Ut-Orpheus

Trascrizione: Daniele FazianiClarinet and Saxophone Magazine (Spring 2020)... These transcriptions sit well on the baritone saxophone. Daniele Faziani has chosen to transcribe directly from the original key, trying to mantain as many of Bach’s compositional aspects as possible. A saxophone model down to low A is essential, as these versions make good use of the low end of the baritone. ... (Berdel Efe Gulsen) / Saxophone / Ut Orpheus

Editée par la maison d'édition Ut Orpheus, la partition musicale ayant pour titre Le Avventure di Amore. 10 Waltzes Op. 116 vous fera découvrir au travers de ses 32 pages, des morceaux d'une grande finesse. Cette partition qui se joue pour Guitare et plus particulièrement pour 2 Guitares est à classer parmi la catégorie musicale Classique./ Recueil / 2 Guitares

Tientos, Fantasias and Glosas Book 2 Part 1. Par MUDARRA ALONSO DE. / Répertoire / Guitare

Scena ed Aria per Soprano e Chitarra. Par BELLINI VINCENZO. A collection of all time Gospel favorites scored for guitar melody. Chords, tablature and lyrics are included along with a companion audio. A Glorious Church; All the Way My Savior Leads Me; Angel Band; Blessed Assurance; Blessed Quietness; Death Has No Terrors; Drifting too Far from the Shore; Every Bridge is Burned Behind Me; Every Day and Every Hour; Glory to His Name; Hallelujah, We Shall Rise; He Abides and many more. Includes access to online audio. / Date parution : 2023-07-31/ Recueil / Soprano et Guitare

9 Pezzi Facili In Stile Antico. Par SIGNORILE GIORGIO. / Date parution : 2023-07-31/ Recueil / Guitare

Minuet with Variations per Pianoforte. Par BACH CARL PHILIPP EMMANUEL. / Date parution : 2023-10-31/ Recueil / Piano

Par GUALCO SIMPLICIO. / Date parution : 2023-06-01/ Répertoire / Basson et Piano

Per 2 Arpe. Par HINNER PHILIPP-JOSEPH. / Date parution : 2023-06-01/ Répertoire / 2 Harpes

Par COLERIDGE-TAYLOR SAMUEL. The period of composition (ca. 1893) for the Suite de Pièces for violin and piano or violin and organ was especially productive for Samuel Coleridge-Taylor (1875-1912) in the realm of chamber music. Unpublished works include a piano quintet, clarinet sonata, nonet, piano trio, and a piano sonata. It is notable that the different versions of the Suite for piano and organ are so contrasting. Typically, pieces in this genre that exist in versions for piano and organ have little that separate them in terms of musical content. However, Coleridge-Taylor not only approaches each keyboard instrument quite differently but conceived the violin part with notable melodic differences. This can be considered exceptional as they were both issued by the same publisher within a close timeframe. Coleridge-Taylor would have been very familiar with the organ from his early church experience as a boy in addition to studies at the Royal College of Music with Walter Alcock. His writing is consistently idiomatic for the instrument. The few registrational directions in the first edition, assuming they are by Coleridge-Taylor, demonstrate an understanding of the need to balance the organ part with the violin part so that the organ is not too loud. Rather than numbering the manuals I and II, with II being the quieter manual, the score indicates Swell and Choir but there is no requirement for the Great to be used. There are also extended sections where no manual indication is given at all. Whether the registration markings were made by Coleridge-Taylor or an editor at Schott is unclear but the indication for a Choir manual suggests not so much the need for an organ of three manuals but an instrument with a range of foundational colours for writing that is often accompanimental in nature. / Date parution : 2023-06-01/ Répertoire / Violon et Orgue