Brandenburg Concerto, No. 3 G major, BWV 1048

(Brandenburg Concerto No. 3 in G Major, BWV 1048 , Mvt. 1. Composed by Johann Sebastian Bach. Arranged by Larry Clark. Harmony. Score. Excelcia Music Publishing #HSO2305FS. Published by Excelcia Music Publishing

Violin 2 (3vl.3va.3vc.db - bc)

SKU: BR.OB-4065-16

Urtext. Composed by Johann Sebastian Bach. Edited by Werner Felix. Stapled. Orchester-Bibliothek (Orchestral Library).

The aim of this combined scholarly and practical edition of the Brandenburg Concerto is to offer a state of the art performance material of this standard work of Baroque music literature, which satisfies the practical needs of performing artists.

Baroque period. Part. 8 pages. Duration 11'. Breitkopf and Haertel #OB 4065-16. Published by Breitkopf and Haertel (BR.OB-4065-16).

ISBN 9790004303450. 10 x 12.5 inches.

The aim of this combined scholarly and practical edition of the Brandenburg Concertos is to offer a state of the art performance material of these standard works of Baroque music literature, which satisfies the practical needs of performing artists.These new editions were based on surviving autographic source material - some of which, for the Fifth Concerto for example, has been taken into account for the first time - and the 'Neue Bach-Ausgabe' (NBA). Moreover, they also make use of relevant 18th-century theoretical writings for editorial additions and observations on performance practice.(from the joint preface to the Six Brandenburg Concertos by the Bach scholars Werner Felix, Winfried Hoffmann and Armin Schneiderheinze)Instead of a slow movement, the Brandenburg Concerto No. 3 has nothing but two chords. Bach, like Handel in his organ concertos, most likely wanted the solo instruments to insert an improvisation here. But what is easy for the proficient organ soloist in Handel's music turns out to be impossible for the nine solo parts in Bach's piece. Emil Platen's solution offers a loosely structured elaboration that is placed before the two chords notated by Bach and that uses all of the string instruments. It draws its inspiration from stylistic elements of the concerto, without creating the impression of being an autonomous movement..

Cadenza (3vl.3va.3vc.db - bc)

SKU: BR.OB-4065-60

Urtext. Composed by Johann Sebastian Bach. Edited by Werner Felix. Arranged by Emil (Cadenza) Platen. Stapled. Orchester-Bibliothek (Orchestral Library).

The aim of this combined scholarly and practical edition of the Brandenburg Concerto is to offer a state of the art performance material of this standard work of Baroque music literature, which satisfies the practical needs of performing artists.

Baroque period. Set of parts. 26 pages. Duration 11'. Breitkopf and Haertel #OB 4065-60. Published by Breitkopf and Haertel (BR.OB-4065-60).

ISBN 9790004338162. 10 x 12.5 inches.

The aim of this combined scholarly and practical edition of the Brandenburg Concertos is to offer a state of the art performance material of these standard works of Baroque music literature, which satisfies the practical needs of performing artists.These new editions were based on surviving autographic source material - some of which, for the Fifth Concerto for example, has been taken into account for the first time - and the 'Neue Bach-Ausgabe' (NBA). Moreover, they also make use of relevant 18th-century theoretical writings for editorial additions and observations on performance practice.(from the joint preface to the Six Brandenburg Concertos by the Bach scholars Werner Felix, Winfried Hoffmann and Armin Schneiderheinze)Instead of a slow movement, the Brandenburg Concerto No. 3 has nothing but two chords. Bach, like Handel in his organ concertos, most likely wanted the solo instruments to insert an improvisation here. But what is easy for the proficient organ soloist in Handel's music turns out to be impossible for the nine solo parts in Bach's piece. Emil Platen's solution offers a loosely structured elaboration that is placed before the two chords notated by Bach and that uses all of the string instruments. It draws its inspiration from stylistic elements of the concerto, without creating the impression of being an autonomous movement..

