Format : Sheet music
The ultimate rock and pop collection specially arranged for flute. 100 Number One hits in melody line arrangements with chord symbols.
SKU: HL.49046457
ISBN 9781540095763. UPC: 840126927771. 9.0x12.0x0.14 inches.
The most beautiful pop songs, well-known film melodies and timeless evergreens: Volume 3 of the Pop for Flute series contains 12 easy-to-play arrangements for 1-2 flutes with matching playbacks for every song. Current chart hits such as Shallow or High Hopes stand alongside pop songs like Africa, Take On Me, You CanÂ’t Hurry Love or Every Breath You Take. Besame Mucho, one of the most popular Latin songs, brings a Latin American touch.
SKU: BT.DHP-0991634-400
ISBN 9789043106399. English-German-French-Dutch.
This volumes of pop hits with play-along CD is ideal for all buddingpop stars! Contains: Big, Big World, My Girl, Sex on theBeach, Everybody (Backstreetâ??s Back) and more. My Girl â?¢ Big Big World â?¢ Sex On The Beach â?¢ Samba de Janeiro â?¢ Time To Say Goodbye â?¢ Everybody (Backstreetâ??s Back) â?¢ Tune It Up â?¢ Enjoy Your WeekendGroÃ?e, unvergessene Pop-Hits aus mehreren Jahrzehnten, aber auch einige originale, der Popmusik nachempfundene Stücke sind in diesen Heften für Holzbläser, die bekannte Hits spielen wollen, zusammengefasst. Ein Hit - nicht nur für Fans der Popmusik! Il CD contiene la versione integrale di ogni brano, come anche una versione con il solo accompagnamento.
SKU: MA.EMR-13765
Cielito Lindo / Amazing Grace / Funiculi Funicula / Auld Lang Syne / La Cucaracha.
SKU: BT.DHP-1002319-401
ISBN 9789043112154. English-German-French-Dutch.
A sister book to Top Hits Duo, which enables young players to perform pop songs and well-known traditional melodies in small ensemble groups. This helps develop both playing and listening skills. Een bonte mengeling van folk- en popsongs. Inhoud: Weââ¬â¢re Going to Ibiza ââ¬Â¢ La Cucaracha ââ¬Â¢ The Floral Dance ââ¬Â¢ Careless Love ââ¬Â¢ Everybody Needs Somebody ââ¬Â¢ Mull of Kintyre ââ¬Â¢ The Show Must Go On ââ¬Â¢ Go Tell It on The Mountain ââ¬Â¢ Y.M.C.A.ââ¬Â¢ Lovely Evening ââ¬Â¢ Die Karawane zieht weiter ââ¬Â¢ Dona Nobis Pacem ââ¬Â¢ Sunday in Rio ââ¬Â¢ KumbayaMit diesen Top-Hits aus verschiedenen Jahrzehnten macht das Zusammenspiel im Trio richtig Spaß! Da oggi è possibile suonare in trio i grandi successi pop. Con Top Hits Trio potrete unire tre stumenti della stessa tonalit per dar modo ai giovani allievi di cimentarsi nellââ¬â¢esperienza formativa della musica dââ¬â¢insieme, dove oltre ad imparare lââ¬â¢importanza di tenere il giusto tempo, i musicisti capiranno anche cosa vuol dire ascoltare la parte degli altri. Ma potrete anche mischiare libri di diversi strumenti per creare il trio giusto.
SKU: MA.EMR-13769
Little Brown Jug / Clementine / Swing Low / Shenandoah / Home On The Range.
SKU: MA.EMR-13766
Red River Valley / Go Down Moses / Glory Hallelujah / Aura Lee / Oh Happy Day.
SKU: MA.EMR-13768
Kumbaya / Greensleeves / Yankee Doodle / Morning Has Broken / Oh Susanna.
SKU: MA.EMR-13767
The Rivers Of Babylon / Scarborough Fair / Oh When The Saints / Londonderry Air / The House Of The Rising Sun.
SKU: HL.49033175
ISBN 9783795756307. 7.5x10.75x0.129 inches. German - English - French.
Here is the long-awaited volume of popular classical melodies in Magolt's successful series. Now recorder players can also enjoy playing through the best known catchy tunes in classical music for themselves with an orchestral accompaniment on CD.
SKU: HL.44013278
A sister book to Top Hits Duo, which enables young players to perform pop songs and well-known traditional melodies in small ensemble groups. This helps develop both playing and listening skills.
SKU: CA.1300600
ISBN 9790007029388. Language: all languages.
SKU: CF.YPS208
ISBN 9781491152287. UPC: 680160909780. Key: D minor.
