Pop Ballads for Harp

Arranged For Celtic Harp.. Par ROBERTSON KIM. Harpiste celtique et le chanteur Kim Robertson a redéfini les riches traditions de la harpe avec son style novateur. Combinant l'avant-garde artistique et un sens passionné de la tradition, elle apporte une touche contemporaine à un instrument de vieille de plusieurs siècles. Cette collection présente 18 mélodies écossais arrangés pour solo Celtic harpe avec des paroles inclus. Les sélections comprennent une pièce dans la clé de fa, qui exigera il faut relancer les chaînes b de si bémol. / Niveau : Débutant à Intermédiaire / Scottish - Solos / Recueil / Harpe Folk ou Celtique

Par . Peut-on jouer des morceaux de musique actuelle sur un instrument traditionnel comme la harpe ? Bien sûr que oui ! Et pas seulement la harpe à pédales classique, mais aussi la harpe à crochets (ou « harpe celtique »), plus petite et plus maniable, dont l\'étonnante palette sonore ne cesse de gagner en notoriété. La harpiste et professeure de harpe Anne Kox-Schindelin propose ici 14 titres populaires de musique pop de ces dernières décennies. Ses arrangements sont parfaitement adaptés aux possibilités de la harpe à crochets à 34 cordes et conviennent tout autant à la harpe à pédales. Ils viennent ainsi combler une véritable lacune dans le répertoire de la harpe ! / Date parution : 2022-06-14/ Recueil / Harpe

Par USHER ALEX. A collection of 25 traditional melodies written in standard music notation as well as autoharp tablature. Accompaniment chords are indicated. The melody-playing techniques used are explained here in detail. A professional performance audio which provides more than an hour of listening pleasure to all of the tunes, including 'Wild Mountain Thyme,' 'My Luv is Like a Red,' 'Red Rose,' 'White Cockade,' 'Corn Rigs,' 'Auld Lang Syne' and more. Includes access to online audio. / Niveau : Intermédiaire à Avancé / Musique traditionnelle anglaise, irlandaise, écoss / Tablatures / Harpe

The songs and ballads in this book include a rich selection of favorite American folk songs patriotic songs sentimental songs from the past and songs from other lands. They have been arranged in the keys that are mostsuitable for singing and can be played in a variety of styles using only the words and the accompanying chords. In cases where there are two versions of a particular tune both have been included. If one version is not wellknown however the most widely used melody is selected.

A selection of folk ballads from England Ireland Scotland and Wales.A ballad is the blending of words the beauty of melody tone rhythm and expression. They reflect the history of a people their legends religion love and work. British ballads are renouned for their verse melodic construction and for the enormous range of expression.1 The Lass of Richmond Hill is a poem by Leonard McNally a barrister about a lass who became his wife in 1787. The music is by James Hook (1746 1827).2 Sally in our Alley. The words are by Henry Carey who also wrote the original music but this was replaced by the tune we now know an English traditionalmelody in 1790.3 Caller Herrin'. The poem is by Lady Nairne (1766 1845). Nathaniel Gow the famous Scottish violinist wrote the music in 1798 as a harpsichord piece combining the traditional Edinburgh fish wives cry Caller Herrin' with the bells of St Andrew's Church Edinburgh.4 Men of Harlech. The music is traditionally Welsh and the ballad probably originated from North Wales where the native princes had ruled the longest.5 David of the White Rock (Dafydd y Garres Wen). Sir Walter Scott (1771-1832) wrote the words to this ballad The Dying Bard. David Owen the Welsh bard of the ballad composed the tune on his death-bed on awakening from a trance in which be believed himself to have heard the tune in heaven.6 Oft in the Stilly Night. The words describe an old man's memories of the smiles the tears of boyhood years. The eyes that shone now dimmed and gone and how oft in the stilly night he remembers other days. The ballad is by the Irish poet Thomas Moore (1779 1852) who set the words to a traditional air.7- The Meeting of the Waters. Written by Thomas Moore music Irish traditional.The Meeting of the Waters is the confluence of the rivers Avonmore and Avonberg in a beautiful valley near Avoca County Wicklow.8 Oh! Charlie is my Darlin'. The

