arpeggio patterns, illustrated by pieces utilising each new group of notes. 2-guitar arrangements of tunes including Frere Jacques and Au Clair de la lune and Alouette, gentille alouette work quite weIl with straightforward accompaniments. I liked Camisassa's Tango, and Recuerdo de mi infanta, a two-part milonga reminiscent of Cardoso. Favourites such as Greensleeves and Malaguena are also included, and there are many pieces by Camisassa included which aim to enforce musical ideas. I found the way this book progresses, and the technical and musical aspects it teaches, very good and very thorough. I found myself using it a lot as supplementary material to demonstrate technical points and for sight-reading. However, the majority of pieces written by Camisassa did not inspire me musically and would need to be supplemented with pieces of more characterful musical interest, particularly for young players, but this volume does have much to offer.(Linda Kelsall Barnett, Classical Guitar Magazine, June 2002) / Guitare

La William Leavitt Modern Method for Guitar (textes en anglais), utilisée comme base du programme de guitare du Berklee College of Music, a résisté à l'épreuve du temps et a obtenu un grand nombre d'adeptes parmi les étudiants et professeurs de guitare. À la demande générale, Berklee Press a créé une compilation des volumes d'origine (1, 2 et 3), y compris toutes les pistes audio et vidéo. À présent, les étudiants et les professeurs de guitare, de niveau débutant à avancé, auront l'avantage de progresser à travers les trois volumes de cette méthode de guitare classique dans un seul livre. La mélodie, l'harmonie et le rythme sont enseignés petit à petit par le biais de solos, duos et exercices innovants. Cette édition contient des fichiers audio et vidéo produits par les étudiants de William Leavitt, Charles Chapman et Larry Baione (successeur au président du département de guitare de Berklee), illustrant les exemples et proposant des pistes d'accompagnement pour les exercices d'ensemble.

Preludio contains 130 easy attractive performance pieces from six centuries, thus offering the most important pieces for beginners' guitar lessons in one comprehensive volume. The repertoire is ideal for first performances at music schools, as pieces for competitions and examinations or just as a 'treasure trove' for teachers, pupils, students, and guitar lovers.The selected pieces can be played in the second to fourth year of guitar lessons. They are divided chronologically into five chapters and arranged progressively according to their level of difficulty. Each chapter refers to another epoch: Renaissance - Baroque - Classical period - Romanticism and early 20th century - modern, pop and world music. The result is a tune book which can already be used during or immediately after studying any guitar method.Most pieces can be played in the 1st and 2nd positions, without requiring any barré fingering or ties and slurs. The somewhat more difficult pieces that require small and large barré fingering as well as position playing are placed at the end of each chapter.The majority of the pieces are original works, and the editors have refrained from making any radical simplifications. Only a few difficult passages have alternatively been made easier to play such that the level of difficulty within a piece does not vary too much. / Guitare

This approach really works. It holds my student's interest. These are typical comments on the effectiveness of William Bay's Guitar Class Method. As no other instrument lends itself to so many moods and styles of music (blues folk rock country classical flamenco jazz etc.) playing the guitar as a popular mode of expression and the instrument itself have become an integral part of American life. The Guitar Class Method was written with the hopeit would expand the range of people of all ages who would be exposed to the guitar through a meaningful authoritative method that is easy to follow. Volume 1 of this method for individual or group study offers an overview ofthe various styles of guitars and playing techniques with advice on purchasing and caring for the instrument selecting guitar strings and playing positions. Includes special sections devoted specifically to chord strumming blues structure and style fingerstyle technique note reading and music theory. The individual sections can be used simultaneously in any order to take the class in any direction it wants. Written in standard notation andtablature with chords presented in both diagram and photo format. Lyrics are included for many songs and a few melodies are presented as duet arrangements.

If you have ever been left feeling dazed and confused by the sheer volume and variety of guitar methods to choose from, or simply put off by the amount of text to wade through before you even start playing, then this book is exactly what you need. Using pictures and diagrams to show you the essentials, here is the most simple and direct way to start playing the guitar - immediately! Perfect for the absolute beginner, no prior musical knowledge or experience is required as you progress effortlessly from tuning and finger positions to basic chords and strumming. In fact, the Picture Guide To Playing Guitar will have you playing classic songs by the likes of Chuck Berry, The Beatles and T. Rex within minutes! There really is no easier way, without delay, to become a musician - today! / Guitare

Confused by the sheer volume and variety of guitar methods to choose from? Baffled by impossible to follow and complicated tutors? Then this is definitely the book for you! This book and CD combination is perfect for complete beginners as it requires no prior knowledge or experience and you will be surprised how quickly you progress through tuning, finger positions and basic chords to learn your first riffs and lead guitar lines. Over 300 colour pictures and diagrams, a clear approach which is both logical and interesting and a selection of classic songs and riffs form a wonderful tutorial. / Guitare

Revidierte Neuausgabe von Michael Koch. DIE NEUE GITARRENSCHULE by Heinz Teuchert is one of the most successful methods for classical guitar in German. Since it was first published in 1983, the guitar technique has evolved in many respects so that the need of a revised edition has become more and more evident. Prof. Michael Koch has taken up this mission and now presents the revised method in two volumes: the texts, parts of the playing material, and the appearance of the books have been modernized while preserving Teuchert’s methodical approach and the underlying structure of the method. One of its strengths is the diversity in terms of playing techniques and musical styles – not only solo playing but also fingerpicking styles, flamenco techniques, and song accompaniment are taught. The BOOK+CD+AUDIO ONLINE packs also feature demonstration and play-along recordings of many pieces included in the books. / Niveau : Facile / Méthode / Méthode / Guitare

If you have ever been left feeling dazed and confused by the sheer volume and variety of guitar methods to choose from, or simply put off by the amount of text to wade through before you even start playing, then this book is exactly what you need. Using pictures and diagrams to show you the essentials, here is the most simple and direct way to start playing the guitar - immediately! Perfect for the absolute beginner, no prior musical knowledge or experience is required as you progress effortlessly from tuning and finger positions to basic chords and strumming. In fact, the Picture Guide To Playing Guitar will have you playing classic songs by the likes of Chuck Berry, The Beatles and T. Rex within minutes! There really is no easier way, without delay, to become a musician - today! Arthur Dick is a session guitarist, author and teacher with over twenty years' experience. He has worked with Cliff Richard, Selena Jones, Barbara Dickson, Helen Shapiro, Susan Maughan, Bernie Flint, Chris Rea and Davy Jones, amongst others, as well as performing in many West End stage shows. He currently lectures on jazz and contemporary guitar at Goldsmith's College, University of London. / Guitare