Citations

SKU: HL.48185263

UPC: 888680859275. 9.0x12.0x0.267 inches.

Henri Dutilleux (1916-2013) was greatly influenced by his contemporaries, Ravel, Debussy and Roussel, yet implemented his own, unique style. His Citations for Oboe, Harpsichord, Double Bass and Percussion is unusual but still widely performed. This Dutilleux piece was first published in 1985, however the composer made two revisions, in 1991 and 2010. Citations is unusual in instrumentation, tonality, rhythm and structure, and exploits the extended techniques of all the instruments. The two movements of this 1995 publication are, 1) For Aldeburgh, and 2) From Janequin to Jehan Alain. Dutilleux's Citations remains popular to this day and is an exciting piece for performers and audiences alike..

SKU: HL.48185422

SKU: CA.3124780

ISBN M-007-25021-8. German.

Despite many newly-composed interpolations, ranging from stylistic copies to modern interpretations, performing the Gospel text in Bach's lost St. Mark Passion continues to present many challenges for performers. With his recitations for narrator, gamba, and cello, Peter Uehling has found a way of maintaining the musical flow, while nevertheless preserving the fragmentary character of the work. The reduced musical language of the recitations places, so to speak, bare walls between Bach's colorful figured tonal language. An important point for performance: despite the free tonal harmony, the recitations lead convincingly into the opening notes of the chorales. The cello part comprises also all the other pieces from the St. Mark Passion Carus 31.247. Score available separately - see item CA.3124700.

SKU: CA.3124789

ISBN M-007-25239-7. German.

Despite many newly-composed interpolations, ranging from stylistic copies to modern interpretations, performing the Gospel text in Bach's lost St. Mark Passion continues to present many challenges for performers. With his recitations for narrator, gamba, and cello, Peter Uehling has found a way of maintaining the musical flow, while nevertheless preserving the fragmentary character of the work. The reduced musical language of the recitations places, so to speak, bare walls between Bach's colorful figured tonal language. An important point for performance: despite the free tonal harmony, the recitations lead convincingly into the opening notes of the chorales. The cello part comprises also all the other pieces from the St. Mark Passion Carus 31.247. Score and parts available separately - see item CA.3124700.

SKU: GI.WAS22

Word & Song is a subscription-based resource. For information on quantity pricing , contact Suzanne Orland, Sales and Customer Relationship Manager at 708.552.9815 or email hymnalsandmissals@giamusi c.com  Word & Song is the resource of choice for energetic and vibrant parishes. This comprehensive annual volume provides the ease-of-use of a missal and the repertory of a hymnal and songbook under one durable cover. No extra charge for readings. No extra charge for weekdays. Word & Song continues to be the most complete and most affordable one-volume annual available. Readings and Sacramentary prayers, responsorial psalms and gospel acclamations, and Entrance and Communion antiphons are provided for Sundays and Holy Days. The weekday section includes scripture citations, Entrance and Communion antiphons, and Psalm Responses. Even texts for Optional Memorials are included. The generous 6 X 9 format is easy to hold and easy to read. Scripture texts are even printed in larger type. Word & Song includes the core Catholic musical repertory your parish needs, as well as a wider selection of contemporary music for worship. More than 700 musical items are included every year. The annual format of Word & Song ensures that your community will always have an up-to-date liturgical resource containing the best in contemporary music! For more information, to request a sample copy, or to place an order, contact our Sales and Customer Relationship Manager, Suzanne Orland at suzanneo@giamusic.c om Click here for more detailed information or to download the most current indexes for this publication.

SKU: GI.G-006612

UPC: 641151066127. English.

Here you'll find introductions to each liturgical sesaon, citations for the readings for the Sundays, feasts, and solemnities of the liturgical year, reflections and responses, discussion questions in a separate section for group leaders, and a handy liturgical reference calendar. Pre-formatted, easy-to-introduce pages are also found on the CD-ROM as word processing files that can be edited and included in parish publications like bulletins, newsletters, and handouts.

SKU: GI.G-4807

An aid to preparing meaningful, prayerful children’s non-eucharistic liturgies. Ideas on how to prepare the children and worship space, organize processions, and incorporate music—plus checklists. “Order of Worship” section resembles Sacramentary for easy use by the presider and includes music suggestions, citations to Roman Missal and alternative prayers. Homily and mystagogy suggestions also included.