Never More Than One Sharp or Flat!. Par . Vous allez adorer jouer les morceaux de la collection 'In Easy Keys' de Hal Leonard ! Chaque recueil comprend plus de 20 chansons écrites avec des arrangments 'faciles' - jamais plus d'un dièse ou d'un bémol à la clé. La mélodie, l'harmonie, les rythmes simples, le doigté et même les paroles sont inclus. Jouer vos chansons préférées n'a jamais été aussi facile ! / Niveau : Facile / Date parution : 2021-11-03/ Recueil / Piano

Fiddle Tunes in DADGAD shows how fingerstyle guitarists can use DADGAD tuning to play traditional tunes including twenty-four complete arrangements of common American Irish and Scottish ballads airs jigs and reels. The bookexplores techniques and patterns for playing melodies across the strings producing a harp-like effect that adds a distinctive and beautiful character to traditional melodies. In addition to building repertoire the materialdemonstrates ways to arrange your own melodies or even write your own tunes based on the techniques provided. This is a perfect follow-up for guitarists who have studied Understanding DADGAD for Fingerstyle Guitar and arelooking for tunes to learn or for those who want to go deeper into harp-style playing. It is also an excellent introduction for those who prefer to just dive head-first into DADGAD by learning some classic tunes.

Companion dual CD for 'Guitar Images' (MB#22193). The solos in this collection present a myriad of moods on the guitar. They were written to be very expressive contemplative pieces which could be performed in a variety ofsecular and sacred settings. Most of the pieces are from three solo collections previously released entitled 'Guitar Meditations' (MB22029) 'Guitar Airs and Ballads' (MB22039) and 'Timeless Solos for Guitar' (MB22041). Some ofthe pieces were scored for 7-string guitar; others 6-string guitar. Many of the solos use a 'cross-picking' technique alternating higher position closed strings and open strings resulting in a 'harp-like' effect. A number of thepieces are in Dropped D tuning highlighting the rich resonance that tuning gives the instrument. Explore the diverse moods presented in this collection! Performed by William Bay.

pour Saxophone alto et Orchestre d'harmonie-Divertimento is an outstanding composition by Roger Boutry for Alto Saxophone and Wind Orchestra. This great work is really nice to play and will enlighten the audience. The Orchestra composition required is: 2 Flutes 2 Oboes 2 Bassoons 2 small Clarinets Clarinet I Clarinet II 1 Bass Clarinet 2 Alto Saxophones 2 Tenor Saxophones 1 Baritone Saxophone 4 Horns 4 Bb or C Trumpets 4 Trombone or 3 Trombone and an Euphonium 1 Bb or C Bass 1 Double Bass 1 Harp Timpani Drum and a Celesta. It is divided into three parts: I. “Allegro ma non troppo” is strongly rhythmic and syncopated.It includes a Cadenza by the Solo Saxophone and is written as a tribute to Jazz music. II. “Andante” also includes a Cadenza by the Solo Saxophone but at the end of the section. It is reminiscent of slower blues ballads. III. This part features few sections by the Solo Saxophone but is specially highlighted its ending in a bright and fast finale. This volume features the score and parts for all the instruments. Born in France in 1932 Roger Boutry received numerous prizes including those for Piano Composition and Conducting. He received the Grand Prix de Rome in 1954. His career was quite successful alternating between Harmony professor composer and conductor. He also received numerous prizes for his incredible compositions.

William Bay and Mike Buerk teach you in a step-by-step manner how to play the Soprano or Descant Recorder.Time signatures sharps and flats and all of the basic notes are taught. In addition you will be able to playalong with many great recorder songs ranging in style from classic to Irish ballads to ragtime to jazz to blues. Learn over 70 Recorder solos.

Description William Bay and Mike Buerk teach you, in a step-by-step manner, how to play the soprano or descant recorder. Time signatures, sharps and flats and all of the basic notes are taught. In addition, you will be able to play along with many great recorder songs, ranging in style from classic to Irish ballads to ragtime to jazz to blues! Learn over 70 recorder solos!

William Bay teaches you in a step-by-step manner how to play the soprano or descant Recorder. Time signatures sharps and flats and all of the basic notes are taught.In addition you will be able to play alongwith many great recorder songs ranging in style from classic to Irish ballads to ragtime to jazz to blues! Learn over 70 recorder solos! This book is a complete guide to learning to play the Recorder.The online audiorecording features Mike Buerk performing the selections found in the book. Includes access to online audio and video.