Viola 3 (3vl.3va.3vc.db - bc)

SKU: BR.OB-4065-21

Urtext. Composed by Johann Sebastian Bach. Edited by Werner Felix. Stapled. Orchester-Bibliothek (Orchestral Library).

The aim of this combined scholarly and practical edition of the Brandenburg Concerto is to offer a state of the art performance material of this standard work of Baroque music literature, which satisfies the practical needs of performing artists.

Baroque period. Part. 8 pages. Duration 11'. Breitkopf and Haertel #OB 4065-21. Published by Breitkopf and Haertel (BR.OB-4065-21).

ISBN 9790004303498. 10 x 12.5 inches.

The aim of this combined scholarly and practical edition of the Brandenburg Concertos is to offer a state of the art performance material of these standard works of Baroque music literature, which satisfies the practical needs of performing artists.These new editions were based on surviving autographic source material - some of which, for the Fifth Concerto for example, has been taken into account for the first time - and the 'Neue Bach-Ausgabe' (NBA). Moreover, they also make use of relevant 18th-century theoretical writings for editorial additions and observations on performance practice.(from the joint preface to the Six Brandenburg Concertos by the Bach scholars Werner Felix, Winfried Hoffmann and Armin Schneiderheinze)Instead of a slow movement, the Brandenburg Concerto No. 3 has nothing but two chords. Bach, like Handel in his organ concertos, most likely wanted the solo instruments to insert an improvisation here. But what is easy for the proficient organ soloist in Handel's music turns out to be impossible for the nine solo parts in Bach's piece. Emil Platen's solution offers a loosely structured elaboration that is placed before the two chords notated by Bach and that uses all of the string instruments. It draws its inspiration from stylistic elements of the concerto, without creating the impression of being an autonomous movement..

Violoncello 3 (3vl.3va.3vc.db - bc)

SKU: BR.OB-4065-25

Urtext. Composed by Johann Sebastian Bach. Edited by Werner Felix. Stapled. Orchester-Bibliothek (Orchestral Library).

The aim of this combined scholarly and practical edition of the Brandenburg Concerto is to offer a state of the art performance material of this standard work of Baroque music literature, which satisfies the practical needs of performing artists.

Baroque period. Part. 8 pages. Duration 11'. Breitkopf and Haertel #OB 4065-25. Published by Breitkopf and Haertel (BR.OB-4065-25).

ISBN 9790004303528. 10 x 12.5 inches.

The aim of this combined scholarly and practical edition of the Brandenburg Concertos is to offer a state of the art performance material of these standard works of Baroque music literature, which satisfies the practical needs of performing artists.These new editions were based on surviving autographic source material - some of which, for the Fifth Concerto for example, has been taken into account for the first time - and the 'Neue Bach-Ausgabe' (NBA). Moreover, they also make use of relevant 18th-century theoretical writings for editorial additions and observations on performance practice.(from the joint preface to the Six Brandenburg Concertos by the Bach scholars Werner Felix, Winfried Hoffmann and Armin Schneiderheinze)Instead of a slow movement, the Brandenburg Concerto No. 3 has nothing but two chords. Bach, like Handel in his organ concertos, most likely wanted the solo instruments to insert an improvisation here. But what is easy for the proficient organ soloist in Handel's music turns out to be impossible for the nine solo parts in Bach's piece. Emil Platen's solution offers a loosely structured elaboration that is placed before the two chords notated by Bach and that uses all of the string instruments. It draws its inspiration from stylistic elements of the concerto, without creating the impression of being an autonomous movement..

Double bass (3vl.3va.3vc.db - bc)

SKU: BR.OB-4065-27

Urtext. Composed by Johann Sebastian Bach. Edited by Werner Felix. Stapled. Orchester-Bibliothek (Orchestral Library).

The aim of this combined scholarly and practical edition of the Brandenburg Concerto is to offer a state of the art performance material of this standard work of Baroque music literature, which satisfies the practical needs of performing artists.