SKU: GI.G-006190

UPC: 641151061900. Spanish.

Looking for a better way to bring the Sunday scriptures to life in your parish bulletins? In this book and on the enclosed CD-ROM you will find‚ Catechetical reflections on the readings for the Sundays, feasts, and solemnities of Year B of the Lectionary ‚ High-resolution art in black and white for each Year B Sunday and feast ‚ Attractively pre-formatted, easy-to-reproduce pages with both art and reflections ‚ Citations for the readings for every Sunday and feast ‚ Bonus section on the CD with a full-color version of each image Text from the book's pages is also found on the CD as word processing files that can be edited and included in any of your parish publications. Art from the book is provided in handy image files to use for your bulletin covers or wherever a picture will add that something extra. Desea una mejor manera de dar vida a las lecturas dominicales en sus boletines parroquiales? Encontrara en estas paginas y en el CD-ROM. Reflexiones catequéticas sobre las lecturas para los domingos, fiestas, y solemnidades del Ano B. Paginas que han sido atractivamente performateados, faciles de reproducir que contienen arte y reflexiones. Citas para las lecturas de cada domingo y fiesta. Sección extra en el CD con una versión de cada imagen a todo color. También encontrara texto de las paginas del libro en el CD que puede llevar a un procesador de palabras para adaptarlas e incluirlasen cualquiera de las publicaciones de su parroquia. Se incluye arte grafico del libro en archivos com imagenes faciles de usar para las cubiertas de sus boletines o dondequiera que us grafico pueda agregar ese toque especial.

SKU: BT.DHP-1195844-130

English-German-French- Dutch.

I Shall Love But Thee is an occasional work in the literal sense of the word, since it was originally written on the occasion of the composer’s youngest son’s wedding. The texts, by William Shakespeare, inspired Jan Van der Roost to compose profound and appealing music, largely in the style of Henry Purcell (in the first part) and Georg Friedrich Handel (in the second part)—although no literal quotations have been used. The rather rare combination of soprano and brass band makes this piece a unique addition to the repertoire!

I Shall Love But Thee is in de letterlijke zin van het woord een gelegenheidswerk, want het werd oorspronkelijk geschreven naar aanleiding van het huwelijk van de jongste zoon van de componist. De teksten zijn van William Shakespeare: Jan Van der Roost werd erdoor ge nspireerd tot het creëren van indringende en aansprekende muziek, die in stilistisch opzicht doet denken aan Henry Purcell (in het eerste deel) en Georg Friedrich Händel (in het tweede deel), twee componisten die op teksten van Shakespeare hebben gecomponeerd ook al zijn er geen letterlijke citaten gebruikt. De vrij zeldzame combinatie van sopraan en brassband maakt dit werk een unieke aanwinst voor hetrepertoire!

I Shall Love But Thee ist ein Gelegenheitswerk im eigentlichen Sinn, denn der Komponist hat es ursprünglich aus Anlass der Hochzeit seines jüngsten Sohnes geschrieben. Die Texte stammen von William Shakespeare und haben Jan Van der Roost dazu inspiriert, eine tiefgründige und ansprechende Musik im Stil der großen Meister zu komponieren. Stilistisch erinnert sie an Henry Purcell (im ersten Teil) und an Georg Friedrich Händel (im zweiten Teil), auch wenn keine literarischen Zitate verwendet wurden. Durch die eher seltene Kombination von Sopran und Brass Band stellt das Stück eine einzigartige Bereicherung für das Repertoire dar!

I Shall Love But Thee est une « œuvre d’occasion » dans l’un des sens littéraux du mot, puisqu’elle fut écrite l’occasion du mariage du fils cadet du compositeur. Les textes de William Shakespeare ont inspiré Jan Van der Roost écrire de la musique profonde et attrayante qui, au niveau du style, nous rappelle Henry Purcell (dans la première partie) et Georg Friedrich Haendel (dans la deuxième moitié), deux compositeurs qui ont mis en musique des textes de Shakespeare, bien qu’on n’y retrouve pas de citations littérales. Cette œuvre unique au regroupement plutôt rare de soprano et brass band va enrichir votre répertoire !

SKU: LM.C05799

SKU: AP.6-431886

ISBN 9780486431888. English.

