Bach, Johann Sebastian : Two- and Three-Part Inventions

Trauerfeier. Par BACH JOHANN SEBASTIAN. Two versions survive: 1st version composed 1736/37, 2nd version in the first half of the 1740s. The versions differ only in instrumentation, and both are integrated in this edition. / Mottet / Répertoire / Choeur SATB, 2 Litui (2 Cors), Cto (Violon) et 3 T

Trauerfeier. Par BACH JOHANN SEBASTIAN. Two versions survive: 1st version composed 1736/37, 2nd version in the first half of the 1740s. The versions differ only in instrumentation, and both are integrated in this edition. / Mottet / Répertoire / Choeur SATB, 2 Litui (2 Cors), Cto ou Violon et 3

Trauerfeier. Par BACH JOHANN SEBASTIAN. Two versions survive: 1st version composed 1736/37, 2nd version in the first half of the 1740s. The versions differ only in instrumentation, and both are integrated in this edition. / Mottet / Répertoire / Choeur SATB, 2 Litui (2 Cors), Cto (Violon) et 3 T

Trauerfeier. Par BACH JOHANN SEBASTIAN. Two versions survive: 1st version composed 1736/37, 2nd version in the first half of the 1740s. The versions differ only in instrumentation, and both are integrated in this edition. / Mottet / Répertoire / Choeur SATB, 2 Litui (2 Cors), Cto (Violon) et 3 T

Trauerfeier. Par BACH JOHANN SEBASTIAN. Two versions survive: 1st version composed 1736/37, 2nd version in the first half of the 1740s. The versions differ only in instrumentation, and both are integrated in this edition. / Mottet / Répertoire / Choeur SATB, 2 Litui (2 Cors), Cto ou Violon et 3

Par BACH JOHANN SEBASTIAN. Originally written in the key of G major, Michael Lorimer has transcribed Bach's Cello Suite 1 (BWV1007) for guitar in D major, with the sixth string dropped to D. In his preface, Lorimer notes that the guitar lends itself well to transcriptions of cello music because the two instruments occupy a similar range and 'the lute-like style-brisé (broken chord) textures of this music invite performance on our modern instrument. ”Guitar transcriptions from cello literature are not new to the guitar repertoire. Although the guitar per se did not exist during Bach's time, Bach himself is known to have transcribed his own cello music for the Baroque lute. What sets Lorimer'sarrangement of Suite 1 apart and facilitates performance of this challenging but worthwhile piece, is the fact that he has provided adequate right-hand fingering and an extraordinary amount of left-hand digitation- all contributing to the musical rendition of an outstanding transcription. Bach's masterpieces transcribed for classical guitar. / Niveau : Avancé / Classic - Solos / Répertoire / Guitare Classique