Matériel : Reduction
SKU: ST.H480
ISBN 9790220223846.
Time d to exploit the centenary of his best pupil, Benjamin Britten, Frank Bridge's reissued Capriccios for Piano Nos.1 and 2 of 1905 come up fresh as paint: Stainer & Bell's front cover alone - reproducing Panini's elaborate 1758 painting Capriccio of Rome - is worth long study. No 1 sounds like Moszkowski; No 2 (a better piece) is more typical, recalling Bridge's own Rosemary and The Sea, and contains some chords silently depressed and exposed by re-pedalling. ***** Showy and effective, and most recommendable.
SKU: SU.50033900
Op. 44bisCopyright 1994. Published by: Seesaw Music.
SKU: UM.16336
ISBN 9790224416336.
SKU: SU.00220622
This CD Sheet Music collection on USB Flash Drive brings together the wealth of Johannes Brahms's music for one and two pianos. Includes: Ballades, Capriccios, Hungarian Dances, Intermezzos, Rhapsodies, Fantasies, Concertos, Sontatas, Variations, Waltzes, Liebeslieder Waltzes, transcriptions, cadenzas, and more Also includes composer biographies and relevant articles from the 1911 edition of Grove's Dictionary of Music and Musicians 1000+ pages Published by: CD Sheet Music.
SKU: HL.50571508
SKU: HL.50573695
SKU: HL.50584680
SKU: VD.ED25204
ISBN 9790202012048. 11.69 x 8.26 inches.
SKU: BT.DMP112117
SKU: HL.50565301
POUR VIOLON ET ORCHESTRE.
SKU: VD.ED12586
ISBN 9790202025864. 12 x 9 inches.
SKU: VD.ED17530
ISBN 9790202035306. 12 x 9 inches.
SKU: CA.5023500
ISBN 9790007087524.
SKU: HL.322832
ISBN 9781540070012. UPC: 888680976644. 8.5x11.0x0.203 inches.
Program Notes: Charango Capriccioso for piano and string quartet was written in 2016. It is based on a previous version of the work which was commissioned by the Austin Chamber Music Center, where it was premiered on July 11, 2006 by Cuarteto Latinoamericano, Felicity Coltman, Heather Coltman and Margaret Coltman. The previous version is scored for piano 4-hands, string quartet and a second cello. As with many of my works, Charango Capriccioso reflects on South America and its history. The work opens with a mysterious theme, which - in an enigmatic tongue - seems to invite us to a remote place high in the Andes. The piano and later the solo viola take us to a quiet beautiful landscape where soon the solo viola meditates about the sad events that took place there starting with the Spanish conquest. A charango (suggested by the piano) introduces an Andean-inspired upbeat theme which gains momentum after dancing through shifting rhythms and colorful orchestrations. At this point, the engimatic theme returns with a new, almost disturbing character. Before the dance flies out of control, the solo cello reappears with the meditative theme as distant bells (played by the piano) restore the peace. Miguel del Aguila.