A solid grounding in musical techniques of the seventeenth and eighteenth centuries is essential to a complete understanding of Baroque music. As scholar Denis Stevens says in his introduction to this work, Full enjoyment will come only when the soloist learns the gentle art of tasteful embellishment of a melodic line, and when continuo players learn that their role is perhaps the most important in the entire ensemble. Arnold's legendary work is a comprehensive survey of its topic, covering every issue of significance to today's performer.

The text is fully amplified with numerous musical examples, authoritative citations, scholarly interpretations and syntheses, and the author's own conclusions. An inexhaustible collection of source material for the musicologist as well as an indispensable companion for conductor, editor, or performer. Unabridged republication of the first edition (1931), originally published by Oxford University Press. Introduction to the Dover edition by Denis Stevens. First of two volumes.

SKU: BT.DHP-1195844-030

English-German-French- Dutch.

I Shall Love But Thee is an occasional work in the literal sense of the word, since it was originally written on the occasion of the composerâ??s youngest sonâ??s wedding. The texts, by William Shakespeare, inspired Jan Van der Roost to compose profound and appealing music, largely in the style of Henry Purcell (in the first part) and Georg Friedrich Handel (in the second part)â??although no literal quotations have been used. The rather rare combination of soprano and brass band makes this piece a unique addition to the repertoire!

I Shall Love But Thee is in de letterlijke zin van het woord een gelegenheidswerk, want het werd oorspronkelijk geschreven naar aanleiding van het huwelijk van de jongste zoon van de componist. De teksten zijn van William Shakespeare: Jan Van der Roost werd erdoor ge nspireerd tot het creëren van indringende en aansprekende muziek, die in stilistisch opzicht doet denken aan Henry Purcell (in het eerste deel) en Georg Friedrich Händel (in het tweede deel), twee componisten die op teksten van Shakespeare hebben gecomponeerd ook al zijn er geen letterlijke citaten gebruikt. De vrij zeldzame combinatie van sopraan en brassband maakt dit werk een unieke aanwinst voor hetrepertoire!

I Shall Love But Thee ist ein Gelegenheitswerk im eigentlichen Sinn, denn der Komponist hat es ursprünglich aus Anlass der Hochzeit seines jüngsten Sohnes geschrieben. Die Texte stammen von William Shakespeare und haben Jan Van der Roost dazu inspiriert, eine tiefgründige und ansprechende Musik im Stil der gro�en Meister zu komponieren. Stilistisch erinnert sie an Henry Purcell (im ersten Teil) und an Georg Friedrich Händel (im zweiten Teil), auch wenn keine literarischen Zitate verwendet wurden. Durch die eher seltene Kombination von Sopran und Brass Band stellt das Stück eine einzigartige Bereicherung für das Repertoire dar!

I Shall Love But Thee est une « Å?uvre dâ??occasion » dans lâ??un des sens littéraux du mot, puisquâ??elle fut écrite lâ??occasion du mariage du fils cadet du compositeur. Les textes de William Shakespeare ont inspiré Jan Van der Roost écrire de la musique profonde et attrayante qui, au niveau du style, nous rappelle Henry Purcell (dans la première partie) et Georg Friedrich Haendel (dans la deuxième moitié), deux compositeurs qui ont mis en musique des textes de Shakespeare, bien quâ??on nâ??y retrouve pas de citations littérales. Cette Å?uvre unique au regroupement plutôt rare de soprano et brass band va enrichir votre répertoire !

SKU: GI.G-006499

We Celebrate is a flexible resource that combines a large-size, always up-to-date missal with a complete, beautifully softbound hymnal. We Celebrate provides parishes with the finest in texts and music—in a format that offers the right combination of stability and flexibility for quality parish worship. This is the worship program for the parish with the highest standards. The We Celebrate Missal contains all of the readings and prayers for Sundays and Holy Days. Each issue provides catechetical tools to help worshipers participate more fruitfully in the liturgy and to draw connections between liturgy and life: insightful introductions to the Sunday scriptures, weekly questions for individual or group reflection, and an article introducing the liturgical season. The generous 6 X 9 size is easy to hold and easy to read. Scriptures are printed in an even larger type. Weekdays are an important part of the We Celebrate missal. Lectionary citations are provided, as well as Entrance and Communion antiphons, complete responsorial psalms, and gospel acclamations with verses. Also included are orders of service for rites and devotions, Morning and Evening Prayer, Communal Reconciliation, and seasonal celebrations. Misalito Parroquial, a Spanish-language section of Lectionary readings, prayers, and hymnody is available as an insert to the We Celebrate Missal. We Celebrate Hymnal includes Peter Kolar's acclaimed bilingual Mass setting, Misa Luna, and Kathleen Demny's‚ best-selling Mass for children, Mass of Joy. The We Celebrate Hymnal is published every three years and contains more than 850 musical pieces, including hymns, songs, psalms, and ritual music. The Hymnal provides a body of repertory available throughout the year, while the Missal provides the best of new music. Although designed to coordinate with the We Celebrate Missal, the Hymnal can serve as a complete resource itself or as a companion to any missal, including Seasonal Missalette® and Celebremos!/Let Us Celebrate! For more information contact our Sales and CRM Manager, Suzanne Orland at (hymnalsandmissals@giamus ic.com) for pricing.