A stunning and heart-wrenching composition based on the Jewish folk son Shlof, Mayn Kind. You can hear the emotional content pour out of this piece written in memory of an outstanding orchestra director. The piece beginnings with original material to set the tone, followed by a clarinet solo on the song. It then develops through a variety of different harmonic presentation before building to a nice key change and climatic moment. The piece ends as it began, but with a more hopeful tone. An amazing piece.Sleep, My Child was commissioned by the Madison Middle School Band and Orchestra in Tampa, Florida, and is dedicated to the memory of their Director of Orchestras Kevin Frye. Director of Bands Chris Shultz championed the commissioning of this piece to honor Kevin after he passed away in December 2016. Mr. Frye was a beloved member of the staff at Madison Middle as well as the music community of Tampa and the state of Florida. I was a personal friend of Kevin’s. We were in several musical groups together when we were young that were formative to both of our musical careers. I also guest conducted his Madison Middle School Orchestra several times over the past four years. His musicianship, teaching skills and love for his students were exemplary.When taking on the challenge of writing a piece to honor Kevin’s legacy, Mr. Shultz and I decided to try and include several important aspects of Kevin’s life into the piece. Kevin was proudly Jewish, a fantastic trumpet player and loved Jazz. With that in mind, and after a lot of research, a Jewish folk song Shlof, Mayn Kind was selected as the basis for the piece, not to be religious, but to honor his faith and heritage. Plus it is a beautiful song, and I felt the title reflected the sentiment I was looking to express, which is of someone taking rest after a long battle with illness. Thus, a lullaby seemed appropriate.I also wanted to incorporate Jazz into the piece, but in a concert setting, so you will hear as the piece develops, the harmonies of the folk song expand into ones found more commonly in Jazz compositions. Not in a far out way, but in a subtle way to again honor this part of his life. For example the climactic moment of the piece at the fermata in m. 57 is a Dbmaj9#11 chord. It appropriately give the piece the angst that I was looking for at this moment in the piece, while honoring the importance of Jazz in Kevin’s musical life.The piece was also conceived to include both the Madison band and orchestra in the performance at the premiere. I wanted the pieces to work separately by the band and separately by the orchestra, but I also wanted them to be able to play the piece together to honor Kevin.The piece begins with original material designed to set the mood of the piece with a tempo/style marking of pensive, but also as material that I used as connective musical tissue between statements of the folk song. After this introduction, the folk song is presented by a solo violin (or clarinet) with orchestral accompaniment in a simple straight forward presentation of the song. This is followed by a woodwind section statement of the folk song accompanied by muted trumpets. During this presentation the harmony starts to expand with more color notes in the chords. The low brass are added half way through this statement to add depth and lushness.The introductory material returns, but with some angry hits in the lower voices. This leads to a full ensemble state of new material that is used to transition to the climax of the piece, and to build tension. After the build, the piece modulates to a shortened statement of the folk song with more advanced harmonies and an active counter line in the violas, horns, saxes and first clarinets to further build the tension. This tension is released at the fermata in m. 57, as mentioned above. After a thoughtful pause, the piece concludes with a completion of the folk song again with a solo violin (or clarinet) followed by a return of the introductory material to tie the piece together. The piece ends hopeful, with a solo trumpet (Kevin’s instrument) that is dissonant at first, but then resolves as if to say - everything will be OK! It has been my distinct honor to have been asked to write this piece in Kevin’s memory! I hope that in some small way the piece helps to bring comfort to his family, students, colleagues and to all those that knew him!–Larry ClarkLakeland, FL 2017.
SKU: M7.VHR-3423
ISBN 9783920470030.
The edition contains 30 Christmas carols. The piano part has an easy setting. A second flute part enables all the songs to be played in chamber music format as a piano trio or as a duet for two flutes. Inside the book you can find the part for flute 1 (20 pages) and flute 2 (12 pages).
SKU: CA.3116211
ISBN 9790007208905. Text language: German/English.
The cantata for the 20th Sunday after Trinity. Ah! I see now, as I to the wedding bidden, BWV 162 was first performed on 25 October 1716 in the Castle church at Weimar. During the first year in his position as Thomaskantor, Bach made a revival performance of the cantata on 10 October 1723. For this Leipzig version he added an additional obbligato voice in the first movement and in the final chorale he added a Corno da tirarsi, which played colla-parte with the soprano. However, we do not know what this mysterious instrument looked like. For performances today we recommend using a trumpet or a slide trumpet. The cantata begins not with an introductory chorus, but rather with a sonorous bass aria with a string accompaniment and obbligato trumpet. The following movements, movement 2 through 5, are also performed by vocal soloists. The third movement, a soprano aria, presents a peculiarity: the obbligato wind parts were not contained in the original version of this cantata. Our edition offers a reconstruction for the flute, made by the famous Bach interpreter and expert, Masaaki Suzuki. Score and part available separately - see item CA.3116200.