Par BORSARELLO FREDERIC. harm. A. Bernaud / Niveau : Difficile / classique / Répertoire / Violoncelle et Piano

Par NAEGELEN KARL. 3 - 5 mn / Niveau : Difficile / Répertoire / Bois, Flûte à Bec et Solo

Par ROSSE FRANCOIS. 1 - 3 mn / Niveau : Difficile / Date parution : 2009-01-01/ Répertoire / Bois, Flûte à Bec et Solo

Partition parue en mars 2012, cet ouvrage référencé sous le code GB8911 intitulé David Chaillou : Seul et écrit par Chaillou David est destiné à un public pratiquant Violoncelle. / Violoncelle / Partition

Rising for Flute and String Quartet was commissioned by Backshore Artists Project Inc. on the occasion of Carol Wincenc's 60th birthday; underwritten by a generous grant from Linda and Stuart Nelson.Thefirst performance took place on the 31st March 2010 by Carol Wincenc and the Juilliard String Quartet at the Juilliard School New York NY.A recording by Carol Wincenc with Kevin Lawrence Carolyn Stuart Sheila Browne and Brooks Whitehouse is available on Bridge Records (CD 9373). Duration: ca. 16 minutes.

Moments Musicaux for Violin Cello and Piano was composed by Pelle Gudmundsen-Holmgreen in 2006.

Pour Quator á Cordes-Born in 1947 Laurent Duvillier-Wable trained under pianist Suzanne Joly and studied composition with Michel Puig. The latter a student of Ren? Leibowitz introduced him to the mysteries of Sch?nberg and Webern's twelve-note composition. To create a coherent œuvre Duvillier-Wable drew on the array of possibilities offered by chamber music in his series of six Sonatas composed between 1992 and 2007. Sonata IV For String Quartet was written in 1994 the year his father – painter Ren? Duvillier a friend of Charles Estienne and Andr? Breton – fell gravely ill. Divided into four movements thecomposition contains two beautifully expressive musical references: the Lamento religioso refers to Bach's Passion according to Saint Matthew by quoting the choral 'Was ist die Ursache aller solcher Plagen' (No.19: What is the cause of all this suffering?) when Jesus distressed by his imminent agony asks his disciples to watch over him. The Agitato final borrows the inexorable 'Must it be? It must!' theme from Beethoven's Quartet No.16 in F that crowns this poignant work.

The second of the Quartets commissioned by the Naxos label was completed in January 2003. This work swings between nervous virtuosic energy to the serene calm of an extended Lento with exotic harmonies reminiscent of Bartok andis characterised by it's sharp and unpredictable contrasts. First performed by the Maggini Quartet on 11 July 2003 at the Pittville Pump Room Cheltenham as part of the Cheltenham International Festival. This is the set ofparts. A miniature score of the piece is available catalogue number CH66594.

In memory of Christopher Rowland. Originally a concerto for Cello and chamber orchestra now for Cello with a Piano reduction of the orchestral part.The concerto is in four movements which are played without a break: Meditation Intermezzo Toccata-Scherzo and Song. The work lasts for some 18 minutes and was scored for two oboes two horns timpani (doubling tubular bells) and strings(found here in a Cello/Piano form). It is organised in one large arch-shaped structure with two fast inner movements flanked by two outer slow ones. The solo cello opens the work reflectively and introduces core melodic material which is continuously developed throughout theconcerto. Gradually the strings enter then wind and timpani and build a pyramid twelve-note chord at the peak of which there is a dramatic climax. The music then subsides (solo cello again) but links to the two faster middle movements. The second movement Intermezzo has an ABA structure and in its middle section quotes the opening of Shostakovich's Third String Quartet (written in the same year as Christopher Rowland was born!). Indeed the ghost of Shostakovich looms large throughout the concerto in more ways than one. The Toccata-Scherzo is energetic and rhythmically-charged again using an ABA structure. Here the writing for solo cello is quite virtuosic but not I hope in a shallow sense. The music builds inexorably towards a powerful climax underpinned by the opening twelve-note chord's re-appearance together with a violent outburst from the timpani at which point a tonal resolution (on G) arrives through a pianissimo held chord on strings which leads directly to the final movement - Song. And so the music arrives at its emotional heart through a simple melody (present in other forms throughout the work) announced by solo cello at the very top of its register against a quiet backdrop of horns and strings. A solo oboe enters with cello in canonic reply and all the time the music builds in texture and

The Finest Concert and Encore Pieces-Skilfully selected encore pieces add a special touch to a concert. No matter whether virtuoso masterpieces or reflective melodies: both can help to achieve perfect harmony in a successful concert. The well-known performer and cello educationalist Prof. Maria Kliegel has selected encore pieces for every occasion with works by Senaillé Chopin Schubert Tchaikovsky Saint-Saens Glasunov Debussy and of course David Popper (including 'Gnome's Dance' and 'L'Andalouse' from Op. 54). A treasure chest for every cellist!

Cello World is a must for all Cellists. It is a wonderful collection of original works and arrangements from the repertoire of world-famous Cellist Steven Isserlis. The inspired line up of pieces includes Schumann's moving Intermezzo Leonard's The Donkey And The Driver and Villa-Lobo's rippling Song Of The Black Swan. This is the perfect volume for cellists looking for a variety of challenging repertoire.

A series of short pieces dedicated to renowned cellist Anssi Karttunen presented during a concert in celebration of his fiftieth birthday in Helsinki in 2010. The concert was based around the Mystery Variations a series of musical 'gifts' composed by a variety of major composers of today to be played by Anssi himself and all based on Colombi's Ciaconna.