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The Ramon Ricker Improvisation Series Vol.3 (RICKER RAMON)
Musical course - Solfege
Advance Music
The II-V-I Progression. Par RICKER RAMON. The Ii-V-I Progression / Méthode / M...
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The II-V-I Progression. Par RICKER RAMON. The Ii-V-I Progression / Méthode / Méthode / Tout Instrument
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Die II - Vol.7 - I Verbindung Vol.3 (AEBERSOLD JAMEY)
Musical course - Solfege
Advance Music
Par AEBERSOLD JAMEY. / Méthode / Méthode / Instruments Mélodiques
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Jazz Harmony
Musical course - Solfege
[Sheet music]
Advance Music
' L'harmonie jazz est un ajout brillant dans le domaine de la théorie de jazz. ...
(+)
' L'harmonie jazz est un ajout brillant dans le domaine de la théorie de jazz. Il est bien écrit et magnifiquement organisée, et les informations qu'il contient soient throgoughly l'objet de recherches et authentiquement presentes. Je le recommande fortement ' David Bake-' si vous êtes un enseignant, un étudiant, un playre ou un auditeur qui veulent savoir ce qu'il faut écouter dans un concert de jazz, Jazz harmonie de Andy Jaffe vous aidera à faire ce que vous faites le mieux. Check it out! ' Billy Taylor. En angalis. / Théorie Solfège / Partition
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Advanced Rhythms In Improvisation (SAINDON ED)
Musical course - Solfege
Advance Music
Par SAINDON ED. While the primary focus of Advanced Rhythms in Improvisation is ...
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Par SAINDON ED. While the primary focus of Advanced Rhythms in Improvisation is on polyrhythms, the book also covers other additional important rhythms that are useful for the improviser. Extensive syncopated rhythmic figures (via the use of rests, dotted notes and ties), mixed rhythmic figures and partial subdivision are also covered which are beneficial to today's improviser. Advanced Rhythms in Improvisation offers musicians material and concepts that will help them expand their rhythmic vocabulary in improvisation. Additionally, working on this material will help improvisers fine tune their sense of time and give them many more options for rhythms whether they are improvising in 4/4 or 7/4. The use of these rhythms in improvisation as discussed in the book will enable the player to 'float over the time and to 'disguise the basic pulse of the time. / Méthode / Méthode / Tout Instrument
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Jazz Transcription
Musical course - Solfege
Advance Music
Transcriptions are used to develop the ears, to derive technical exercises, and ...
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Transcriptions are used to develop the ears, to derive technical exercises, and for analysis to gain understanding of the theory and techniques used to construct phrases. The solo transcriptions are included as complete examples. / Tout Instrument
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Guide To Jazz Composition And Arranging Jerry Cocker
Music Theory
Advance Music
/ Théorie Solfège
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The Beginning Improviser Vol.1 (RICKER RAMON)
Musical course - Solfege
-
Beginner
Advance Music
The Ramon Ricker Improvisation Series. Par RICKER RAMON. A new Play along system...
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The Ramon Ricker Improvisation Series. Par RICKER RAMON. A new Play along system for learning to play jazz. Each set contains a book with transposed parts for all instruments and a play along CD with Ray playing many of the book examples on his saxophone. Volume one is for the absolute beginning jazz student who knows his/her major scales. Subjects covered in this book include: VOCABULARY: Intervals, Roman Numerals, Scales, Modes, Diatonic Seventh Chords, Major, Minor, Dominant, and Suspended Chords, Chord/Scale Relationships, The Blues Progression, Using Pentatonic Scales with Blues, Pentatonic Chord/Scale Relationships, The II-V-I Progression, Rhythm Changes, The Circle of Fifths, and The Circle of Fourths, and Steps for Playing on Changes. STYLE: Swing Eighth Notes, Use of the Metronome, Scale Practice, and Scat-Singing Solos. EAR TRAINING: Specific examples and suggestions with recorded tracks for practice. REPERTOIRE: A suggested basic repertoire. This improvisation method is more than just another play-along. It is a series of books and CDs that progress step by step, offering concrete suggestions and advise that shows you how and what to practice. Drawing on twenty-five years of teachingexperience at the Eastman School of Music, Ramon Ricker uses text, recorded demonstrations by him and his students, and practice and play-along tracks that present the material in a clear and concise manner. Most of the play-along tracks feature the rhythm section of the 1980 Thad Jones/Mel Lewis Big Band with Harold Danko on piano, Rufus Reid on bass and the late, great Mel Lewis on drums. Since they performed and recorded together consistently over aperiod of several years, they played as a unit - a true jazz rhythm section. The recordings were brought up to meet todays higher CD standards and served as an inspiration for Ramon Ricker to write three entirely new books. In addition, new demonstration, ear training, and play-along tracks were added. / Niveau : Débutant / Jazz / Recueil / Tout Instrument
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Let's Play Rhythm
Musical course - Solfege
[Sheet music + CD]
Advance Music
Variations on Rhythm Changes for the Study of Improvisation, Ear Training and Co...
