100 No.1 Hits For Flute: Flute: Instrumental Album

SKU: BT.DHP-0991634-400

ISBN 9789043106399. English-German-French-Dut ch.

This volumes of pop hits with play-along CD is ideal for all buddingpop stars! Contains: Big, Big World, My Girl, Sex on theBeach, Everybody (Backstreetâ??s Back) and more.

My Girl â?¢ Big Big World â?¢ Sex On The Beach â?¢ Samba de Janeiro â?¢ Time To Say Goodbye â?¢ Everybody (Backstreetâ??s Back) â?¢ Tune It Up â?¢ Enjoy Your Weekend

Gro�e , unvergessene Pop-Hits aus mehreren Jahrzehnten, aber auch einige originale, der Popmusik nachempfundene Stücke sind in diesen Heften für Holzbläser, die bekannte Hits spielen wollen, zusammengefasst. Ein Hit - nicht nur für Fans der Popmusik!

Il CD contiene la versione integrale di ogni brano, come anche una versione con il solo accompagnamento.

SKU: MA.EMR-13765

Cielito Lindo / Amazing Grace / Funiculi Funicula / Auld Lang Syne / La Cucaracha.

SKU: MA.EMR-13769

Little Brown Jug / Clementine / Swing Low / Shenandoah / Home On The Range.

SKU: MA.EMR-13766

Red River Valley / Go Down Moses / Glory Hallelujah / Aura Lee / Oh Happy Day.

SKU: MA.EMR-13768

Kumbaya / Greensleeves / Yankee Doodle / Morning Has Broken / Oh Susanna.

SKU: MA.EMR-13767

The Rivers Of Babylon / Scarborough Fair / Oh When The Saints / Londonderry Air / The House Of The Rising Sun.

SKU: HL.49033175

ISBN 9783795756307. 7.5x10.75x0.129 inches. German - English - French.

Here is the long-awaited volume of popular classical melodies in Magolt's successful series. Now recorder players can also enjoy playing through the best known catchy tunes in classical music for themselves with an orchestral accompaniment on CD.

SKU: HL.44013278

A sister book to Top Hits Duo, which enables young players to perform pop songs and well-known traditional melodies in small ensemble groups. This helps develop both playing and listening skills.

SKU: HL.374355

ISBN 9781705150085. UPC: 196288016823. 9.0x12.0x0.1 inches.

A baker's dozen of hot hits are included in this collection perfect for new instrumentalists. It features online access to audio demonstration and backing tracks for download or streaming to help you hear how the song should sound then play along and sound like a pro! Songs include: Adore You (Harry Styles) • Bad Habits (Ed Sheeran) • Blinding Lights (The Weeknd) • drivers license (Olivia Rodrigo) • Kings & Queens (Ava Max) • Therefore I Am (Billie Eilish) • Willow (Taylor Swift) • and more.

SKU: CA.1300600

ISBN 9790007029388. Language: all languages.

SKU: CA.3116211

ISBN 9790007208905. Text language: German/English.

The cantata for the 20th Sunday after Trinity. Ah! I see now, as I to the wedding bidden, BWV 162 was first performed on 25 October 1716 in the Castle church at Weimar. During the first year in his position as Thomaskantor, Bach made a revival performance of the cantata on 10 October 1723. For this Leipzig version he added an additional obbligato voice in the first movement and in the final chorale he added a Corno da tirarsi, which played colla-parte with the soprano. However, we do not know what this mysterious instrument looked like. For performances today we recommend using a trumpet or a slide trumpet. The cantata begins not with an introductory chorus, but rather with a sonorous bass aria with a string accompaniment and obbligato trumpet. The following movements, movement 2 through 5, are also performed by vocal soloists. The third movement, a soprano aria, presents a peculiarity: the obbligato wind parts were not contained in the original version of this cantata. Our edition offers a reconstruction for the flute, made by the famous Bach interpreter and expert, Masaaki Suzuki. Score and part available separately - see item CA.3116200.

SKU: CF.YPS208

ISBN 9781491152287. UPC: 680160909780. Key: D minor.

A stunning and heart-wrenching composition based on the Jewish folk son Shlof, Mayn Kind. You can hear the emotional content pour out of this piece written in memory of an outstanding orchestra director. The piece beginnings with original material to set the tone, followed by a clarinet solo on the song. It then develops through a variety of different harmonic presentation before building to a nice key change and climatic moment. The piece ends as it began, but with a more hopeful tone. An amazing piece.
Sleep, My Child was commissioned by the Madison Middle School Band and Orchestra in Tampa, Florida, and is dedicated to the memory of their Director of Orchestras Kevin Frye. Director of Bands Chris Shultz championed the commissioning of this piece to honor Kevin after he passed away in December 2016. Mr. Frye was a beloved member of the staff at Madison Middle as well as the music community of Tampa and the state of Florida. I was a personal friend of Kevin’s. We were in several musical groups together when we were young that were formative to both of our musical careers. I also guest conducted his Madison Middle School Orchestra several times over the past four years. His musicianship, teaching skills and love for his students were exemplary.When taking on the challenge of writing a piece to honor Kevin’s legacy, Mr. Shultz and I decided to try and include several important aspects of Kevin’s life into the piece. Kevin was proudly Jewish, a fantastic trumpet player and loved Jazz. With that in mind, and after a lot of research, a Jewish folk song Shlof, Mayn Kind was selected as the basis for the piece, not to be religious, but to honor his faith and heritage. Plus it is a beautiful song, and I felt the title reflected the sentiment I was looking to express, which is of someone taking rest after a long battle with illness. Thus, a lullaby seemed appropriate.I also wanted to incorporate Jazz into the piece, but in a concert setting, so you will hear as the piece develops, the harmonies of the folk song expand into ones found more commonly in Jazz compositions. Not in a far out way, but in a subtle way to again honor this part of his life. For example the climactic moment of the piece at the fermata in m. 57 is a Dbmaj9#11 chord. It appropriately give the piece the angst that I was looking for at this moment in the piece, while honoring the importance of Jazz in Kevin’s musical life.The piece was also conceived to include both the Madison band and orchestra in the performance at the premiere. I wanted the pieces to work separately by the band and separately by the orchestra, but I also wanted them to be able to play the piece together to honor Kevin.The piece begins with original material designed to set the mood of the piece with a tempo/style marking of pensive, but also as material that I used as connective musical tissue between statements of the folk song.  After this introduction, the folk song is presented by a solo violin (or clarinet) with orchestral accompaniment in a simple straight forward presentation of the song. This is followed by a woodwind section statement of the folk song accompanied by muted trumpets. During this presentation the harmony starts to expand with more color notes in the chords. The low brass are added half way through this statement to add depth and lushness.The introductory material returns, but with some angry hits in the lower voices. This leads to a full ensemble state of new material that is used to transition to the climax of the piece, and to build tension. After the build, the piece modulates to a shortened statement of the folk song with more advanced harmonies and an active counter line in the violas, horns, saxes and first clarinets to further build the tension.  This tension is released at the fermata in m. 57, as mentioned above. After a thoughtful pause, the piece concludes with a completion of the folk song again with a solo violin (or clarinet) followed by a return of the introductory material to tie the piece together. The piece ends hopeful, with a solo trumpet (Kevin’s instrument) that is dissonant at first, but then resolves as if to say - everything will be OK! It has been my distinct honor to have been asked to write this piece in Kevin’s memory! I hope that in some small way the piece helps to bring comfort to his family, students, colleagues and to all those that knew him!–Larry ClarkLakeland, FL  2017.