Baroque period. Part. 8 pages. Duration 11'. Breitkopf and Haertel #OB 4065-27. Published by Breitkopf and Haertel (BR.OB-4065-27).

ISBN 9790004303535. 10 x 12.5 inches.

The aim of this combined scholarly and practical edition of the Brandenburg Concertos is to offer a state of the art performance material of these standard works of Baroque music literature, which satisfies the practical needs of performing artists.These new editions were based on surviving autographic source material - some of which, for the Fifth Concerto for example, has been taken into account for the first time - and the 'Neue Bach-Ausgabe' (NBA). Moreover, they also make use of relevant 18th-century theoretical writings for editorial additions and observations on performance practice.(from the joint preface to the Six Brandenburg Concertos by the Bach scholars Werner Felix, Winfried Hoffmann and Armin Schneiderheinze)Instead of a slow movement, the Brandenburg Concerto No. 3 has nothing but two chords. Bach, like Handel in his organ concertos, most likely wanted the solo instruments to insert an improvisation here. But what is easy for the proficient organ soloist in Handel's music turns out to be impossible for the nine solo parts in Bach's piece. Emil Platen's solution offers a loosely structured elaboration that is placed before the two chords notated by Bach and that uses all of the string instruments. It draws its inspiration from stylistic elements of the concerto, without creating the impression of being an autonomous movement..

Viola 2 (3vl.3va.3vc.db - bc)

SKU: BR.OB-4065-20

Urtext. Composed by Johann Sebastian Bach. Edited by Werner Felix. Stapled. Orchester-Bibliothek (Orchestral Library).

The aim of this combined scholarly and practical edition of the Brandenburg Concerto is to offer a state of the art performance material of this standard work of Baroque music literature, which satisfies the practical needs of performing artists.

Baroque period. Part. 8 pages. Duration 11'. Breitkopf and Haertel #OB 4065-20. Published by Breitkopf and Haertel (BR.OB-4065-20).

ISBN 9790004303481. 10 x 12.5 inches.

The aim of this combined scholarly and practical edition of the Brandenburg Concertos is to offer a state of the art performance material of these standard works of Baroque music literature, which satisfies the practical needs of performing artists.These new editions were based on surviving autographic source material - some of which, for the Fifth Concerto for example, has been taken into account for the first time - and the 'Neue Bach-Ausgabe' (NBA). Moreover, they also make use of relevant 18th-century theoretical writings for editorial additions and observations on performance practice.(from the joint preface to the Six Brandenburg Concertos by the Bach scholars Werner Felix, Winfried Hoffmann and Armin Schneiderheinze)Instead of a slow movement, the Brandenburg Concerto No. 3 has nothing but two chords. Bach, like Handel in his organ concertos, most likely wanted the solo instruments to insert an improvisation here. But what is easy for the proficient organ soloist in Handel's music turns out to be impossible for the nine solo parts in Bach's piece. Emil Platen's solution offers a loosely structured elaboration that is placed before the two chords notated by Bach and that uses all of the string instruments. It draws its inspiration from stylistic elements of the concerto, without creating the impression of being an autonomous movement..

Violoncello 1 (3vl.3va.3vc.db - bc)

SKU: BR.OB-4065-23

Urtext. Composed by Johann Sebastian Bach. Edited by Werner Felix. Stapled. Orchester-Bibliothek (Orchestral Library).

The aim of this combined scholarly and practical edition of the Brandenburg Concerto is to offer a state of the art performance material of this standard work of Baroque music literature, which satisfies the practical needs of performing artists.

Baroque period. Part. 8 pages. Duration 11'. Breitkopf and Haertel #OB 4065-23. Published by Breitkopf and Haertel (BR.OB-4065-23).

ISBN 9790004303504. 10 x 12.5 inches.