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Variations on Rhythm Changes for the Study of Improvisation, Ear Training and Composition. Variations On Rhythm Changes For The Study Of Improvisation, Ear Training And Composition / Méthode / Méthode / Instruments Mélodiques en Clé de Fa
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Donelian A. - Training The Ear For The Improvisation Musician Vol 2 + 4 Cd
Musical course - Solfege
Advance Music
Now, Training the Ear Volume 2 heralds new directions for the ardent aural explo...
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Now, Training the Ear Volume 2 heralds new directions for the ardent aural explorer. ?Training the Ear, Volume 2? is targeted towards the specific aural needs of the student of intermediate level harmony with his/her advanced development mind. It is intended to provide a practical aural and theoretical foundation that enables the improviser to process more complex levels of music easily and confidently, and thereby to contribute to raising the standard of music pedagogy. (From the introduction by Armen Donelian)
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Mark Boling: Jazz Theory Workbook (Coker): Theory
Musical course - Solfege
Advance Music
This is a primer in jazz theory intended to prepare the student for the serious...
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This is a primer in jazz theory intended to prepare the student for the serious study of jazz improvisation arrangement and composition. The focus is on the harmonic language of jazz especially the harmonic practices which coalesced in the bebop and post bop periods of the 1940âs and 1950âs when bebop and standard tunes formed the core of the mainstream repertoire. The harmonic language of that period is still the framework on which contemporary jazz musicians build. Included are many musical examples and written assignments for practice in the theoretical skills. Appropriate exercises are provided to reinforce theoretical concepts by immediate application to theinstrument.
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Ron Miller: Modal Jazz Composition & Harmony: Reference
Musical course - Solfege
Advance Music
The goal of this book is to show the student the means to develop latent creativ...
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The goal of this book is to show the student the means to develop latent creative abilities by offering the unfettered environment of the chromatic-modal system and free asymmetric form. The freedom of the approach will allow the composer to express him/herself in any style: post 50s jazz ECM fusion pop classical etc. that is not tied to any harmonic particulars. Ron Miller is professor of jazz studies at the University of Miami. His compositions have been recorded and/or performed by notable musicians as Red Rodney Elements Jerry Coker Ira Sullivan and Stan Getz. Composition students of Ron Miller that have attained notorietyinclude: Pat Metheny Steve Morse T Lavitz Bruce Hornsby Gil Goldstein Mark Egan Matt Harris Denis DiBlasio and Rick Margitza.
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Beyond Time And Changes: Instrumental Album
Musical course - Solfege
[Sheet music]
Advance Music
A Musician's Guide To FREE Jazz Improvisation-In 'Beyond Time and Changes' accl...
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A Musician's Guide To FREE Jazz Improvisation-In 'Beyond Time and Changes' acclaimed jazz trombonist pianist composer arranger teacher and author Hal Crook offers a methodology to guide the advancing improviser through the un-chartered musical territory known as 'free jazz'.
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How To Comp: Instrumental Tutor
Musical course - Solfege
[Sheet music + CD]
Advance Music
A Study In Jazz Accompaniment-This book/CD set presents a clear comprehensive ...