SKU: BT.AMP-417-130

English-German-French- Dutch.

Second to None is a perfectly suitable title for this work, though it actually refers to “Nulli Secundus”, the motto of the British Corps of Army Music, who gave the commission to Philip Sparke. The piece opens with a fanfare, followed by two short quotes from two of the Corp’s own marches and a festive Vivace. A more legato central section creates a nice contrast before the work closes with the opening fanfare. A perfect affair!

De titel Second to None past heel goed bij dit werk, maar verwijst eigenlijk naar ‘Nulli Secundus’, het motto van British Army Corps of Music, het orkest dat Philip Sparke de opdracht voor dit werk gaf. Second to None opent met een fanfare. Daarna volgen twee korte citaten uit twee van de eigen marsen van het orkest en een feestelijke Vivace. Een meer legato deel creëert een mooi contrast voordat het werk wordt afgesloten met de openingsfanfare. Van begin tot einde prachtig!

Secon d to None (Unübertroffen“) wurde zum 20-jährigen Jubiläum der britischen Armee komponiert. Das feierliche Werk honoriert die musikalische Tradition des Corps, indem es auf einige seiner eigenen berühmten Märsche, wie beispielsweise The Corps of Army Music Slow March (Greg Machin) und The Music Makers (Ian Mitchell), anspielt. Second to None kann auch in einer kürzeren Fassung gespielt werden und ist ein ideales Eröffnungsstück für jedes festliche Konzert.

Second to None est un titre qui convient parfaitement ce morceau, même s’il fait en fait référence « Nulli Secundus », la devise du British Corps of Army Music, l'orchestre qui a fait la commande auprès de Philip Sparke. La pièce commence par une fanfare, suivie de deux citations courtes de deux de leurs propres marches, et un Vivace festif. Une section plus legato crée un beau contraste avant la fin où la fanfare du début est répétée. Parfait !

Second to None was composed for the celebration of the 20th anniversary of the British Army Corps. Paying tribute to the musical tradition of the Corps, this celebratory work refers to some of its own famous marches like The Corps of ArmyMusic Slow March (Greg Machin) and The Music Makers (Ian Mitchell). Second to None - which can also be played in a shorter version - is an ideal opener for any festive concert.

SKU: GI.G-006424-P1

We Celebrate is a flexible resource that combines a large-size, always up-to-date quarterly missal with a complete, beautifully softbound hymnal. We Celebrate provides parishes with the finest in texts and music—in a format that offers the right combination of stability and flexibility for quality parish worship. This is the worship program for the parish with the highest standards. The We Celebrate Quarterly Missal contains all of the readings and prayers for Sundays and Holy Days. Each issue provides catechetical tools to help worshipers participate more fruitfully in the liturgy and to draw connections between liturgy and life: insightful introductions to the Sunday scriptures, weekly questions for individual or group reflection, and an article introducing the liturgical season. The generous 6 X 9 size is easy to hold and easy to read. Scriptures are printed in an even larger type. Weekdays are an important part of the We Celebrate missal. Lectionary citations are provided, as well as Entrance and Communion antiphons, complete responsorial psalms, and gospel acclamations with verses. Also included are orders of service for rites and devotions, Morning and Evening Prayer, Communal Reconciliation, and seasonal celebrations. Misalito Parroquial, a Spanish-language section of Lectionary readings, prayers, and hymnody is available as an insert to the We Celebrate Quarterly Missal. We Celebrate Hymnal includes Peter Kolar's acclaimed bilingual Mass setting, Misa Luna, and Kathleen Demny's‚ best-selling Mass for children, Mass of Joy. The We Celebrate Hymnal is published every three years and contains more than 850 musical pieces, including hymns, songs, psalms, and ritual music. The Hymnal provides a body of repertory available throughout the year, while the Missal provides the best of new music. Although designed to coordinate with the We Celebrate Missal, the Hymnal can serve as a complete resource itself or as a companion to any missal, including Seasonal Missalette and Celebremos!/Let Us Celebrate!. For more information contact our Sales and CRM Manager, Suzanne Orland at 708-613-8981 or email (suzanneo@giamusic.com for pricing. Click on this link to view music index pages from the We Celebrate Hymnal. .