The aim of this combined scholarly and practical edition of the Brandenburg Concertos is to offer a state of the art performance material of these standard works of Baroque music literature, which satisfies the practical needs of performing artists.These new editions were based on surviving autographic source material - some of which, for the Fifth Concerto for example, has been taken into account for the first time - and the 'Neue Bach-Ausgabe' (NBA). Moreover, they also make use of relevant 18th-century theoretical writings for editorial additions and observations on performance practice.(from the joint preface to the Six Brandenburg Concertos by the Bach scholars Werner Felix, Winfried Hoffmann and Armin Schneiderheinze)Instead of a slow movement, the Brandenburg Concerto No. 3 has nothing but two chords. Bach, like Handel in his organ concertos, most likely wanted the solo instruments to insert an improvisation here. But what is easy for the proficient organ soloist in Handel's music turns out to be impossible for the nine solo parts in Bach's piece. Emil Platen's solution offers a loosely structured elaboration that is placed before the two chords notated by Bach and that uses all of the string instruments. It draws its inspiration from stylistic elements of the concerto, without creating the impression of being an autonomous movement..

Violin 3 (3vl.3va.3vc.db - bc)

SKU: BR.OB-4065-17

Urtext. Composed by Johann Sebastian Bach. Edited by Werner Felix. Stapled. Orchester-Bibliothek (Orchestral Library).

The aim of this combined scholarly and practical edition of the Brandenburg Concerto is to offer a state of the art performance material of this standard work of Baroque music literature, which satisfies the practical needs of performing artists.

Baroque period. Part. 8 pages. Duration 11'. Breitkopf and Haertel #OB 4065-17. Published by Breitkopf and Haertel (BR.OB-4065-17).

ISBN 9790004303467. 10 x 12.5 inches.

The aim of this combined scholarly and practical edition of the Brandenburg Concertos is to offer a state of the art performance material of these standard works of Baroque music literature, which satisfies the practical needs of performing artists.These new editions were based on surviving autographic source material - some of which, for the Fifth Concerto for example, has been taken into account for the first time - and the 'Neue Bach-Ausgabe' (NBA). Moreover, they also make use of relevant 18th-century theoretical writings for editorial additions and observations on performance practice.(from the joint preface to the Six Brandenburg Concertos by the Bach scholars Werner Felix, Winfried Hoffmann and Armin Schneiderheinze)Instead of a slow movement, the Brandenburg Concerto No. 3 has nothing but two chords. Bach, like Handel in his organ concertos, most likely wanted the solo instruments to insert an improvisation here. But what is easy for the proficient organ soloist in Handel's music turns out to be impossible for the nine solo parts in Bach's piece. Emil Platen's solution offers a loosely structured elaboration that is placed before the two chords notated by Bach and that uses all of the string instruments. It draws its inspiration from stylistic elements of the concerto, without creating the impression of being an autonomous movement..

Viola 1 (3vl.3va.3vc.db - bc)

SKU: BR.OB-4065-19

Urtext. Composed by Johann Sebastian Bach. Edited by Werner Felix. Stapled. Orchester-Bibliothek (Orchestral Library).

The aim of this combined scholarly and practical edition of the Brandenburg Concerto is to offer a state of the art performance material of this standard work of Baroque music literature, which satisfies the practical needs of performing artists.

Baroque period. Part. 8 pages. Duration 11'. Breitkopf and Haertel #OB 4065-19. Published by Breitkopf and Haertel (BR.OB-4065-19).

ISBN 9790004303474. 10 x 12.5 inches.

The aim of this combined scholarly and practical edition of the Brandenburg Concertos is to offer a state of the art performance material of these standard works of Baroque music literature, which satisfies the practical needs of performing artists.These new editions were based on surviving autographic source material - some of which, for the Fifth Concerto for example, has been taken into account for the first time - and the 'Neue Bach-Ausgabe' (NBA). Moreover, they also make use of relevant 18th-century theoretical writings for editorial additions and observations on performance practice.(from the joint preface to the Six Brandenburg Concertos by the Bach scholars Werner Felix, Winfried Hoffmann and Armin Schneiderheinze)Instead of a slow movement, the Brandenburg Concerto No. 3 has nothing but two chords. Bach, like Handel in his organ concertos, most likely wanted the solo instruments to insert an improvisation here. But what is easy for the proficient organ soloist in Handel's music turns out to be impossible for the nine solo parts in Bach's piece. Emil Platen's solution offers a loosely structured elaboration that is placed before the two chords notated by Bach and that uses all of the string instruments. It draws its inspiration from stylistic elements of the concerto, without creating the impression of being an autonomous movement..