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A Study In Jazz Accompaniment-This book/CD set presents a clear comprehensive one-step-at-a-time method for learning how to accompany an improvised jazz solo. As a sequel to Hal Crook’s text 'How to Improvise' How to Comp offers precise explanations practical exercises recorded musical examples four play-along tracks and daily practice routines. How to Comp organizes a vast amount of information that helped to make the author’s previous work a major contribution to jazz pedagogy. How to Comp is primarily for intermediate through advanced level players of harmonic instruments e.g. Piano (Keyboard) Guitar and Vibraphone. However drummers bassists and Hornplayers can also benefit from its study. Subject covered include: Voicing construction preferred stock voicings voiceleading constant structure non-harmonic voicings single-note lines rhythmic vocabulary altering the harmonic rhythm motive development dividing and shifting attention supportive and interactive comping styles the soloist’s viewpoint pacing strolling and much more. In How to Comp the author an accomplished jazz trombonist pianist composer arranger and educator looks deeply into the nature and challenge of artistic jazz accompaniment and puts into focus a direct sure path toward mastery.
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Bergonzi J. - Inside Improvisation Series
Musical course - Solfege
Advance Music
Inside Improvisation Series Melodic Structures A step by step method for lea...
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Inside Improvisation Series Melodic Structures A step by step method for learning to play over changes for all instruments. Inside Improvisation - Melodic Structures, is the first in a series of DVDs which describe a simple and pragmatic approach to improvisation. While focussing on the jazz idiom, the techniques discussed are applicable to many styles of music and all instruments, be it rock guitar, jazz saxophone, or the solos of the fusion keyboardist. The system presented in this volume offers a tangible pathway to inside the creative imagination by getting inside harmony, inside the changes. All music composed and performed by Jerry Bergonzi Rhythm section backround: Garry Dial - piano, Dave Santoro - bass, Alan Dawson - drums Produced by Hans Gruber PART 1 Section I: Four Note Groupings 1-5 Section II: Mixing Up Permutations Section III: Visualization Section V: Editing SectionVI: Key Centers Section VII: Inversions - PART 2 Section IX: Four Note Groupings 5-9 Section X: Avoid Notes Section XI: Upper Structure Groupings 9-13 Section XII: Additional Groupings Section XIII: Mixing Groupings
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Bergonzi J. - Inside Improvisation Vol. 4 - Melodic Rythms + Cd
Musical course - Solfege
Advance Music
Time and rhythm are king! Number one! We are constantly aware of this fact when ...
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Time and rhythm are king! Number one! We are constantly aware of this fact when we are playing or listening to improvised music. All notes seem to sound good when they are played with good time. Even melodies that use wrong notes sound good when played with good time. What often packages a good time feel are the rhythms a particular artist chooses to use. This book hopefully lends some insight into practicing and playing creative rhythms in a melodic way. (Jerry Bergonzi) The CD provides 10 standard chord progressions, each played in two different tempos by Bruce Barth on piano, Dave Santoro on bass, and Adam Nussbaum on drums. In addition Jerry demonstrates various approaches and exercises on tenor saxophone.
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Liebman D. - A Chromatic Approach To Jazz Harmony And Melody - Nouvelle Edition + Cd
Musical course - Solfege
Advance Music
Revised Edition 2006 This book should be seen as a method to help the artist t...
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Revised Edition 2006 This book should be seen as a method to help the artist to develop his or her own way when trying to improvise chromatically. Through the concepts and examples offered, the improvisor should be able to use this material alongside already familiar tonal ideas. Specifically, the book serves as a guide for organizing chromaticism into a coherent musical statement meant to satisfy both the intellectual and emotional needs of artistic creation. The reader will be introduced to more than one way of conceiving chromatic lines and harmonies. There is nothing theoretically complex or new in the text, it is the organization of the material as well as many musical examples and transcriptions (Bach, Scriabin, Coltrane, Shorter, Hancock, Beirach, Liebman a.o.) which should serve to inspire musicians to expand their usual diatonic vocabulary. This book also provides insight into the style of playing that David Liebman is known for. In addition the book contains 100 assorted solo lines and 100 chord voicings.
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Bergonzi J. - Inside Improvisation Vol. 3 - Jazz Line + Cd
Musical course - Solfege
Advance Music
Line Playing · Voice-Leading · Chromaticism · Bebop Scales A clear and practi...
