SKU: BO.B.3172
SKU: BO.B.3176
ISBN 9788480202343.
Comentarios del Espanol:Se trata de una coleccion de dos piezas breves para violonchelo y piano de dificultad media-alta. Fantasia y fuga es una obra compuesta en 1953 y esta dedicada al violonchelista Joaquim Guerin. La fantasia consta de dos fragmentos diferenciados por el contraste melodicorritmico y de tempo (andante, quasi lento y doppio mosso). La fuga, un allegretto mosso, es de una gran claridad ritmica. La obra entera tiene una duracion aproximada de 5'. Danza triste fue compuesta en 1945. Presenta un tema lirico en re menor que se va desarrollando. Tiene una duracion aproximada de 5'05.
SKU: BO.B.1002
SKU: BO.B.0075C
SKU: BO.B.3460
SKU: BO.BC0002
SKU: BO.B.3652
Sonata for cello and piano was written between September and October of 2010. It is made up of three movements, each of which has unique characteristics. The first, Allegro appassionato, is monothematic, although the theme itself is presented in several ways. Following a vigorous start featuring cello cadenza, the movement is developed with a lively feel, alternating lyrical fragments with other energetic ones. Its conclusion is resounding.Meanwhile, the second movement, Quasi un lamento, is introspective and fragile. A long melody is sustained by a delicate and transparent piano accompaniment, evoking once again the theme of the first movement and concluding with a Lento of descending piano harmonies while the cello follows, in octaves, with heartfelt glissando.The third movement, Scherzando-Allegro, is a light-hearted game between the piano and the cello. The main theme is repeated once again, this time with a binary time signature. The cello uses ricochet (the rebounding of notes in a bow stroke), as well as natural and artificial harmonies in quick time. The piano part unfolds completely naturally, excluding any gratuitous artifice.The piece lasts approximately 20 minutes.
SKU: BO.B.3733
SKU: BO.B.3724
Cassado could be considered are the first great Catalan symphonist of the 19th Century and one of the first pre-coursers of Nationalism in our country. His is a Nationalism that is solidly based on central European traditions, mainly Germanic in its.Plus Ultra is a special case in which the desire to exhibit his deepest Nationalist sentiments took a second place to a more global style into which he incorporated harmonies and melodic turns that recall Rachmaninoff more than Albeniz. Plus Ultra can be considered as a musical thought which, in spite of references or paraphrases of some typical aspects of Spanish music of the era, is an authentic lied in which the cello sings out, using maximum of its expressive possibilities, with a piano accompaniment of the first order.In this work Cassado makes more extensive use of pianissimo, which is more typical of the French school, than in any other of his works. Through the use of gestures which are almost Impressionist, as well as refined and tasteful harmonies, the composer divides the musical discourse between the two instruments creating a fantastic work which his son Gaspar performed in concerts.