Violin 1 (3vl.3va.3vc.db - bc)

SKU: BR.OB-4065-15

Urtext. Composed by Johann Sebastian Bach. Edited by Werner Felix. Stapled. Orchester-Bibliothek (Orchestral Library).

The aim of this combined scholarly and practical edition of the Brandenburg Concerto is to offer a state of the art performance material of this standard work of Baroque music literature, which satisfies the practical needs of performing artists.

Baroque period. Part. 8 pages. Duration 11'. Breitkopf and Haertel #OB 4065-15. Published by Breitkopf and Haertel (BR.OB-4065-15).

ISBN 9790004303443. 10 x 12.5 inches.

The aim of this combined scholarly and practical edition of the Brandenburg Concertos is to offer a state of the art performance material of these standard works of Baroque music literature, which satisfies the practical needs of performing artists.These new editions were based on surviving autographic source material - some of which, for the Fifth Concerto for example, has been taken into account for the first time - and the 'Neue Bach-Ausgabe' (NBA). Moreover, they also make use of relevant 18th-century theoretical writings for editorial additions and observations on performance practice.(from the joint preface to the Six Brandenburg Concertos by the Bach scholars Werner Felix, Winfried Hoffmann and Armin Schneiderheinze)Instead of a slow movement, the Brandenburg Concerto No. 3 has nothing but two chords. Bach, like Handel in his organ concertos, most likely wanted the solo instruments to insert an improvisation here. But what is easy for the proficient organ soloist in Handel's music turns out to be impossible for the nine solo parts in Bach's piece. Emil Platen's solution offers a loosely structured elaboration that is placed before the two chords notated by Bach and that uses all of the string instruments. It draws its inspiration from stylistic elements of the concerto, without creating the impression of being an autonomous movement..

For Violin. Classical (orchestral). Contains a printed score and a compact disc featuring both concerti in split-channel stereo with the violinist on the right channel; then again in a stereo accompaniment version minus the solo violin part. Published by Music Minus One

For Violin. Classical (orchestral). Includes a high-quality printed music score and a compact disc containing a complete version with soloist, in split-channel stereo (soloist on the right channel); then a second version in full stereo of the orchestral accompaniment, minus you, the soloist. Published by Music Minus One.

Viola - Late Intermediate

SKU: FH.VA7

Viola Series, 2013 Edition. Composed by The Royal Conservatory. Viola Series, 2013 Edition. Book/CD. The Frederick Harris Music Company #VA7. Published by The Frederick Harris Music Company (FH.VA7).

ISBN 978-1-55440-569-5.