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Line Playing · Voice-Leading · Chromaticism · Bebop Scales A clear and practical step-by-step approach to chromaticism, line playing and voice leading. The CD contains 23 play-along tracks (most of them played in two tempos), based on standard chord progressions, performed by a professional rhythm section, featuring Renato Chicco on piano, Dave Santoro on bass, and Adam Nussbaum on drums. In addition Jerry demonstrates various exercises and approaches on tenor saxophone. Chord changes are included for C concert, B flat and E flat instruments. Jerry Bergonzi is a highly respected jazz educator/musician who lives and teaches in the Boston area. Over many years his Inside Improvisation system has proven to be tremendously successful. ISBN 3-89221-049-7
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Miller Ron - Modal Jazz Composition And Harmony, Vol. 2
Advance Music
The goal of Volume 2 of Modal Jazz Composition & Harmony is to continue the diss...
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The goal of Volume 2 of Modal Jazz Composition & Harmony is to continue the dissemination of information that presents a path of study for the aspiring jazz composer. Where Volume 1 of the book emphasized the preparation of a modal harmonic foundation, this volume will introduce concepts of melody writing and a study of the styles of jazz compositions that are an intrinsic addition to the contemporary jazz composer´s repertoire. Also included are chapters on harmonization and reharmonization techniques - as many of the concepts presented reflect an influence of Gil Evans, Duke Ellington and Charles Mingus as well as those of Herbie Hancock - and on pentatonic tunes that are harmonized with a modal harmonic foundation. As with Volume 1, an appendix with additional peripheral information is included for the student desiring theoretical explanation and additional examples.
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Miller Ron - Modal Jazz Composition And Harmony, Vol. 1
Advance Music
The goal of this book is to show the student the means to develop latent creativ...
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The goal of this book is to show the student the means to develop latent creative abilities by offering the unfettered environment of the chromatic-modal system and free asymmetric form. The freedom of the approach will allow the composer to express him/herself in any style: post 50s jazz, ECM, fusion, pop, classical, etc., that is not tied to any harmonic particulars. Ron Miller is professor of jazz studies at the University of Miami. His compositions have been recorded and/or performed by notable musicians as Red Rodney, Elements, Jerry Coker, Ira Sullivan and Stan Getz. Composition students of Ron Miller that have attained notoriety include: Pat Metheny, Steve Morse, T Lavitz, Bruce Hornsby, Gil Goldstein, Mark Egan, Matt Harris, Denis DiBlasio and Rick Margitza.
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Bergonzi J. - Inside Improvisation Vol. 6 - Developing A Jazz Language + Cd
Musical course - Solfege
Advance Music
Inside Improvisation : vol. 6 Learning a language requires listening on many lev...
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Inside Improvisation : vol. 6 Learning a language requires listening on many levels to the meanings, the sounds, the intentions, and the inflections or nuances of the language. The first chapters of this volume on learning the language of jazz focus on the prerequisites of chord scales, approach notes to chord tones and target notes, scale motives and sequences, and lines. Part two qualifies improvisational techniques into three areas; melodic, harmonic and sonic (rhythmic devices are the focus of Vol. IV, Melodic Rhythms) and it is designed as a menu of soloing devices from which you can select your personal course of study. Over 100 specific devices are discussed and conceptualized so as to give the improviser more depth of expression and a greater well from which to draw ideas. Among the numerous topics presented are: guide tones, voice leading, chord substitutions, three tonic system for composition, tritonics, hexatonics, tonal expansions, whole tone playing, augmented symmetric scales, double diminished scales, limited range and large range playing, shapes, blues melodies, accents, comping as a soloing device, common tones, articulations, laying back on the... The CD contains twelve standard chord progressions, each played in two different tempos. Renato Chicco - piano Dave Santoro - bass Adam Nussbaum - drums
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Bergonzi J. - Inside Improvisation Vol. 7 - Hexatonics + Cd
Musical course - Solfege
Advance Music
Inside Improvisation Series : vol. 7 Hexatonic scales are six note scales. This ...
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Inside Improvisation Series : vol. 7 Hexatonic scales are six note scales. This book presents a practical method for the construction of hexatonic scales that are useful for both the improviser and composer. Many modern piano players use hexatonic voicings by stacking the triads to create a particular harmony. We improvise in the sound of the voicing and using hexatonic voicings and lines can lend a very contemporary sound.
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