For Violin I Violin II Viola Violoncel og Klaver-Parts for Niels Viggo Bentzon's Kvintet For Violin I Violin II Viola Violoncel og Klaver Opus 196.

Sports et Divertissements-Facsimile of the 1926 limited edition of 'Sports et Divertissements'. Illustrated by Charles Martin.

Alec Wilder impresses with his Suite in four movements for Flute Clarinet and Piano. High points are the offbeat jazzy Scherzo-like second movement and the well-argued slow movement. This adventurous work will present anenjoyable challenge to the ensemble players and provide a unique addition to their repertoire.The Flute Clarinet and Piano score are all included on separate inserts.

Intermediate to Advanced Level-A dozen delightful Gillock pieces have been re-engraved in this new collection that is guaranteed to become a staple of your library! Renowned piano pedagogue Lynn Freeman Olson once wrote ?The Gillock name spells magic toteachers around the world ... In each Gillock composition no matter what the teaching purpose music quality comes first.? Includes favorites such as Valse Etude Festive Piece Polynesian Nocturne andSonatine.

The Village Church-The Piano music of Jean Sibelius ranks among the greatest of Finnish music and his 1924 set Five Charactereistic Impressions demonstrates his importance. The first of this set The Village Church is a ceremonial theme bringing to mind the oaccasions and events that surround a small place of worship and that is perfect for ushering in the start of a programme. An impressionist piece that captures the imagery of reality with tonality colour and a solemn pace.

Three pieces in this volume are set on the new London College of Music Jazz Piano Syllabus. This is a new book for pianists who like the jazz/gospel and contemporary styles. A great way to bridge the gap between the grades. Features 8 pieces in various styles including: Boogie Suzie - the clue is in the title - a lively boogie piece (grade 3/4) What a friend we have in Jesus - a contemporary gospel arrangement (grade 4/5) Just a moment - a contemporary piece with space for a short improvisation (grade 4/5) Waltz of the pearls - a short waltz (grade 3) Mondiglio march - a fun and lively contemporary piece (grade 3/4) Under the blossom tree - a contemporary yet melodic piece gentle and hypnotic. (grade 5/6).

The Piano pieces in this collection need no words to express beauty. Beautiful Piano Instrumentals features 24 arrangements for solo Piano. As a bonus one arrangement also includes a Cello part (Arwen's Vigil). Pieces include: Back to Life (Giovanni Allevi) Beyond (William Joseph) Chariots of Fire (Vangelis) A Day Without Rain (Enya) The Heart Asks Pleasure First (from The Piano) I Giorni (Ludovico Einaudi) If You Believe (Jim Brickman) La Valse d'Amalie (from Amelie) Leaves on the Seine (David Lanz) One Man's Dream (Yanni) andmore.

Out Of The Cradle Endlessly Rocking 'Wave Music' (2007-08) by Per Nørgård. Scored for Clarinet Violin Cello and Piano. Parts available: WH30883A Programme note The work was commissioned by the Ebb and Flow Ensemble for premiere at the Maui Arts and Cultural Center Kahului Hawaii 23 November 2008. The premiere performers will be (as of 241108: were) Scott Anderson clarinet Ignace Jang violin Mark Votapek cello and Robert Pollock piano.The title is borrowed from the first line of American poet Walt Whitman’s magnificent poem SEADRIFT a tribute to the sea. The poem forms part of Whitman’s magnum opus LEAVES OF GRASS which he revised extended and worked on practically all his writing life.I had previously drawn some lines from the poem SEADRIFT for another work of mine a work likewise entitled SEADRIFT (1978) for soprano and ensemble.In this present new piece I did not set out to depict in music ‘the soul of the sea’ or anything like that. I did however have an intention of making the piece a sort of outstretched hand from one small country with a multitude of islands and – necessarily – a lot of water around it (I am referring of course to my native Denmark) to another country with many islands: Hawaii with its far-away exotic appeal (at least for a Scandinavian) and its remoteness thousands and thousands of nautical miles away. Folkloristic Hawaiian chant (alluring samples of which were kindly forwarded to me from the commissioner of the work) fascinated and impressed me so much that my melodic repertoire in the new piece sometimes echo a Hawaiian Melodybrother.A latent wave-character is characteristic of the piece. You will hear a simultaneity of different ‘wavelengths’ and often a dense and complex melodic and rhythmic

Left Alone for Piano (left hand) and Orchestra was composed by Hans Abrahamsen in 2014-15. Commissioned by Westdeutscher Rundfunk and co-commissioned by City of Birmingham Symphony Orchestra Danish National Symphony Orchestra and Rotterdam Philharmonic Orchestra. Premiered by the WDR Sinfonieorchester and Alexandre Tharaud (piano) concducted by Ilan Volkov on January 29 2016 Cologne. Programme Note: I was born with a right hand that is not fully functional and though it never prevented me from loving playing the piano as well as I could with this physical limitation it hasobviously given me an alternative focus on the whole piano literature and has given me a close relationship with the works written for the left hand by Ravel and others. This repertoire has been with me since my youth. My very first public performance of one of my own works was in autumn 1969. The piece was called October and I played the piano with my left hand and the horn my principal instrument (the only instrument that can be played with only the left hand). Part of the piece requires the performer to play natural harmonics of the horn directly into the open strings of the grand piano to create resonance. The pedal was kept down by an assistant lying on the floor. Through decades the idea of writing a larger work for piano left hand has been in my mind. This new work is not written for a pianist with only one hand but rather by a composer who can only play with the left hand. The title Left alone contains all kinds of references not only to the obvious fact that the left hand is playing alone. Left alone is divided into two large parts each consisting of three smaller movements – in effect six in total. The work was commissioned by Westdeutscher Rundfunk and co-commissioned by City of Birmingham Symphony Orchestra Danish National Symphony Orchestra and Rotterdam Philharmonic and written for Alexandre Tharaud. Hans

This piece has a broad moderately paced first movement which leads to a sparkling scherzo which in turn gives way to an extremely sparsely textured movement that features the horn and its less frequently used techniques. The whole piece turns on this movement then a couple of crisp arpeggios act as a premature cinematic transition into the big finale the longest and the technically most demanding movement of the piece.

A special two-volume set of songs by the great Juan Solano Pedrero arranged for Piano Voice and Guitar. Working as a member of the hugely successful Ochaita Valerio and Solano trio the Maestro Solano developed his skills as a composer and the group became responsible for some of the most celebrated songs of Spain. His works have been performed by many star voices including Concha Piquer Manolo Escobar and Rafael Farina. His popular and best-loved songs include A Tu Vera El Porompompero and Almoneda.This title is the first of two volumes beautifully presented that will help you to enjoy these wonderful songs again and again.