SKU: GI.G-000701

WLP's Pray Today series is an inspiring collection of travel-sized books ideal for prayer and meditation among all groups of Catholics—parish musicians, clergy, worship committees, RCIA directors and candidates, ministers of the sick, those who are suffering from illness, and of course, everyday Catholics. The prayers inside each book are completely unique and written from the author's heart. Many provide scripture citations and are ordered by liturgical season. Plus, the affordable price makes these ideal gifts for the entire parish. Quantity Discount Pricing: (to get quantity discount pricing please call our customer service department) 1–4 copies $6.00 each 5–24 copies $5.00 each 25–49 copies $4.00 each 50+ copies $3.00 each.

SKU: BT.HITPCBACHVOL01

Au travers d’un voyage musical et du thème de la filiation, ce recueil propose la découverte de Jean-Sébastien Bach et de ses enfants. Toutes les pièces présentées sont doigtées et de tous niveaux. Progression chronologique des pièces entrecoupées d’épisodes biographiques, d’anecdotes, de citations, de reproductions de manuscrits du compositeur, ainsi qu’une classification des oeuvres. En somme, ce qu’il faut pour tout pianiste souhaitant se forger une connaissance intime du compositeur tout en se faisant plaisir.

SKU: BT.AMP-417-140

English-German-French- Dutch.

Second to None is a perfectly suitable title for this work, though it actually refers to “Nulli Secundus”, the motto of the British Corps of Army Music, who gave the commission to Philip Sparke. The piece opens with a fanfare, followed by two short quotes from two of the Corp’s own marches and a festive Vivace. A more legato central section creates a nice contrast before the work closes with the opening fanfare. A perfect affair!

De titel Second to None past heel goed bij dit werk, maar verwijst eigenlijk naar ‘Nulli Secundus’, het motto van British Army Corps of Music, het orkest dat Philip Sparke de opdracht voor dit werk gaf. Second to None opent met een fanfare. Daarna volgen twee korte citaten uit twee van de eigen marsen van het orkest en een feestelijke Vivace. Een meer legato deel creëert een mooi contrast voordat het werk wordt afgesloten met de openingsfanfare. Van begin tot einde prachtig!

Secon d to None (Unübertroffen“) wurde zum 20-jährigen Jubiläum der britischen Armee komponiert. Das feierliche Werk honoriert die musikalische Tradition des Corps, indem es auf einige seiner eigenen berühmten Märsche, wie beispielsweise The Corps of Army Music Slow March (Greg Machin) und The Music Makers (Ian Mitchell), anspielt. Second to None kann auch in einer kürzeren Fassung gespielt werden und ist ein ideales Erönungsstück für jedes festliche Konzert.

Second to None est un titre qui convient parfaitement ce morceau, même s’il fait en fait référence « Nulli Secundus », la devise du British Corps of Army Music, l'orchestre qui a fait la commande auprès de Philip Sparke. La pièce commence par une fanfare, suivie de deux citations courtes de deux de leurs propres marches, et un Vivace festif. Une section plus legato crée un beau contraste avant la fin où la fanfare du début est répétée. Parfait !

Second to None (Secondo a nessuno) è un titolo perfetto per questo lavoro, anche se in realt si riferisce a “Nulli Secundus”, il motto del British Corps of Army Music, che lo ha commissionato a Philip Sparke. Il brano si apre con una fanfara, seguita da due brevi citazioni, prese da due delle marce del Corpo e da un gioioso Vivace. Una sezione centrale, che da più spazio al legato, crea un piacevole contrasto con la fanfara iniziale prima della chiusura del brano. Un connubio perfetto!