This groundbreaking series for viola offers a sound and progressive collection of Repertoire, Recordings, Etudes, Technique, and Orchestral Excerpts for the aspiring virtuoso. Representing all major style periods and a variety of genres, Viola Series, 2013 Edition offers all the music and tools needed to support a comprehensive course of study from the beginner to advanced levels. A rich and varied selection of music in each of these nine progressive volumes of repertoire appeals to violists of all ages. From the Preparatory Level through Level 8, students will be exposed to quality selections originally written for viola, fun arrangements of traditional fiddle and folk tunes, as well as contemporary pieces by notable composers such as Violet Archer, Carey Cheney, and Fritz Kriesler.
Level 7:
Holberg Suite, op. 40: I,V - Grieg, Edvard
Symphony No. 5, op. 67: II - Beethoven, Ludwig van
Symphony No. 4 (Italian), op. 90: II - Mendelssohn, Felix
Brandenburg Concerto No. 3, BWV 1048: I - Bach, Johann Sebastian
Symphony No. 35 (Haffner), K 385: I - Mozart, Wolfgang Amadeus
Level 8:
Ruslan and Ludmilla: Overture - Glinka, Mikhail
Symphony No. 35 (Haffner), K 385: IV - Mozart, Wolfgang Amadeus
Symphony No. 6 (Pathetique), op. 75: I - Tchaikovsky, Pyotr Il'yich
Symphony No. 9, op. 125: IV - Beethoven, Ludwig van
Symphony No. 3 (Eroica), op. 55: IV - Beethoven, Ludwig van
Symphony No. 1, op. 68: I - Brahms, Johannes
Symphony No. 9 (New World), op. 95: IV - Dvorak, Antonin
Level 9:
Symphony No. 5, op. 67: III - Beethoven, Ludwig van
Die Zauberfloete, K 620: Overture - Mozart, Wolfgang Amadeus
The Hebrides, op. 26: Overture - Mendelssohn, Felix
Variations on a Theme by Haydn, op. 56a - Brahms, Johannes
Le carnaval romain - Berlioz, Hector
Symphony No. 8, op. 88: I - Dvorak, Antonin
Symphony NO. 4 (Romantic): II - Bruckner, Anton
Level 10:
Symphony No. 4 (Italian), op. 90: I,IV - Mendelssohn, Felix
Symphony No. 4, op. 98: II,IV - Brahms, Johannes
Peer Gynt Suite No. 1, op. 46: I - Grieg, Edvard
Concerto for Orchestra: IV,V - Bartok, Bela
Symphony No. 40, K 550: I,IV - Mozart, Wolfgang Amadeus
Serenade for Strings, op. 48: I,II - Tchaikovsly, Pyotr Il'yich
Symphony No. 5, op. 47: I - Shostakovich, Dmitri
Associate:
G roup 1: Ochestral Tutti Parts (Viola):
Daphnis et Chloe: III - Ravel, Maurice
Don Juan, op. 20 - Strauss, Richard
Symphony No. 9, op. 125: II,IV - Beethoven, Ludwig van
Incidental Music to A Midsummer Night's Dream, op. 61: Scherzo - Mendelssohn, Felix
The Bartered Bride: Overture - Smetana, Bed_ich
Group 2: Viola Solos:
Don Quixote, op. 35 - Strauss, Richard
Harold en Italie: I - Berlioz, Hector.

By Johann Sebastian Bach (1685-1750). Edited by August Wenzinger. For violin 2. Stapled. Single part. No. 3. Published by Baerenreiter Verlag

By Johann Sebastian Bach (1685-1750). Edited by August Wenzinger. For second cello. Stapled. Single part. No. 3. Published by Baerenreiter Verlag

By Johann Sebastian Bach (1685-1750). Edited by August Wenzinger. For cello 3. Stapled. Single part. No. 3. Published by Baerenreiter Verlag

Composed by Johann Sebastian Bach (1685-1750). For Orchestra (Study Score). Eulenburg Taschenpartituren (Pocket Scores). Study Score. 32 pages. Eulenburg Edition #ETP254. Published by Eulenburg Edition

By Johann Sebastian Bach (1685-1750). Edited by August Wenzinger. For second viola. Stapled. Single part. No. 3. Published by Baerenreiter Verlag

By Johann Sebastian Bach (1685-1750). Edited by August Wenzinger. For first violin. Stapled. Single part. No. 3. Published by Baerenreiter Verlag

By Johann Sebastian Bach (1685-1750). Edited by August Wenzinger. For viola 3. Stapled. Single part. No. 3. Published by Baerenreiter Verlag

By Johann Sebastian Bach (1685-1750). Edited by August Wenzinger. For first viola. Stapled. Single part. No. 3. Published by Baerenreiter Verlag

By Johann Sebastian Bach (1685-1750). Edited by August Wenzinger. For contrabass. Stapled. Single part. No. 3. Published by Baerenreiter Verlag