Que ce soit à l'école primaire, au collège, ou en école de musique, les débutants à la flûte à bec vont à la rencontre de leur instrument et des éléments de base du langage musical à travers un répertoire progressif de courtes pièces originales représentatives d'une intéressante variété de styles. Pièces originales de Thierry Alla, Marc Bouny, Alban Lapeyre, Emmanuel Le Mouton, Didier Lonca, Jean-Marc Maurer, Christian Poinstaud. / Méthodes and études instrumentales / Partition CD /

A travers cette méthode d'apprentissage Flûte à bec vous aurez tous les éléments pour pouvoir maitriser votre instrument. Cet ouvrage PRINCIPES DE LA FLUTE A BEC VOLUME 1 a été écrit par Keruzore Alain et éditée par les éditions Billaudot sous la référence GB4212. / Flûte A Bec / niveau : Débutant

Que ce soit à l'école primaire, au collège, ou en école de musique, les débutants à la flûte à bec vont à la rencontre de leur instrument et des éléments de base du langage musical à travers un répertoire progressif de courtes pièces originales représentatives d'une intéressante variété de styles. Pièces originales de Thierry Alla, Marc Bouny, Alban Lapeyre, Emmanuel Le Mouton, Didier Lonca, Jean-Marc Maurer, Christian Poinstaud. / Méthodes and études instrumentales / Partition CD /

Now more than ever the ability to sight-read fluently is an essential part of the training of musicians on any instrument. This workbook is designed to help overcome the nerves that can cause sight-reading problems taking the young recorder player up to grade three level. Step-by-step it helps the player to build up a complete picture of each piece first through rhythmic and melodic exercises related to specific problems then by the study of Prepared piece with associated questions for the student to answer finally to the unprepared sight-reading test itself. Check-boxes for each stage allow both teacher and pupil to keep a eye on progress.

This new revised edition of J'Apprends La Flûte À Bec by Jean-Claude Veilhan is a beginner method for Soprano Recorder. Including all facets that a beginner method should have it features information on the instrument positioning breathing and theory. Small studies and exercises are also part of the book to support the acquired knowledge throughout. Simple melodic studies will enable young players to start playing music while practising and having fun. This method is a must-have for all those who wish to learn how to play the Recorder. This volume can be completed by the book'Initiation exercises' from the same author.

The best way to learn any instrument is to have lessons from a good experienced teacher. Although happily the number of such teachers is constantly growing the recorder is still frequently taught by enthusiastic but inexperienced teachers and many players start by teaching themselves. This series of books sets out to help learners of all ages in all three situations. Experienced teachers who may choose to disregard much of the text as personal demonstration is always clearer than the written word will find exercises and fine tunes a-plenty to support their own mathod at each stage. The less experienced willbenefit from many valuable teaching hints culled fromlong experience and may rely on the books to lead to a sound playing technique and a mastery of simple notation. Those learning by themseves - and I started in this way - are urged to work carefully and systematically through the books taking plenty of time to assimilate each point before moving on. For them without the personal model provided by a live teacher it is vitally important to listen as often as possible to fine players in person or on record so that they have in their mind's ear a clear notion of the kind of sound they would like to produce. But however they start I can only wish that all who use these books will derive as much pleasure and musical satisfaction and gain as many lasting and valued friendships as I have through this most subtle delightful and sociable of instruments. (Brian Bonsor)“...this work is likely to become a standart work very quickly and is to be recommended to all schools where recorder studies are undertaken“ (Oliver James Contact Magazine) Descant Tutors provide a sound-playing technique a mastery of simple notation and contain 570 tunes including concert pieces by Bonsor carols attractive rounds and melodies by 'early music' composers. Clear line drawings greatly assist the pupil making them especially suitable for self-instruction.

Playing the recorder has never been so much fun! RecorderWorld is an exciting and creative way to learn the recorder. It is a step-by-step teaching method with over forty pieces in this second book following on from the notes learnt in Book 1.Concert pieces provide opportunities for performance straight away and there is plenty of opportunity for group work with duets rounds and percussion boxes.Explore the world of improvisation and composition though imaginative starting points. 'Fact files' introduce new information about beats musical markings and time signatures. 'Clapping Games' instil a strong sense of rhythm. 'Quick Quizzes' helprevise and reinforce new concepts while lively cartoons and colourful stickers make it so much fun! This book introduces the notes low F sharp low D B flat low F C sharp top E top F low C top F sharp and top G. An Accompaniment CD is also available.

Includes exercises revisions trill charts ornaments and embellishments for duets trios and quartets.This method grew out of the Trapp Family Music Camp and was first published in 1953. This edition was revised to suit recorder teaching methods in Great Britain in the 1970s.

Contains 22 exercises for flute each covering different aspects of playing such as Portato Staccato single tonguing High notes Triads Phrasing by breathing and tonguing Movement of the thumb Double tonguing Legato Staccato on low notes Chromatic movement Ornaments and Combinations of different types of articulation.

Joannes Collette: 12 Melodic Exercises for Descant Recorder Advanced players of the descant recorder will make a great find of this sheet music edition on their search for melodic studies for their instrument. Contents - 12 Melodious Exercises for descant recorder Legato and portato with expression / Ausdrucksvolles Legato und Portato Interval leaps and triads with single tongueing / Intervallsprünge und Dreiklänge mit einfachem Zungenstoß Difficult rhythm with soft tongueing slurring and study in tone production / Schwierige Rhythmen mit weichem Zungenstoß Bindungen und Übung in der Tongebung Mixed rhythms / Verschiedene Rhythmen Combination of different types of tongueing / Kombination verschiedener Arten von Zungenstoß Single tongueing and ornaments / Einfacher Zungenstoß und Verzierungen Movement of the thumb / Beweglichkeit des Daumens Legato playing (slurring) / Legatospiel (Bindungen)

...this work is likely to become a standart work very quickly and is to be recommended to all schools where recorder studies are undertaken“ (Oliver James Contact Magazine)A novel and comprehensive approach to transferring from the C to F instrument. 430 music examples include folk and national songs (some in two parts) country dance tunes and excerpts from the standart treble repertoire - Bach Barsanti Corelli Händel Telemann etc. An outstanding feature of the book has proved to be Brian Bonsor's brilliantly simple but highly effective practice circles and recognition squares designed to give in only a few minutes concentrated practice onthe more usual leaps to and from each new note and instant recognition of random notes.Quickly emulating the outstanding success of the descant tutors these books are very popular even with those who normally use tutors other than the Enjoy the Recorder series.